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IMDbPro

La fratellanza

Titolo originale: The Brotherhood
  • 1968
  • PG-13
  • 1h 36min
VALUTAZIONE IMDb
6,0/10
1242
LA TUA VALUTAZIONE
La fratellanza (1968)
CrimineDramma

Aggiungi una trama nella tua linguaThe son of a powerful Mafia don comes home from his army service in Vietnam and wants to lead his own life, but family tradition, intrigues and powerplays involving his older brother dictate... Leggi tuttoThe son of a powerful Mafia don comes home from his army service in Vietnam and wants to lead his own life, but family tradition, intrigues and powerplays involving his older brother dictate otherwise, and he finds himself being slowly drawn back into that world.The son of a powerful Mafia don comes home from his army service in Vietnam and wants to lead his own life, but family tradition, intrigues and powerplays involving his older brother dictate otherwise, and he finds himself being slowly drawn back into that world.

  • Regia
    • Martin Ritt
  • Sceneggiatura
    • Lewis John Carlino
  • Star
    • Kirk Douglas
    • Alex Cord
    • Irene Papas
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,0/10
    1242
    LA TUA VALUTAZIONE
    • Regia
      • Martin Ritt
    • Sceneggiatura
      • Lewis John Carlino
    • Star
      • Kirk Douglas
      • Alex Cord
      • Irene Papas
    • 24Recensioni degli utenti
    • 26Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
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    Interpreti principali21

    Modifica
    Kirk Douglas
    Kirk Douglas
    • Frank Ginetta
    Alex Cord
    Alex Cord
    • Vince Ginetta
    Irene Papas
    Irene Papas
    • Ida Ginetta
    Luther Adler
    Luther Adler
    • Dominick Bertolo
    Susan Strasberg
    Susan Strasberg
    • Emma Ginetta
    Murray Hamilton
    Murray Hamilton
    • Jim Egan
    Eduardo Ciannelli
    Eduardo Ciannelli
    • Don Peppino
    Joe De Santis
    Joe De Santis
    • Pietro Rizzi
    • (as Joe DeSantis)
    Connie Scott
    Connie Scott
    • Carmela Ginetta
    Val Avery
    Val Avery
    • Jake Rotherman
    Val Bisoglio
    Val Bisoglio
    • Cheech
    Alan Hewitt
    Alan Hewitt
    • Sol Levin
    Barry Primus
    Barry Primus
    • Vido
    Michele Cimarosa
    • Toto
    Louis Badolati
    • Don Turridu
    Hal Holbrook
    Hal Holbrook
    • Man at table
    • (non citato nei titoli originali)
    Anthony Marciona
    Anthony Marciona
    • Antonio
    • (non citato nei titoli originali)
    Gloria Matthews
    • Wedding Guest
    • (non citato nei titoli originali)
    • Regia
      • Martin Ritt
    • Sceneggiatura
      • Lewis John Carlino
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti24

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    Recensioni in evidenza

    6ma-cortes

    Fair production about Italian-American mobsters with plenty of drama , thrills and fine performance.

    The son of a powerful Organized Crime -Mafia- don comes home from his army service in Vietnam and wishes to lead his own life. This is a young man called Vince Ginetta (Alex Cord) that his older brother Frank Ginetta (Kirk Douglas) raised with selfless devotion, following the family tradition. As intrigues and powerplays involving his older brother dictate otherwise, and he finds himself being slowly drawn back into that world. But Frank Ginetta is a veteran member of the mafia who refuses to accept the new principles of his brother Vince. Things go wrong when the Mafia high council (Luther Adler, Val Avery, Alan Hewitt and Murray Hamilton) in New York, together with outvote Frank Ginetta all the time. And Vince executes orders of the council, while Frank refusal to follow the higher dictates, it leads both to a confrontation, emulating Cain and Abel, resulting in sad consequences. Honor, Loyalty, Betrayal !.

    The central theme of the film is the confrontation between two hot-headed brothers from a Mafia syndicate, who clash over old and new methods and the changing of the guard in the Family. In this film, Kirk Douglas, dressed up with a drooping mustache and dyed hair, excels in his role as a New York syndicate board member who has nostalgic memories of how much better things were done in the old Mafia days. Not surprisingly, he turns on the syndicate and runs off to retire to Sicily. The picture is passable and acceptable enough, but not remarkable. Martin Ritt can't do much with the chest-beating that accompanies this tale of brotherly love, self-sacrifice and providing a far-fetched as well as failed notion of believably portraying the physical aesthetic and singular temperament of Sicilians. So he slowly and stolidly makes his way through the bitter and the new, stopping for a few interesting and exciting scenes. Kirk Douglas gives the best performance with his usually over-the-top style allowing him to liven things up; far below is newcomer Alex Cord, who gives an inferior and weak interpretation compared to that of the Hollywood towering Kirk Douglas. Much of the movie's failure was attributed to lack of chemistry between Kirk Douglas and Alex Cord. While normally fine Greek actress Irene Papas is really wasted and Luther Adler briefly steals the show as a plump, greasy, rather likeable snitch who becomes respectable. Joining these superior actors are a host of well-known supporting actors, such as: Susan Strasberg, Murray Hamilton, Eduardo Ciannelli, Joe De Santis, Connie Scott, Val Avery, Alan Hewitt, Barry Primus, and look for very brief appearances from Hal Holbrook, and even Paul Reubens.

    In the film there is also a historical remark when the role played by the old mafia boss Eduardo Ciannelli explains that it is necessary to carry out a bloody revenge for some events of the past, thus he refers to notorious kingpin Lucky Luciano and about the person to be killed, a stool pigeon who told Lucky the people to murder. Luciano was one of the bosses of the Mafia and leader of Cosa Nostra or Mafia, and soon became a chief in the Reina Family during the height of the Castellammarese War. Subsequently, taking place a Mafian War between Salvatore Maranzano, who eventually defeated the faction headed by rival Joseph Masseria . After Masseria's murder , this position was short-lived, as Maranzano himself was murdered in 1931. Then , the family is headed by Charles "Lucky" Luciano , eventually known as the Genovese Family. He orders the slaughter of 40 other responsible , a famous massacre nicknamed Sicilian Vespers, therefore becoming the only boss.

    The motion picture was professional but unevenly directed by Martin Ritt and it did not do very well at the box office. As a result, studios were reluctant to do more Mafia stories, that's why it almost convinced Paramount not to make The Godfather (1972). ¨Edge of the city¨(1957) resulted to be Martin Ritt's first directing assignment after being blacklisted in the 1950s and he went on to direct 25 more films, including some classics. Ritt was an expert on dramas such as ¨Stanley and Iris¨ , ¨Nut¨ , ¨Norma Rae¨ , ¨The front¨, ¨The Sound and the Fury¨ , ¨Black orchid¨ , though also directed films of all kind of genres such as : ¨The Spy Who Came in from the Cold¨ , ¨The Great White Hope¨ , and ¨Molly McGuire¨ . Martin Ritt worked with Paul Newman in two Westerns : ¨Hombre¨ and ¨Outrage¨ and two dramas : ¨Hud¨, ¨Hemingway's Adventures of a Young Man ¨. ¨Mafia¨ rating : 6/10, a decent family thriller . It will appeal to drama enthusiasts and Kirk Douglas fans. Well worth watching, it's considered to be an adequate precedent to ¨The Godfather¨, although it is not one of Martin Ritt's best films.
    6bkoganbing

    Keep Your Friends Close And Your Enemies Closer

    The Brotherhood as a title has a double meaning. It's not just about that Italian fraternal order of criminals that so many films and books have been made and written about. It's about two brothers also, the Ginettas, Frank and Vince.

    Kirk Douglas is Frank Ginetta a made man, high up in the councils and his younger brother Vince played by Alex Cord who's just back from the Army like Michael Corleone was. But Michael married an outsider while Vince Ginetta is marrying the daughter of another Mafia capo, Luther Adler.

    Though he's younger than Adler, Douglas is a guy who likes to do things the old fashioned way, the way his dad who was a button man back in the day did them. He also loves hanging around with the ancient survivors of the old Mafia wars among them Eduardo Ciannelli. Adler and Douglas get to be at loggerheads over Cord and the role he should take in the business.

    The old guys learn something and give Douglas a contract that's going to cause him considerable problems, personal and organizational. What's a good Mafia guy to do when you get a contract. Then Alex Cord is given a contract to make his bones so to speak.

    The main difference between the Godfather films and this is that the Brotherhood is set in the present, whereas the Godfather films are rooted in the past. By 1968 organized crime at the highest levels was hardly an Italian only concern. You don't see hardly any non-Italians in the first Godfather film and in the second the alliance is pretty wary. The non-Italians dominate the high councils in New York, Val Avery, Alan Hewitt and Murray Hamilton together with Luther Adler outvote Douglas all the time.

    Martin Ritt shot a whole lot of this film in New York and many of the sites are recognizable to a native New Yorker. Still it's not one of his better films and it took Francis Ford Coppola to do the modern gangster film right.

    One thing though, Douglas certainly did NOT heed Vito Corleone's advice about keeping your friends close and your enemies closer. Not that the higher ups wouldn't have found out at some point anyway, but when you watch The Brotherhood you'll know that Douglas was the obvious suspect when he makes that fateful hit.
    dbdumonteil

    More mafia.

    This Martin Ritt work,which is not among his best (Hombre,Hud,etc) ,features a prologue and an epilogue,which take place in Sicily(but a studio Sicily as the final cast and credits says);two short bits which frame an endless flashback which explains(?) why Vince (Cord) must(!) kill brother Kirk.This long hour features the de rigueur mafioso -the good(?) and the bad ones-,the obligatory wedding scene ,proud family chronicles ,etc etc etc:plus ça change..

    It's too bad Ritt did not focus his story on Sicily ,a Sicily he should have filmed on location instead .The only good scenes are the final ones ,and Irene Papas could have added a Greek tragedy touch ,hadn't her part been so underwritten.

    Some will find here roots of "the godfather" ,but I would go as far as saying that it questions the hitherto excellence of the Coppola movie.Its eternal triumph (with an obnoxious subject) leaves me with a bitter taste in the mouth.

    As for Martin Ritt,there are plenty of estimable works to choose.Avoid this.
    flipshoes

    Cheesy

    Not only is this film's story-telling sort of like in a filmed stage play (just people talking all along), but its looks (images and set design) are quite second-rate, like in a low-budget ready-for-TV movie. The acting is extremely poor, over-acting everywhere (compare this with "The Godfather" and its brilliant cast, and its excellent cinematography by Gordon Willis), and Kirk Douglas looks about as Italian as I appear Chinese. All in all, a major disappointment.
    RonnieJamesDio

    Excellent precursor to the Godfather

    When this movie first came out it was unfairly shunned by critics and the movie industry. But now 31 years later The Brotherhood can now fully be enjoyed by fans as an excellent precursor to the Godfather. Kirk Douglas heads an all-star cast in this excellently written, excellently acted,and most of all excellently made picture.

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    Trama

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    Lo sapevi?

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    • Quiz
      When this film came out, it did not do very well at the box office. As a result, studios were reluctant to do more organized crime stories. The failure of this film almost convinced Paramount not to make Il padrino (1972).
    • Connessioni
      Edited into Lo schermo a tre punte (1995)
    • Colonne sonore
      The Taste of Love
      Lyrics by Norman Gimbel

      Music by Lalo Schifrin

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    Dettagli

    Modifica
    • Data di uscita
      • 31 gennaio 1969 (Francia)
    • Paese di origine
      • Stati Uniti
    • Lingue
      • Inglese
      • Italiano
    • Celebre anche come
      • The Brotherhood
    • Luoghi delle riprese
      • Filmways Studios - 246 East 127th Street, East Harlem, Manhattan, New York, New York, Stati Uniti(Studio)
    • Azienda produttrice
      • Brotherhood Company
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 1h 36min(96 min)
    • Colore
      • Color
    • Mix di suoni
      • Mono
    • Proporzioni
      • 1.85 : 1

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