Agente segreto

Mcgill is a man of the sixties who is on a different case every week. He cannot and will not get too close to the opposite sex because of his travels and his occupation. However, he does run into some old friends along the way and Mcgill always comes out on top. With his cigarette in his mouth and his American accent his mcgill is an anti hero that seems a million miles away from Simon Templar but underneath the rugged exterior he is actually quite similar to the saint. The locations are varied and the standard of the writing and the acting is very good. All in all Mcgill is a man of the sixties and you cannot imagine him ever settling down, he is truly a man in a suitcase.

Richard Bradford plays this role absolutely on the nail. It sets a standard that can only have been copied in the Prisoner, Callan, the Professionals, The Avengers ..... The list would go on, right through to Bond and Vin Diesel. An understated and genuine creation that has set the scene for years after. Any actor who now wants to play the disenfranchised but preeminent secret agent has to watch this or fail dismally.

The production is carried by Bradford's acting and presence, but it has to be acknowledged, he has the medium of inspired writers who are clearly "under the cosh" to deliver tight, cogent and robust scripts.

Mcgill, and I suspect Bradford as well, would have hated the internet and the modern film industry as a communications medium, given its requirement for many words where one short meaningful statement would do - Ernest Hemingway - you're not forgotten.

One statement to sum it up? - Great intelligent, high integrity production.

I first saw "Man in a suitcase" in 1967-I loved it then and still do.This is one of the A.T.V."action" series of the 60's,but it differs from the likes of "The Saint" or "The Baron",in the cynical edge to the plots and the vulnerability of the hero.Richard Bradford as "McGill"(no first name!),was simply the coolest TV detective ever.He looked great(in fab "pre hippy era 60's" suits,with narrow lapels and thin ties),was as tough as nails,moody and unpredictable,and acted like Brando playing Peter Gunn-oh,and made smoking a cigarette into an art form.One amazing thing is he didn't always win either,and when he did he might well come out of things half beaten to death,many of the endings of episodes were pretty downbeat.The producers did make one ghastly mistake though-a guy like McGill should never have driven a car as totally uncool as a Hillman Imp!

Best episode for me-"Brainwash".

This show is a strong candidate for the best ever theme tune and titles.

Man in a suitcase follows the exploits of an American in London and Europe after her get kicked out of the CIA. I first came across this show on a day time TV run years ago and watched it expecting something cheesy. I was very pleasantly proved wrong and having been trying to buy or tape as many episodes as I could get my hand on ever since.

Although produced by Lew Grade's ITC company, it shares little in common with stablemates such as "Champions", "DangerMan" or even "The Prisoner". What made it different was the quality of the plots, the acting (especially Richard Bradford's)and the way it managed to combine elements of glamour and gritty realism...oh, and the title music (although all ITC shows had good title music and sequences).

An excellent series.

The most realistic and gritty of all the 1960's ITC thriller series and one of the best. If The Saint did it with suavity, The Champions with super-powers, Jason King and his Department S colleagues with camp panache and Randall and Hopkirk with supernatural powers, McGill, a CIA outcast trying to make a living as a private eye in mid-60's England, just did it. With no fuss or flashiness, Richard Bradford's anti-hero and his "have gun will travel" policy took him into adventures more believable and down to earth than those of his stable-mates.

In this pilot episode for example, McGill gets waylaid by a deposed white African leader who wants him to reveal how back in his CIA days he assisted with that country's revolution with the ultimate aim of deposing the present government and re-establishing white government over the locals. Given that the British government of the time was having well-publicised disputes with former colonies in the African continent, there's a strong whiff of topicality about the narrative, only bolstered further by the use of forced interrogation techniques redolent of "The Manchurian Candidate" and "The Ipcress Files" to name but two. It's pretty obvious to say also that both these themes are still very much in the news today.

The silver-haired Bradford is excellent as the laconic, friendless, endlessly cynical McGill. This episode was crisply directed by celebrated Ealing director Charles Crichton (later to direct "A Fish Called Wanda"). Yes, you will see various guest stars from the supporting cast of most of the afore-mentioned shows not to mention sets, cars and now and again variations on the same story too. Indeed McGill's anti-Establishment stance is not too far away from the daddy of all 60's TV rebels, Patrick McGoohan's "The Prisoner".

"Man In A Suitcase" (which incidentally boasts another great Ron Grainer theme) may not have aimed quite as high as McGoohan's tormented odyssey but this was solid entertainment and very good quality stuff of its kind, one of the best adventure series of the 60's I'd say.