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IMDbPro

The Doris Day Show

  • Serie TV
  • 1968–1973
  • TV-G
  • 30min
VALUTAZIONE IMDb
7,2/10
943
LA TUA VALUTAZIONE
The Doris Day Show (1968)
CommediaSitcom

Aggiungi una trama nella tua linguaAfter spending most of her life in big cities, widow Doris Martin decides to move back to the family ranch.After spending most of her life in big cities, widow Doris Martin decides to move back to the family ranch.After spending most of her life in big cities, widow Doris Martin decides to move back to the family ranch.

  • Creazione
    • James Fritzell
  • Star
    • Doris Day
    • Philip Brown
    • Todd Starke
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,2/10
    943
    LA TUA VALUTAZIONE
    • Creazione
      • James Fritzell
    • Star
      • Doris Day
      • Philip Brown
      • Todd Starke
    • 22Recensioni degli utenti
    • 3Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 2 candidature totali

    Episodi128

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    Interpreti principali99+

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    Doris Day
    Doris Day
    • Doris Martin…
    • 1968–1973
    Philip Brown
    Philip Brown
    • Billy Martin
    • 1968–1971
    Todd Starke
    Todd Starke
    • Toby Martin
    • 1968–1971
    Denver Pyle
    Denver Pyle
    • Buck Webb
    • 1968–1970
    Rose Marie
    Rose Marie
    • Myrna Gibbons
    • 1969–1971
    McLean Stevenson
    McLean Stevenson
    • Michael Nicholson
    • 1969–1971
    John Dehner
    John Dehner
    • Cyril Bennett
    • 1971–1973
    Jackie Joseph
    Jackie Joseph
    • Jackie Parker
    • 1971–1973
    Paul Smith
    Paul Smith
    • Ron Harvey…
    • 1969–1971
    Lord Nelson
    Lord Nelson
    • Nelson the Sheepdog
    • 1968–1971
    James Hampton
    James Hampton
    • LeRoy B. Simpson
    • 1968–1971
    Naomi Stevens
    Naomi Stevens
    • Juanita
    • 1968–1969
    Louise Lane
    Louise Lane
    • Party Guest…
    • 1971–1973
    Billy De Wolfe
    Billy De Wolfe
    • Willard Jarvis…
    • 1970–1973
    Norman Stevans
    Norman Stevans
    • Restaurant Patron…
    • 1970–1973
    Fran Ryan
    Fran Ryan
    • Aggie Thompson
    • 1968
    Kaye Ballard
    Kaye Ballard
    • Angie Pallucci…
    • 1970–1972
    Carol Worthington
    Carol Worthington
    • Ethel Weber…
    • 1969–1971
    • Creazione
      • James Fritzell
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti22

    7,2943
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    Recensioni in evidenza

    7qualityguyftl

    Love this show (but with some changes)

    You all know the backdrop of this series so I won't bore you with it. I love this show and I too like the season 2 and 3 shows the best. As far as format changes go, I think they did a really good job going from season 1 to 2 to 3. It was a logical progression, Doris gets a job, then she moves the family into town etc. I hate the way they changed the format in season 4 and 5. Had I been around at that time to put my two cents in I would have done several things. 1. In season 4 I would have left things exactly as they were in season three and brought in the Peter Lawford character as Doris's serious love interest and possible step father for the boys. This along with the normal goings on would have brought yet another logical advancement. 2. In season 5 I would have Doris and Peter get engaged, Doris gets a new Boss and is promoted to a staff writer position at the magazine. The season finale would have been Doris and Peter's wedding with the entire cast from all the seasons in attendance. This could have been a huge ratings getter and a great way to end the series. I just don't know what they were thinking when they did 4 and 5. There are some episodes that are good but the show is missing the heart it had in 1,2, and 3. As was stated by another poster we cant go back and change history but thankfully there is enough good in seasons 1 2 and 3 that I watch them all the time. A must for Doris Fans.
    pebrogan

    WHAT WILL BE WILL BE DELIGHTFUL!

    Doris Day, the number one female box-office attraction of all-time, smoothly segued into television in September of 1968. Although she had not planned to do a series, her late husband Marty Melcher had committed her to a deal with the eye network and as Day always said, "...a deal is a deal..." Despite stellar ratings the first week, the series faltered somewhat during the following weeks as viewers became frustrated at seeing Doris, who had achieved tremendous cinema success as a working, strong-minded woman, relegated to living on a farm. She was a delight as a widow with two young sons, a father, farm hand and housekeeper, but the scripts gave her little to do but smile. She took control of the show during the second season, had her character, Doris Martin get a job at a magazine in San Francisco, and ratings shot through the roof. The second through fifth seasons were certainly notable for many reasons. "The Doris Day Show" averaged 35-35 million viewers each Monday evening. It was largely due to Day's tremendous likeability and effortless skill as an actress and comic. The situations, while often uproariously funny, were never so slapstick that they bordered on caricature. She wisely surrounded herself with a wonderful supporting cast and guest stars that complimented her inherent skills. Maclean Stevenson, Rose Marie, Kaye Ballard, Bernie Kopell, Billy DeWolfe and others, were all given ample opportunity to shine, Day never feeling she wanted all the focus to be on her. There were wonderful guest stars and a look-see at the series will give you a chance to watch a young Jodie Foster and a venerable Estelle Winwood, well into her 80's at the time she appeared on the series several times. Henry Fonda, Day's "Midnight Lace" co-star John Gavin, Lew Ayres, Tony Bennett, Peter Lawford, and Patrick O'Neal are just a handful of those who graced the tube with the freckle-faced dynamo. Continuing her big-screen role as an independent woman who wouldn't take flack from anyone, instead building a successful career in what was often a man's world, prior to the so-called cutting edge "Mary Tyler Moore Show", Day was a woman of strength and determination although never submerging her femininity and becoming hard or cold. Occassionally Doris Day even let lose with a song or two, harmonizing with Bennett to "I Left My Heart in San Francisco", chirping with Larry Storch to "Harvest Moon" or singing a perfectly beautiful "Silver Bells" during a Christmas episode. Always garbed beautifully, Day had a great time sending up her own image as in an episode where her character, Doris Martin, won a Doris Day look-alike contest. While the show underwent some changes of cast and locale each season, her character continued her job at Today's World, and always maintained her integrity and sense of humor. In the Spring of 1973, following a successful five year run of almost 130 episodes, Day decided not to renew her contract for another season feeling that she had done what she could with the role. Offers continued to pour in for various series but Day felt the series stood on its own merits. A look at the show today shows that she was savvy in walking away when she did. It remains funny, charming, very watchable, and Day remains a surefire treat, the glue that keeps everything nicely together.
    Sargebri

    Cute, But Confusing

    When I was a kid this was my first exposure to Doris Day. I was only two when this show first aired and I used to watch it every week. However, it was fairly confusing due to the fact that it changed situations almost every season. In the first season she was the typical widowed mom raising her two kids in an almost carbon copy of "Green Acres", but without the surrealism of that show. In the second season we see her become a writer for a magazine, which she would remain, with slight variations for the next few years. However, in the final season, the show pretty much becomes another version of "Mary Tyler Moore" with her now playing a single girl and without the kids that she had for the first few years. However, despite these changes Doris Day retained the charm and grace that made her one of the most popular stars in television.

    Also, one thing that is quite ironic is the fact that this show was set in San Francisco, which was the same locale as her former co-star, and close friend, Rock Hudson's series "McMillan and Wife". That fact could have led to all sorts of guest star possibilities.
    nneprevilo

    I Don't Remember This Show Being This Good!

    I didn't watch much of the Doris Day Show when it was on, I hated the idea that America's top female movie star was forced to do TV. Because I'm a Doris Day collector, I purchased THE DORIS DAY SHOW First Season.

    Now, I remember. I saw the first couple of shows and quit watching. Now watching the later shows from the first season, I can't believe how good this is! Leave it to Doris Day to make a silk purse out of a sow's ear. Her acting is incredible -- she doesn't miss a trick. As Jack Lemmon said about Day, "It was elevating to act with her." AND THAT BODY! Doris Day had the best figure in Hollywood. Don't get me wrong, I thought that Marilyn Monroe was voluptuous, but Doris' figure was perfect. She could wear anything and look terrific.

    I'm looking forward to the rest of the seasons. On this collection, there are some fun extras, including Doris' two appearances on the TV classic, What's My Line?"

    Looking back, Doris Day was robbed. She never got nominated as Best Actress in a comedy by the Emmys. Clearly, she was better than Lucille Ball in the messy and overplayed, "Here's Lucy" and as good or better than the actresses that WERE being nominated during this period. But I must point out, this series was done during the "I hate Doris Day" period in the USA. Everybody frowned on Day as being "too clean" and "a virgin." Of course all of that was nonsense and looks silly today, but that was the atmosphere in which Doris filmed this series.

    The Emmys often ignored the best. Remember, the marvelous Esther Rolle was never nominated for her formidable work on "Good Times."
    7AlsExGal

    From Mayberry to M.A.S.H

    This show ran from 1968 until 1973, and I hadn't seen it on TV probably since its initial run until the DVDs came out. The show aired at a time when American culture was going through a great transition. When Doris Day first went on the air Bonanza and The Andy Griffith Show were the top television draws. By the time it went off the air it was All in the Family and M.A.S.H. Thus it is amazing that Doris Day stayed on the air for five years during this time when her clean-cut image probably set her apart from the crowd, and then walked away from her show - the show was not canceled due to poor ratings. In fact, it did quite well throughout its run.

    It will take you back to a simpler time, but then so did Doris Day's films and I still find those enjoyable. The show did make major changes to accommodate the changing times. Initially it had a rural setting with Doris being a widow with two sons who played a major part in the show. First the show had her moving to San Francisco. Next she and her sons moved to a more "hip" apartment. By season four the kids and her widowhood status had disappeared and she was single. Her father and her sons just vanished into thin air, never to be mentioned again.

    Also, Doris evolved from a secretary to an associate editor. However, she kept her name and the second apartment she had when her sons had existed. It was very confusing. I'd still recommend it, just remember that culture changed so fast in the U.S. during this time that it even had an effect on how Doris Day was presented.

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      Doris Day's contract with CBS to do this series set a record, with her production company getting several million dollars in up-front money. It was negotiated by Martin Melcher, her husband of 17 years. However, after Melcher died unexpectedly in April of 1968, just five months before the series was to debut, Day said she had no knowledge of ever having signed on to do the show. It turned out that Melcher and the couple's lawyer and financial advisor had squandered the millions of dollars that Day had made in her 20-year career in films and records, leaving her not only flat broke but also more than $500,000 in debt. Melcher, desperate for money, had used his position as her husband and manager and had contracted with CBS to produce a sitcom for Day, but he never told her about it.
    • Connessioni
      Featured in Biography: Doris Day: It's Magic (1998)

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    Dettagli

    Modifica
    • Data di uscita
      • 24 settembre 1968 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • El show de Doris Day
    • Luoghi delle riprese
      • 650 California Street, San Francisco, California, Stati Uniti(Today's World magazine office)
    • Azienda produttrice
      • Arwin Productions
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      30 minuti
    • Colore
      • Color
    • Mix di suoni
      • Mono
    • Proporzioni
      • 1.33 : 1

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