Una donna, che ha perso la vista da poco, viene terrorizzata da un trio di teppisti che cercano nel suo appartamento una bambola imbottita di eroina.Una donna, che ha perso la vista da poco, viene terrorizzata da un trio di teppisti che cercano nel suo appartamento una bambola imbottita di eroina.Una donna, che ha perso la vista da poco, viene terrorizzata da un trio di teppisti che cercano nel suo appartamento una bambola imbottita di eroina.
- Regia
- Sceneggiatura
- Star
- Candidato a 1 Oscar
- 6 candidature totali
Robby Benson
- Boy Tossing Ball
- (non citato nei titoli originali)
Jean Del Val
- The Old Man
- (non citato nei titoli originali)
Mel Ferrer
- French-Canadian Radio Speaker
- (voce)
- (non citato nei titoli originali)
Packy McFarland
- Passerbye
- (non citato nei titoli originali)
Gary Morgan
- Teenage Boy on Street
- (non citato nei titoli originali)
Frank O'Brien
- Shatner
- (non citato nei titoli originali)
Bill Walters
- BG with Dog
- (non citato nei titoli originali)
Recensioni in evidenza
I watched this movie out of sheer "desperation" -- I couldn't find any current movies on that I wanted to see or that I hadn't seen before, so I just ended up on the channel this film was on. It was fate!! What a fun, suspenseful film!!
If you have not seen Audrey Hepburn in a movie, see this and "Breakfast at Tiffany's" and you will *really* appreciate her talent and beauty. Also of mention is Alan Arkin. I read that critics didn't like his role as the heavy in this film when it was first released, but personally I think he is great in it -- intimidating and kitschy at the same time.
This film builds the suspense throughout perfectly. There is not a lull or a let-down to be found! Also, this has a twist ending and a classic suspense/horror plot element that has been done many times since, but not as well!
The Bottom Line: 4 1/2 Jiffy's Out of 5
If you have not seen Audrey Hepburn in a movie, see this and "Breakfast at Tiffany's" and you will *really* appreciate her talent and beauty. Also of mention is Alan Arkin. I read that critics didn't like his role as the heavy in this film when it was first released, but personally I think he is great in it -- intimidating and kitschy at the same time.
This film builds the suspense throughout perfectly. There is not a lull or a let-down to be found! Also, this has a twist ending and a classic suspense/horror plot element that has been done many times since, but not as well!
The Bottom Line: 4 1/2 Jiffy's Out of 5
Never in my life have I ever seen 800 people fly off their seas like I did the night I saw WAIT UNTIL DARK at the cinema in 1970. And I was up there with them. Moaning away in shock. Screaming! (and I don't scream) ............In the run up to the final 20 mins the cinema management slammed the foyer doors, switched off all the aisle lights one by one all around the cinema, and turned up the volume; ripples of creepiness washed over the audience....and then....whammo! The noise from the audience, the screaming and the shifting about in our seats.....I haven't heard shocked noises like that in a cinema since. Do yourself a BIG favour...........get the DVD and watch this at home, by yourself, in total darkness! You will scream your head off and tell everyone you know what a great thriller this is.
Great little gem that -for the most part- stands the test of time very well!
Audrey Hepburn is cast beautifully as the blind woman victimized by three deviants. Alan Arkin is truly terrifying as the leader and his performance here ranks as one of the all-time-great screen villians.
Director Young handles the pace masterfully. No sequence really goes on longer than it should. Henry Mancini uses a nice, quiet score that creates appropriate tension as the film builds to its classic showdown.
My favorite thing about the film is, I think, the use of lighting in the final sequence. Charles Lang uses a creepy, dimly-glowing, red-orange light to illuminate the apartment after Suzie has smashed every other bulb. The effect has a shadowy, nightmarish quality and the scene looks like it was filmed yesterday.
When you think about David Fincher reworking the original concept here for PANIC ROOM, it really is a flattering comment to WAIT UNTIL DARK and its power in still being able to chill. It's also funny to think that with all that impressive photography and filmmaking, the film didn't have nearly half the tension of this 1967 classic.
Audrey Hepburn is cast beautifully as the blind woman victimized by three deviants. Alan Arkin is truly terrifying as the leader and his performance here ranks as one of the all-time-great screen villians.
Director Young handles the pace masterfully. No sequence really goes on longer than it should. Henry Mancini uses a nice, quiet score that creates appropriate tension as the film builds to its classic showdown.
My favorite thing about the film is, I think, the use of lighting in the final sequence. Charles Lang uses a creepy, dimly-glowing, red-orange light to illuminate the apartment after Suzie has smashed every other bulb. The effect has a shadowy, nightmarish quality and the scene looks like it was filmed yesterday.
When you think about David Fincher reworking the original concept here for PANIC ROOM, it really is a flattering comment to WAIT UNTIL DARK and its power in still being able to chill. It's also funny to think that with all that impressive photography and filmmaking, the film didn't have nearly half the tension of this 1967 classic.
Excellent,very underrated suspense where Audrey Hepburn shows how much
eclectic she was from psychological dramas (children's hour) to musicals (My fair lady)to thrillers "in camera " like this absorbing exciting "wait until dark" .Directed by Terence YOung (who directed the best James Bond bar one -Goldfinger-),it never gives the feeling of watching a filmed stage production and however it was a play in the first place.Hepburn is wonderful as the courageous blind woman who 's got to fight against killers (and she gets fine support from Richard Crenna and Alan Arkin) in her apartment.Influenced by "rear window" ,it's perhaps not as good as Hitch's classic,but it rises to the occasion.The scene when Hepburn shoots out (and smashes) all the lights is mind-boggling.So is the fridge's terrifying sequence which climaxes the movie.
Every cine buff fond of suspense deserves -and must see- "Wait until dark" Sit down and get some scares...in the dark of course.
eclectic she was from psychological dramas (children's hour) to musicals (My fair lady)to thrillers "in camera " like this absorbing exciting "wait until dark" .Directed by Terence YOung (who directed the best James Bond bar one -Goldfinger-),it never gives the feeling of watching a filmed stage production and however it was a play in the first place.Hepburn is wonderful as the courageous blind woman who 's got to fight against killers (and she gets fine support from Richard Crenna and Alan Arkin) in her apartment.Influenced by "rear window" ,it's perhaps not as good as Hitch's classic,but it rises to the occasion.The scene when Hepburn shoots out (and smashes) all the lights is mind-boggling.So is the fridge's terrifying sequence which climaxes the movie.
Every cine buff fond of suspense deserves -and must see- "Wait until dark" Sit down and get some scares...in the dark of course.
The legendary Audrey Hepburn gives a stellar performance in WAIT UNTIL DARK. She's the seemingly vulnerable, yet strong and resourceful Suzy Hendrix. Suzy is blind, but she's also very smart. Finding herself inadvertently mixed up in a scheme involving narcotics and murder, she must use her wits in order to survive.
Led by the psychopathic mastermind, Roat (Alan Arkin), a trio of criminals attempt to gaslight Suzy because she has something in her apartment that they desperately desire. This is staged brilliantly, and Suzy gets caught up in the fake drama. That is, until she starts to smell a rat!
This is a tremendously suspenseful movie, filled with nail-biting sequences. Especially, the finale, when Suzy must face the full wrath of the unhinged Roat! Arkin deserves special mention for his portrayal of such a heartless, ruthless monster. He's not just creepy, he's terrifying! Richard Crenna and Jack Weston are also quite good as Roat's ill-fated cohorts, as is young Julie Herrod as the very helpful Gloria...
Led by the psychopathic mastermind, Roat (Alan Arkin), a trio of criminals attempt to gaslight Suzy because she has something in her apartment that they desperately desire. This is staged brilliantly, and Suzy gets caught up in the fake drama. That is, until she starts to smell a rat!
This is a tremendously suspenseful movie, filled with nail-biting sequences. Especially, the finale, when Suzy must face the full wrath of the unhinged Roat! Arkin deserves special mention for his portrayal of such a heartless, ruthless monster. He's not just creepy, he's terrifying! Richard Crenna and Jack Weston are also quite good as Roat's ill-fated cohorts, as is young Julie Herrod as the very helpful Gloria...
Lo sapevi?
- QuizIn an interview, Alan Arkin talked about the Oscar nominations he received for his early major film roles (Arrivano i Russi, arrivano i Russi (1966) and L'urlo del silenzio (1968)). When asked if he was surprised that he was overlooked for Wait Until Dark, his second movie, he replied: "You don't get nominated for being mean to Audrey Hepburn!"
- BlooperSusy demonstrates excellent hearing and observation skills: she can tell when people are in her apartment, notices Carlino dusting for prints, people fiddling with the blinds, Roat's squeaky shoes, etc. However, she does not appear to notice the rotary-dial mismatch between the telephone number Mike Tallman says he's calling and the number he actually dials. It's easy to tell what number is being dialed if you listen and count the number of clicks.
- Citazioni
Susy Hendrix: Gloria?
Gloria: Yeah?
Susy Hendrix: How would you like to do something difficult and terribly dangerous?
Gloria: I'd love it!
- Curiosità sui creditiThe end credits show each character with the performer's credit; Alan Arkin is shown three times, including once in each disguise.
- ConnessioniFeatured in Terrore in sala (1984)
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- Espera la oscuridad
- Luoghi delle riprese
- 5 St. Luke's Place, Manhattan, New York, New York, Stati Uniti(the Hendrix apartment)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 3.000.000 USD (previsto)
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