Una donna, che ha perso la vista da poco, viene terrorizzata da un trio di teppisti che cercano nel suo appartamento una bambola imbottita di eroina.Una donna, che ha perso la vista da poco, viene terrorizzata da un trio di teppisti che cercano nel suo appartamento una bambola imbottita di eroina.Una donna, che ha perso la vista da poco, viene terrorizzata da un trio di teppisti che cercano nel suo appartamento una bambola imbottita di eroina.
- Regia
- Sceneggiatura
- Star
- Candidato a 1 Oscar
- 6 candidature totali
Robby Benson
- Boy Tossing Ball
- (non citato nei titoli originali)
Jean Del Val
- The Old Man
- (non citato nei titoli originali)
Mel Ferrer
- French-Canadian Radio Speaker
- (voce)
- (non citato nei titoli originali)
Packy McFarland
- Passerbye
- (non citato nei titoli originali)
Gary Morgan
- Teenage Boy on Street
- (non citato nei titoli originali)
Frank O'Brien
- Shatner
- (non citato nei titoli originali)
Bill Walters
- BG with Dog
- (non citato nei titoli originali)
Recensioni in evidenza
Excellent,very underrated suspense where Audrey Hepburn shows how much
eclectic she was from psychological dramas (children's hour) to musicals (My fair lady)to thrillers "in camera " like this absorbing exciting "wait until dark" .Directed by Terence YOung (who directed the best James Bond bar one -Goldfinger-),it never gives the feeling of watching a filmed stage production and however it was a play in the first place.Hepburn is wonderful as the courageous blind woman who 's got to fight against killers (and she gets fine support from Richard Crenna and Alan Arkin) in her apartment.Influenced by "rear window" ,it's perhaps not as good as Hitch's classic,but it rises to the occasion.The scene when Hepburn shoots out (and smashes) all the lights is mind-boggling.So is the fridge's terrifying sequence which climaxes the movie.
Every cine buff fond of suspense deserves -and must see- "Wait until dark" Sit down and get some scares...in the dark of course.
eclectic she was from psychological dramas (children's hour) to musicals (My fair lady)to thrillers "in camera " like this absorbing exciting "wait until dark" .Directed by Terence YOung (who directed the best James Bond bar one -Goldfinger-),it never gives the feeling of watching a filmed stage production and however it was a play in the first place.Hepburn is wonderful as the courageous blind woman who 's got to fight against killers (and she gets fine support from Richard Crenna and Alan Arkin) in her apartment.Influenced by "rear window" ,it's perhaps not as good as Hitch's classic,but it rises to the occasion.The scene when Hepburn shoots out (and smashes) all the lights is mind-boggling.So is the fridge's terrifying sequence which climaxes the movie.
Every cine buff fond of suspense deserves -and must see- "Wait until dark" Sit down and get some scares...in the dark of course.
Recently blinded woman is unwittingly in possession of a doll filled with drugs. A very mean narcotics dealer concocts an elaborate scheme to trick her into handing it over to him. A great psychological thriller with a twist- the audience knows exactly what's happening but gets to watch the heroine try to figure it out. There's almost no explicit violence in this movie, yet there's an underlying current of foreboding and suspense that literally permeates the entire film. You know something very bad is going to happen.Alan Arkin gives the performance of a lifetime as the cool, calm, collected psychopath who truly enjoys hurting people. And Audrey Hepburn is incredibly beautiful. You could pluck her out of this movie, clothes and all, and stick her in the toniest 90's club in New York and she'd still be the height of fashion.
There's a great `shocking' ending that really doesn't make much sense- but it's still a really good sixties movie.
There's a great `shocking' ending that really doesn't make much sense- but it's still a really good sixties movie.
Never in my life have I ever seen 800 people fly off their seas like I did the night I saw WAIT UNTIL DARK at the cinema in 1970. And I was up there with them. Moaning away in shock. Screaming! (and I don't scream) ............In the run up to the final 20 mins the cinema management slammed the foyer doors, switched off all the aisle lights one by one all around the cinema, and turned up the volume; ripples of creepiness washed over the audience....and then....whammo! The noise from the audience, the screaming and the shifting about in our seats.....I haven't heard shocked noises like that in a cinema since. Do yourself a BIG favour...........get the DVD and watch this at home, by yourself, in total darkness! You will scream your head off and tell everyone you know what a great thriller this is.
I watched this movie out of sheer "desperation" -- I couldn't find any current movies on that I wanted to see or that I hadn't seen before, so I just ended up on the channel this film was on. It was fate!! What a fun, suspenseful film!!
If you have not seen Audrey Hepburn in a movie, see this and "Breakfast at Tiffany's" and you will *really* appreciate her talent and beauty. Also of mention is Alan Arkin. I read that critics didn't like his role as the heavy in this film when it was first released, but personally I think he is great in it -- intimidating and kitschy at the same time.
This film builds the suspense throughout perfectly. There is not a lull or a let-down to be found! Also, this has a twist ending and a classic suspense/horror plot element that has been done many times since, but not as well!
The Bottom Line: 4 1/2 Jiffy's Out of 5
If you have not seen Audrey Hepburn in a movie, see this and "Breakfast at Tiffany's" and you will *really* appreciate her talent and beauty. Also of mention is Alan Arkin. I read that critics didn't like his role as the heavy in this film when it was first released, but personally I think he is great in it -- intimidating and kitschy at the same time.
This film builds the suspense throughout perfectly. There is not a lull or a let-down to be found! Also, this has a twist ending and a classic suspense/horror plot element that has been done many times since, but not as well!
The Bottom Line: 4 1/2 Jiffy's Out of 5
This film shows what a director can do with some good actors and a good script. It takes Audrey Hepburn to turn this into a great film. Her vulnerable blind woman, at the mercy of a group of drug traffickers, is amazing. Alan Arkin, who sometimes plays comic victims, is outstanding as a true psychopath. He doesn't want the hidden drugs. He wants power over everything. He'd be the last guy a group of organized criminals would want on their side. But they've got him and they need to cater to him. The movie is about situations as Audrey Hepburn must defend herself, once she realizes this is necessary. She knows the house and knows that in darkness she has a chance. Still, she weighs about eighty pounds and has probably never confronted someone physically in her life--and she can't see her attackers.
I'll tell a little story. There's a scene where a towel on top of a refrigerator hangs down so the door can't close. The woman must darken the room, but the light in the refrigerator is going to stay on until the towel is removed. A friend of mine saw this movie with his family, and when this happened, his mother, a real character, stood up and screamed: "Pull the towel out of the door." The whole family disappeared under their seats and denied the existence of this woman.
As far as suspense goes, I can't think of a movie (and that includes every slasher movie I've seen) that has such sustained terror as this one.
I'll tell a little story. There's a scene where a towel on top of a refrigerator hangs down so the door can't close. The woman must darken the room, but the light in the refrigerator is going to stay on until the towel is removed. A friend of mine saw this movie with his family, and when this happened, his mother, a real character, stood up and screamed: "Pull the towel out of the door." The whole family disappeared under their seats and denied the existence of this woman.
As far as suspense goes, I can't think of a movie (and that includes every slasher movie I've seen) that has such sustained terror as this one.
Lo sapevi?
- QuizIn an interview, Alan Arkin talked about the Oscar nominations he received for his early major film roles (Arrivano i Russi, arrivano i Russi (1966) and L'urlo del silenzio (1968)). When asked if he was surprised that he was overlooked for Wait Until Dark, his second movie, he replied: "You don't get nominated for being mean to Audrey Hepburn!"
- BlooperSusy demonstrates excellent hearing and observation skills: she can tell when people are in her apartment, notices Carlino dusting for prints, people fiddling with the blinds, Roat's squeaky shoes, etc. However, she does not appear to notice the rotary-dial mismatch between the telephone number Mike Tallman says he's calling and the number he actually dials. It's easy to tell what number is being dialed if you listen and count the number of clicks.
- Citazioni
Susy Hendrix: Gloria?
Gloria: Yeah?
Susy Hendrix: How would you like to do something difficult and terribly dangerous?
Gloria: I'd love it!
- Curiosità sui creditiThe end credits show each character with the performer's credit; Alan Arkin is shown three times, including once in each disguise.
- ConnessioniFeatured in Terrore in sala (1984)
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
- How long is Wait Until Dark?Powered by Alexa
Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- Espera la oscuridad
- Luoghi delle riprese
- 5 St. Luke's Place, Manhattan, New York, New York, Stati Uniti(the Hendrix apartment)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 3.000.000 USD (previsto)
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti