Aggiungi una trama nella tua linguaA businessman turns into a vampire after drinking brandy laced with vampire blood and sets out on an odyssey of killing the descendent's of Dracula's executioners.A businessman turns into a vampire after drinking brandy laced with vampire blood and sets out on an odyssey of killing the descendent's of Dracula's executioners.A businessman turns into a vampire after drinking brandy laced with vampire blood and sets out on an odyssey of killing the descendent's of Dracula's executioners.
- Premi
- 1 candidatura in totale
Elizabeth Lee
- Helene Stone
- (as Elizabeth Wilkinson)
William Kerwin
- Dr. Hank Tyson
- (as Thomas Wood)
Herschell Gordon Lewis
- The Limey Seaman
- (as Seymour Sheldon)
- …
Sidney J. Reich
- Arthur Morris
- (as Sidney Jaye)
Recensioni in evidenza
Bill Rogers gives a good performance as John Stone, a successful businessman who is turned into a blood sucker by drinking tainted brandy. It's all part of his legacy as the descendant of Count Dracula. He then goes about administering revenge on behalf of his ancestor, slaughtering the descendants of the Counts' old foes (Van Helsing, Morris, Harker, et al.), while also trying to make his young hottie wife (Elizabeth Lee) just like him. Doctor Hank Tyson (William Kerwin), a friend of the couple who has always been in love with the wife, must team with a Doctor Howard Helsing (Otto Schlessinger) to vanquish the undead fiend.
Something of an outlier in the Herschell Gordon Lewis filmography, this is because the legendary originator of "splatter cinema" decided that he wouldn't just settle for "good enough" here. He wanted to make this effort as great as it could possibly be. For once, he puts lots of stress on story and character. The movie periodically gives us the kind of gory moments that we can expect from HGL, but these are never the movies' sole reasons for being. He even assembled a bunch of actors that are a shade better than you'd typically find in his work. The handsome Kerwin, a regular in HGL movies, is of course always good value as he plays the romantic lead here. Lee is okay, basically fulfilling her duty as eye candy. Stone, who was likely a contender for his role due to a passing resemblance to Sir Christopher Lee, is good ghoulish fun as the tragic protagonist-turned-villain. Some of the on screen talent also worked behind the scenes (Kerwin was the production manager), with HGL himself turning up on screen as the sailor with the ridiculous "limey" accent.
All in all, this is decent entertainment, basically for doing something different. HGL fans hoping for hilariously awful acting and excessively tacky violence won't get much of that here. Granted, it's not without flaws. At just shy of two hours, this goes on much longer than any drive-in movie really should. Just when the pace should really be picking up, HGL introduces some lame comedy relief with some dopey guy and his unreliable dog. And the music isn't always that effective, becoming repetitive quickly.
Perhaps most indicative of the higher degree of quality in this filmmaking is the fact that Roger Corman saw this one, and was impressed enough to offer HGL some employment, which the Godfather of Gore politely turned down.
Seven out of 10.
Something of an outlier in the Herschell Gordon Lewis filmography, this is because the legendary originator of "splatter cinema" decided that he wouldn't just settle for "good enough" here. He wanted to make this effort as great as it could possibly be. For once, he puts lots of stress on story and character. The movie periodically gives us the kind of gory moments that we can expect from HGL, but these are never the movies' sole reasons for being. He even assembled a bunch of actors that are a shade better than you'd typically find in his work. The handsome Kerwin, a regular in HGL movies, is of course always good value as he plays the romantic lead here. Lee is okay, basically fulfilling her duty as eye candy. Stone, who was likely a contender for his role due to a passing resemblance to Sir Christopher Lee, is good ghoulish fun as the tragic protagonist-turned-villain. Some of the on screen talent also worked behind the scenes (Kerwin was the production manager), with HGL himself turning up on screen as the sailor with the ridiculous "limey" accent.
All in all, this is decent entertainment, basically for doing something different. HGL fans hoping for hilariously awful acting and excessively tacky violence won't get much of that here. Granted, it's not without flaws. At just shy of two hours, this goes on much longer than any drive-in movie really should. Just when the pace should really be picking up, HGL introduces some lame comedy relief with some dopey guy and his unreliable dog. And the music isn't always that effective, becoming repetitive quickly.
Perhaps most indicative of the higher degree of quality in this filmmaking is the fact that Roger Corman saw this one, and was impressed enough to offer HGL some employment, which the Godfather of Gore politely turned down.
Seven out of 10.
Part of the problem is its length: "A Taste of Blood" clocks in at a whopping two hours. Lewis tended to wrap up his films in about 80 minutes, and certainly "Taste" would have benefited from a shorter running time. But content-wise, too, this is one of Lewis' weaker efforts. The script was written by someone (namely, Donald Stanford) outside the HGL inner circle, and it shows; these 120 minutes are dour and talky, with none of the gallows humor that characterizes Lewis classics like "Two Thousand Maniacs!" and "The Gruesome Twosome". Finally, in a bid for respectability, the Godfather of Gore kept the blood and guts to a minimum, and a movie as monotonous as this one really could have used a little more action. "Almost a step into the mainstream," Lewis said of this film when he was interviewed for an episode of "The Incredibly Strange Film Show" in 1989, "(and) it was a mistake, because that step into the mainstream gave me a picture that was neither fish nor fowl." The film is beautifully photographed, and there is one bang-up gore effect (when vampire Bill Rogers has his way with a blonde stripper), but "A Taste of Blood" is for Herschell Gordon Lewis completists only. Casual viewers will not be amused.
This is Herschell Gordon Lewis' "Epic" movie. This is the film with, according to Lewis, the highest production value and budget of all of his "gorror" (a term coined by Lewis describing the gore genre of films that he created) films. Despite this, I found this film to be slightly disappointing. Anyone, viewing this film expecting to see something along the lines of "Blood Feast" or "The Wizard of Gore" as I did would be slightly disappointed. The gore is kept to a bare minimum in this film and it appears as if Lewis was trying to make a legitimate horror movie without all the stomach-churning effects of his classic work. Although the storyline is fascinating, the bad acting and hideous effects do not serve this film very well, even though this is what most Lewis fans have come to expect from him. It doesn't quite work in this one, because it seems to have been the intention of Lewis to try to provide his audience with a legitimate scare. For Lewis fans, this film is still worth viewing but for those who have not seen his work before I suggest you first watch a couple of his classics such as the previously mentioned entries.
A taste of Blood is Herschell Gordon Lewis's answer to a Vampire Film. Husband (Bill Rogers) and Wife (Elizabeth Wilkinson) get a mysterious package in the mail from England filled with brandy bottles and a message telling them to toast Their ancestors. The husband starts to nip away at it slowly despite his wifes insistence not too. Bad move, turns him into a creepy lookin, blue make-up, type vampire, with a funky looking ring that can hypnotize people. This movie has all the HGL trademarks, including the unstable camera shots, cheap locations, quit editing during exciting moments, and bad acting. Bill Kerwin (from Blood Feast and many more HGL's films) has a role in this one too as an overly bothersome friend of the family. There is even a Howard Hesling doing the Dr. Van Hesling thing here. Good 'OL Hersch has a cameo as an English sailor. This film has it's moments, but at 118 min. is way too long, it can easily be trimmed to a nice 75 min. and still have the same outcome. Also I might add for a HGL film the gore is rather tame, and it takes a good 45 min. to see any blood, and when you do see it, it is rather lame.
I have this little tradition that when an iconic horror veteran dies, and if I both respect and admire his work enormously, I try to watch one of his/her movies in the next few days following the sad news. Herschell Gordon Lewis passed away, and even though 90 years is a fine age I'd sign for immediately, it's still a great loss for the horror movie industry. Lewis was, and forever will remain, the man who brought gore and splatter to the movie and TV screens. And how! Titles such as "Blood Feast" (1963) and "Two-Thousand Maniacs" (1964) weren't just the first gore flicks; they still stand proud and strong even by today's gore standards. That being said, another trademark was that his movies were extremely low-budgeted and often so damn amateurish that they balanced on the verge of tolerability. His gory movies are great fun, but Lewis also made a number of drama/action movies without bloodshed or absurdity ("Just for the Hell of it", "Something Weird", "She- Devils on Wheels"
) and those are quite difficult to sit through. Mr. Lewis' departure also meant for me personally that I no longer had an excuse for postponing my viewing of "A Taste of Blood". I have this DVD lying in my closet for at least 12 years already, but I could never bring myself to actually watch it for one sole – and admittedly shallow – reason, namely
its length! "A Taste of Blood" has a running time of 118 minutes! Seriously, one hundred and eighteen minutes! In my humble opinion horror movies that last for almost two hours shouldn't exist. I can motivate myself to watch good movies that run more than 110 minutes, let alone to watch a lesser acclaimed H.G.L with a low gore factor!
Having completed my little tradition, I can gladly state that "A Taste of Blood" was better than I expected and a fairly entertaining horror movie; - but still too damn long of course! Easily 30-40 minutes of poor, irrelevant and repetitive footage should have been cut, and then – probably – this would have been one of the director's better non- gory flicks. The story is pretty interesting and engaging, being a modern-day of vampirism and blood retaliation. Without knowing it himself, American businessman John Stone is the last living descendant of the legendary Count Dracula. He receives a package, from London solicitors, containing a few bottles of brandy, but doesn't know that the liquor is mixed with the authentic blood from the family line. Shortly after tasting the brandy, John loses complete interest in his beautiful wife who worships him and his job he was previously so obsessed about. All he can think of right now is exterminating the descendants of the bastards that killed Dracula, and he travels to England to extract his bloodline's vengeance. The last heir of Dr. Abraham Van Helsing seeks the help of Stone's wife and best friend in order to stop him. "A Taste of Blood" definitely features a handful of bright ideas and memorable moments, but overall the pacing is too slow while the quality of sound and picture is too poor Oh yeah, and it's far too long! Especially the dreadful love/friendship relationship between Stone's wife and best friend is incredibly tedious and redundant and even half of all the dialogs in general are unnecessary. The film is low on gore, but still HGL manages to insert a couple of gruesome moments of gratuitous bloodshed. For example, when THIS vampire feeds on the blood of a random go-go dancer, he doesn't leave two pathetic little holes in her neck but rips her entire throat wide open! He's to my knowledge also the only vampire ever who rams woods stakes through the chests of his enemies instead of vice versa!
Having completed my little tradition, I can gladly state that "A Taste of Blood" was better than I expected and a fairly entertaining horror movie; - but still too damn long of course! Easily 30-40 minutes of poor, irrelevant and repetitive footage should have been cut, and then – probably – this would have been one of the director's better non- gory flicks. The story is pretty interesting and engaging, being a modern-day of vampirism and blood retaliation. Without knowing it himself, American businessman John Stone is the last living descendant of the legendary Count Dracula. He receives a package, from London solicitors, containing a few bottles of brandy, but doesn't know that the liquor is mixed with the authentic blood from the family line. Shortly after tasting the brandy, John loses complete interest in his beautiful wife who worships him and his job he was previously so obsessed about. All he can think of right now is exterminating the descendants of the bastards that killed Dracula, and he travels to England to extract his bloodline's vengeance. The last heir of Dr. Abraham Van Helsing seeks the help of Stone's wife and best friend in order to stop him. "A Taste of Blood" definitely features a handful of bright ideas and memorable moments, but overall the pacing is too slow while the quality of sound and picture is too poor Oh yeah, and it's far too long! Especially the dreadful love/friendship relationship between Stone's wife and best friend is incredibly tedious and redundant and even half of all the dialogs in general are unnecessary. The film is low on gore, but still HGL manages to insert a couple of gruesome moments of gratuitous bloodshed. For example, when THIS vampire feeds on the blood of a random go-go dancer, he doesn't leave two pathetic little holes in her neck but rips her entire throat wide open! He's to my knowledge also the only vampire ever who rams woods stakes through the chests of his enemies instead of vice versa!
Lo sapevi?
- QuizFor a Herschell Gordon Lewis film, "A Taste of Blood" was very well-made enough to impress Roger Corman, who offered the director a directing gig at working for his production company in Hollywood, which Lewis politely turned down.
- BlooperIn the night-time scene on the ship docked in London's East End, lights from Miami Beach's high-rise hotels and apartment buildings can be glimpsed in the background.
- Citazioni
The Limey Seaman: Hi ya Governor! Aint t'night fit for t'devil!
John Stone: I wouldn't know.
- ConnessioniEdited into Twisted Sex Vol. 12 (1996)
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Dettagli
Botteghino
- Budget
- 65.000 USD (previsto)
- Tempo di esecuzione
- 1h 57min(117 min)
- Mix di suoni
- Proporzioni
- 1.85 : 1
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