Signore & signori

First of all, thumbs up to the restoration of this movie, which happened in 1997/98. Secondly, though, shame on the media who didn't flag this operation as it usually does when a masterpiece movie is finally restored. And this is a masterpiece.

Then, there is no real "Rezega", the small town in which this movie is set. This movie was shot in Treviso, the place were I was born and lived for 20 years, and my father can recall the shooting taking place in his youth. This because, like in every other small town in the world, nothing ever happens in Rezega/Treviso, and whatever may happen can't be made public, but should be spread by word of mouth.

All sort of things happen: marriage, betrayal, births and deaths, the fabric of every town's life. But decency is more important, and so "si fa ma non si dice" (everybody does it, nobody tells about it) is the law. Great performances from Gastone Moschin, Virna Lisi and Alberto Lionello, very good scriptwriting and magnificent direction by a true master like Pietro Germi make this a pleasure to watch, whether you want to understand provincial Italy or not. Oh, and if you do want to, this movie contains all you need to know about the dynamics that regulate the life of 80% of Italy's population, all those who live in towns of that size: I went to a movie screening a few years ago, and my acquaintances in the cinema were all related by stories similar to those in the movie (mind you, they are just in their 20s!).

Go see it, ask for it, let the world know about this great little movie!

The Italian Comedy of the Sixties has been internationally recognised as one of the most innovative and original cinema genres produced in that decade. This forgotten movie stands as one of the best examples of such genre. Three stories from the same bunch of middle aged guys from the North of Italy (the nice location is Treviso) are portrayed in this very enjoyable comedy. It is an almost Fellinesque movie, in the sense that it is grotesque, funny and clever at the same time. It mainly is a satire on the human relationships and the hypocrisy of people. Obviously all of this is depicted in a totally hilarious "Italian way". The actresses are simply irresistible (Virna Lisi looks awesome!), the actors very convincing, the story simply too good compared to nowadays scripts, while music, photography and direction are almost perfect. It won the Palme D'Or at the Cannes Film Festival together with "Un homme une famme". To be rediscovered. a convinced 10/10.

I simply can't understand how a moviegoer like me missed this gem when it was first shown here - and won the Palme d'Or at the Cannes Festival. Especially being already convinced that Pietro Germi was one of the most talented directors of the Italian after war films. He made a screen adaptation of one of the greatest literary hits of the sixties, Carlo Emilio Gadda's QUER PASTICCIACCIO BRUTTO DI VIA MERULANA, a perfect combination of Italian language and Roman dialect. Concerning SIGNORE E SIGNORI, the cast is not all-stars, but extremely equal in its aspects, none is tops but none is dull either. Special rewards for the well known Franco Fabrizi, for exquisite Beba Loncar and the almost introducing Virna Lisi, who became famous for a long time. The atmosphere of this little Italian town was splendidly illustrated. I used to stay in Treviso when traveling to Venice, the City of the Doges being too expensive for me and Treviso, also nicely cut by its canaletti, was only at a half hour by train from the famous but hardly available Lagoon City. A huge Bravo! also for the remasterization, absolutely perfect. Warmly recommended to everybody who wants to have a big laugh and in the same time measure how mean some people were just half a century ago. Harry Carasso, Paris, France

Officially this movie contains three comic episodes, but in my opinion this is nonsense.

There are three dramatic episodes, the second in particular is of absolute sadness, while the third is deplorable.

People's lives are being destroyed by a heartless society that puts appearance first, regardless of the happiness of individuals.

The only thing you can do is surrender to this overwhelming force and accept your place in a society of falsehoods and masks.

The entire film had a farcical quality and was generally comical enough to hold my interest, but something deeper in the second vignette began to bubble up to the surface. There was a longing, not quite a sadness, but an extremely emotionally complex situation where you can sympathize with everyone and all points of view. I feel like I was pleasantly fooled. I expected a burger, which would have been fine, but they brought me a steak instead.

Pietro Germi only directed 19 movies, but he was obviously very talented. I've seen a few of his other films and those were satisfyingly complex as well.

The male love interest in the second vignette was played by Gastone Moschin. He didn't strike me at first as the best choice for the role, but he executed it brilliantly. Virna Lisi is always stunning, but I didn't realize what a good actress she was until I saw the extremely sympathetic character she played, and she nailed it perfectly. Nora Ricci was top notch as the wife. She was able to very skillfully balance between an over the top shrew, and as someone the audience can feel for.

There was one other thing in the movie that I thought was great. There was a short running gag regarding the jilted wife that led into a different short running gag regarding boys making prank calls. I don't recall ever seeing anything like that before.

The very last scene with everyone gathered in the town square was quite poignant.

I definitely recommend this movie.