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IMDbPro

Riflessi in un occhio d'oro

Titolo originale: Reflections in a Golden Eye
  • 1967
  • VM18
  • 1h 48min
VALUTAZIONE IMDb
6,7/10
8612
LA TUA VALUTAZIONE
Marlon Brando and Elizabeth Taylor in Riflessi in un occhio d'oro (1967)
Trailer for this epic starring Marlon Brando
Riproduci trailer2:42
1 video
63 foto
DrammaRomanticismoThriller

Una bizzarra storia di sesso, tradimento e perversione in un posto militare.Una bizzarra storia di sesso, tradimento e perversione in un posto militare.Una bizzarra storia di sesso, tradimento e perversione in un posto militare.

  • Regia
    • John Huston
  • Sceneggiatura
    • Chapman Mortimer
    • Gladys Hill
    • Carson McCullers
  • Star
    • Elizabeth Taylor
    • Marlon Brando
    • Brian Keith
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,7/10
    8612
    LA TUA VALUTAZIONE
    • Regia
      • John Huston
    • Sceneggiatura
      • Chapman Mortimer
      • Gladys Hill
      • Carson McCullers
    • Star
      • Elizabeth Taylor
      • Marlon Brando
      • Brian Keith
    • 104Recensioni degli utenti
    • 47Recensioni della critica
    • 67Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 1 candidatura in totale

    Video1

    Reflections in a Golden Eye
    Trailer 2:42
    Reflections in a Golden Eye

    Foto63

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    Interpreti principali22

    Modifica
    Elizabeth Taylor
    Elizabeth Taylor
    • Leonora Penderton
    Marlon Brando
    Marlon Brando
    • Maj. Weldon Penderton
    Brian Keith
    Brian Keith
    • Lt. Col. Morris Langdon
    Julie Harris
    Julie Harris
    • Alison Langdon
    Zorro David
    • Anacleto
    Gordon Mitchell
    Gordon Mitchell
    • Stables Sergeant
    Irvin Dugan
    • Capt. Murray Weincheck
    Fay Sparks
    • Susie
    Robert Forster
    Robert Forster
    • Pvt. L.G. Williams
    Ed Metzger
    Ed Metzger
    • Pvt. Frank Brian
    Ted Beniades
    • Sergeant
    • (non citato nei titoli originali)
    Mary Boylan
    • Woman in Mental Institution
    • (non citato nei titoli originali)
    John Callaghan
    • Private
    • (non citato nei titoli originali)
    Jed Curtis
    Jed Curtis
    • Accordionist
    • (non citato nei titoli originali)
    Frank Flanagan
    • General Sugar
    • (non citato nei titoli originali)
    Trent Gough
    • Soldier
    • (non citato nei titoli originali)
    Harvey Keitel
    Harvey Keitel
    • Soldier
    • (non citato nei titoli originali)
    Alice Marchak
    • Woman
    • (non citato nei titoli originali)
    • Regia
      • John Huston
    • Sceneggiatura
      • Chapman Mortimer
      • Gladys Hill
      • Carson McCullers
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti104

    6,78.6K
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    Recensioni in evidenza

    7Nazi_Fighter_David

    Admirable in many ways, beautifully staged and photographed and splendidly acted

    The time is late 1948 and the setting is a U.S. Army post in Georgia, bordering on a forest preserve…

    A Southern amoral wife called Leonora (Elizabeth Taylor) finds a way for her stream desire in an adulterous affair with Lt. Col. Langdon (Brian Keith), carried on almost openly…

    Leonora gives aperture to her forcefulness and vigor in a passion for horses and riding… She is attached to a handsome white horse she calls Firebird and she provokes her husband by telling him that the animal is indeed a stallion with the emotional nature of man...

    Leonora's husband (Marlon Brando) is a devious, insecure, impotent Army major, a hidden homosexual preoccupied with an unsociable, lonely rider who canters around the field in the nude and whose sexual emotional stress is diminished, secretively, at the bedside of the major's wife holding her clothes and looking fixedly at her marvelous hot body…

    Private Williams (Robert Forster) is another lonely man fascinated by the fiery Leonora and her thoughtful and gentle comments to him… He takes to visiting the Penderton house at night looking attentively in the windows, observing with total recall and complete joy Leonora's nakedness, but also watching the Major in his study…

    Keith's neurotic wife (Julie Harris) is well aware of her husband's affair with Leonora but she only feels well from her close friendship with her houseboy, Anacleto (Zorro David), an affected companion who shares her penchant for the arts and is in every way the opposite of her abrupt, strong husband…

    Flavored with bitter insinuations and insulting sarcasms, Brando and Taylor's few scenes have enough flames to burn the silver screen… He's a tormented human being while she's delicious but shrill and insensitive… Aware of her physical beauty she fights back when she's rejected, instigating him with her impudent, insolent, shameless manner that offend his very being
    Mankin

    Underrated Masterpiece from the '60s

    Marlon Brando's career was on a downward slide when he appeared in "Reflections in a Golden Eye" (***1/2). His previous film was Charles Chaplain's disastrous "A Countess from Hong Kong" in which he gave one of his worst performances. In "Eye" he proved that as an actor he was still capable of being as daring and surprising as he once was as a sexually repressed Army Major. Widely misunderstood at the time of its release, John Huston's adaptation of the Carson McCullers novel is a witty and provocative tragicomedy in which none of the characters succeeds in escaping from their own self-imposed prisons. There have probably never been two more incompatible married couples in the movies than the brooding introverted officer played by Brando and his bawdy, outgoing wife, a fine part for Elizabeth Taylor at her funniest and most natural. Complementing them are Brian Keith as a rather dim but basically good-natured fellow officer who is having an affair with Taylor, and Julie Harris as his hypersensitive invalid wife. Zorro David also scores as her pretentiously effete Filopino houseboy. One of the many fascinating things about this film is watching how these characters interrelate without ever making a real connection. Director Huston finds a great deal of humor (most of it intentional, I'm convinced) in this sometimes hard-to-take, but fascinating film.
    8dave13-1

    Huston and Brando at something near their best

    Director John Huston paints life at a Georgia army base in odd pinkish and amber tones to point up its off-color nature beneath its khaki uniformity. Reflections features Brando as a Colonel, supposedly courageous and a leader of men, who turns out to be weak, cowardly, hag- ridden, and unsure of his sexual orientation. It was one of his best, most creative and least likely performances, and shocking to audiences of the time. If anybody but Brando had played that character it would have scarred his career and maybe ended it. Just taking on the role was a brave move, but he did so much with it to bring out the man's un- Brando nature. Bold, brilliant and daring as a lead performance, he plays off wonderfully against Taylor in one of her patented bitch queen roles as an unsatisfied man-eater stifled by the regimentation of living as an army wife. The scene in which she flogs him for a weakling in front of dinner guests is shocking to watch but wonderfully evocative of the nature of their relationship roles. Taylor's infidelity and Brando's weakness become two sides of the same co-dependent coin.

    Reflections was a watershed film in its day but at the same time years ahead of its day. It flopped at the box-office because the mid-60s were just not ready for it.
    8imauter

    Most underrated John Huston's film

    "Reflections in a Golden Eye" was recognized by John Huston himself as his most important film of his late period along with "The Man who would be a King". While generally the later is accepted as his masterpiece "Reflections in a Golden Eye" is misunderstood as Huston's "misfire", as a "flop", an opinion with which I tend to disagree. What we have here is a good drama whose story is based on a book by Carson McCullers, featuring superb performances from Marlon Brando who plays a U.S. Army Major in an isolated military fort somewhere in the south, who gradually discovers his homosexuallity and Liz Taylor, simply great here in the role of his cheating wife. The film, which is basically a serious drama, turns out to be something of a cynical human comedy, due to "ridiculousness" of all of it's characters and the way the story is told by film's director - John Huston. Overall it's an intelligent film whose main theme is repression and ultimate frustration of desire with it's tragic consequences. 8/10
    8lee_eisenberg

    Marlon and Liz get John Huston's muted-color southern treatment

    Marlon Brando's career may have been in a rut at the time, but he got a fine role in John Huston's "Reflections in a Golden Eye". I had never heard of Carson McCullers or her works when I started watching it, but I'm now eager to read her works. This tale of sexual tension and repressed homosexuality on a military base in the 1940s has it all (and I don't just mean a certain scene of Elizabeth Taylor). These are some of the most intense performances that you'll ever see, and the movie features what must've been some of the most extreme scenes allowed on screen at the time.

    Definitely worth your time.

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    Trama

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    Lo sapevi?

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    • Quiz
      Originally released in a version in which all scenes were suffused with the color gold and one object in each scene (such as a rose) appeared normally colored. This was done in reference to the houseboy's statement regarding the golden peacock in a drawing that he shows to Alison: he states that the world is just a reflection in the eye of the golden peacock. However, that version puzzled audiences so it was withdrawn and a normal color version released. The DVD issued in 2020 by Warner Archive includes both versions.
    • Blooper
      Although movie is set in 1940s, all of Elizabeth Taylor's hairstyles, makeup and wardrobe are of the mid-1960s.
    • Citazioni

      Maj. Weldon Penderton: I'm sorry, Leonora. It's just all this clutter is...

      Leonora: What's the matter with clutter? I like it.

      Maj. Weldon Penderton: I'd rather live without it. Bare floors. Plain white walls. No window curtains. Nothing but essentials.

      Leonora: If that's the way you feel about it, why don't you resign your commission and start all over again as an enlisted man?

      Maj. Weldon Penderton: Of course you're laughing at it, but there's much to be said for the life of men among men... with no... luxuries, no ornamentation. Utter simplicity. It's rough and it's coarse, perhaps, but it's also clean - it's clean as a rifle. There's no speck of dust inside or out... and it's immaculate in its hard young fitness... its chivalry. They're seldom out of one another's sight. They eat, and they train, and they shower, and they play jokes... and go to the brothel together. They sleep side by side. The barracks room offers many a lesson in courtesy and how not to give offense. They guard the next man's privacy as though it was their own. And the friendships, my lord. There are friendships formed that are stronger than... stronger than the fear of death. And - they're never lonely. They're never lonely. And sometimes I envy them... well, good night.

    • Versioni alternative
      In the version of the film released in Brazil's cinemas in the late 1960s, it was Anacleto who announced that Mrs. Alison had cut off her nipples with the garden shears. But in the later VHS version, it is Leonora who makes the remark to Lt. Col. Langdon while they are playing cards.
    • Connessioni
      Featured in Apocalypse Now (1979)
    • Colonne sonore
      Elegie Op. 3, No.1
      (uncredited)

      Music by Sergei Rachmaninoff

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    Dettagli

    Modifica
    • Data di uscita
      • 26 ottobre 1967 (Italia)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Reflejos en tus ojos dorados
    • Luoghi delle riprese
      • Long Island, New York, Stati Uniti
    • Azienda produttrice
      • Warner Bros./Seven Arts
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Budget
      • 4.500.000 USD (previsto)
    • Lordo in tutto il mondo
      • 65.351 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 1h 48min(108 min)
    • Colore
      • Color
    • Proporzioni
      • 2.35 : 1

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