Panico nella città

I am somewhat surprised that it is even available to purchase -- since it is not the kind of kitschy-bad that can earn a movie cult status, nor notable as any popular achievement either. Its chief virtue is a sort of understated competence.

"Panic..." is plotted as a stereotypical doomsday thriller and the characters are almost, but not quite, cut from cardboard templates. But decent performances and some unusual casting choices for that era give it a certain tragic power.

A romantic subplot between a white middle-aged G-man and Latina doctor is spare, with none of the histrionics you might expect from a low-budget thriller of this sort.

The film's presentation of Los Angeles is a mostly unglamorous town of vacant lots, auto machine shops, shabby apartment complexes, and sterile hospital waiting rooms. The choice of locations adds considerably to its bleak tone. The conspirators operate in this vacant environment, and literally work themselves to death constructing an atomic bomb to use on the city. The nearly-as-anonymous protagonists do not fare much better in their efforts to find and to stop them.

Made in the 60's and in color, but staged more like a 40's "B" picture, "Panic in the City" is not exceptional, but it is not half bad.

This low-budget, atomic-age, science-fiction film did make it to the movie theaters, but it also gives off a very ominous, TV-movie-look, when watching the film. Unfortunately, to make things even worse, you still can't find a copy of Panic in the City (1968), in its original theatrical version. According to IMDB, the film was shot in the 1.66:1 aspect ratio, but the only versions available, come from a television SD, 4:3 version, found on YouTube, thus emphasizing the cheapness. Panic in the City (1968), has a lot of potential, even though it is low-budget. The 4:3 aspect ratio is the problem, when it comes to properly judging it. The film probably would garner more respect, if it was remastered into HD. It does have a very good cast, veteran acting, starts off pretty good and has a strange parallel to the Dark Knight Rises (2012). What that parallel is, I can't tell you. You'll have to find out on your own. The supporting cast consists of acting names from film and TV-past, like John Hoyt, Dennis Hopper, Mike Farrell (M*A*S*H*, 1972-1983), Deanna Lund (Land of the Giants, 1968-1970) and the ravishing, Linda Cristal, who plays the main-female lead to Howard Duff's, Agent Pomeroy.

Panic in the City (1968), is another atomic-age, Cold War, action movie, about bad-guys making an atomic bomb in Los Angeles and the American agents trying to stop them. Can the good-guys save the day? Paul Dunlap, the music composer for Panic in the City (1968), also did the soundtrack music, for the Three Stooges/Curly Joe DeRita, theatrical films, of the 1960s. What really hurts Panic in the City (1968), are the strange, but oddly interesting, film-technique choices, that director Eddie Davis, chooses for this film. The pace of the film is slow in parts. Too much time is wasted, watching people walking to cars and driving around parking lots. The film has a very plastic feel to its style, because it is produced in a textbook, but low-budget way. There are some confusing camera shots, set-piece locations (everything looked like the scenes were shot at the houses and offices of the cast and crew). There are also some odd editing choices, that re-emphasized the low-budget elephant-in-the-room. One glaring mistake found in a scene, has a car chase happening, but all the shots in the middle of the chase, look like the exact same curve, shot three times. Panic in the City (1968), has the potential to be good, but there are some negative points.

PMTM Grade: 5.9 (D) = 6 IMDB.

When a European scientist working in the US falls, nearly dead, on the street from radiation poisoning, FBI agent Dave Pomeroy (Howard Duff) is given the task of tracking down the source of the radiation. Before he gets a chance to question the dying man, he finds that he has been murdered in his hospital bed by a hired assassin (Dennis Hopper).

The assassin was hired by August Best (Nehemiah Persoff), the leader of a cell from a secret cabal of European spies who have infiltrated various institutions in the US. The leader is a mad scientist Dr. Strangelove type character who has mutinied his cell and started to assemble a Nuclear Bomb in the basement of a home in a suburb of Los Angeles, with plans on blowing it up in a major US city.

He has blackmailed another member of the cabal, Dr. Cerbo (Oscar Beregi Jr)- a Nuclear Scientist- into assembling the bomb. All while Pomeroy and the FBI are hot on the case of tracking them down, though seemingly always a few minutes behind...

This doomsday thriller/mystery is spun together with a love story, between Pomeroy and the sexy Dr Paula Stevens (Linda Cristal), a radiologist from the hospital.(y'know...for the ladies) What at first begins as a utilitarian relationship quickly develops into something deeper as the film progresses.

When Best's handler denounces his insane plot and tells him the cabal's plans to place him under arrest, he goes nuts, killing his handler and running off to put his scheme into action. He forces Cerbo to quickly finish and initiate the bomb. As the the fission reaction begins, Best shoots Cerbo, only to be shot by Pomeroy, who finally manages to track them down via FBI cunning, seconds later....but it's too late...the reaction has begun and it is only a matter of time before it explodes...will Pomeroy be able to stop the bomb from exploding as people watch from their front lawns and windows? or will his efforts be in vain...?

A decent, not great, but solid enough Euro Spy vs FBI pre-apocalyptic thriller from the height of cold war era tensions. While the finale is pretty bizarre and will probably have you laughing...i'd say it is definitely worth a watch, though the quality of the DVD is poor- like a bad VHS transfer to DVD from the late 90s.

The film has very nice framing and mise en scene from director Eddie Davis, nothing overly symbolic but at least it is visually appealing. As far as I'm concerned, it's worth it alone for Dennis Hopper's cameo, the 60's bathing suits, and the hilarious finale. 7 out of 10 cause I love this kinda stuff. It's good for what it is.

"Panic in the City" reminds many viewers of "Hawaii 5-0", "Mannix" and other later 1960s quality TV shows. The shots are not highly imaginative, but they are usually well-chosen by director and co-writer Eddie Davis. The script by Davis and Charles E. Savage may be described as serviceable also; but it has the same intelligence as the other shows mentioned above do; and in my view, it is unusually well-cast, is gifted with very good interiors and has a pace that is everywhere satisfying. This is included among my reviews because I consider it to be the first of the apocalyptic thrillers, later much copied, that combines the hallmark of the best of this genre--solid detail and believable work by police/spies etc.--with a setting in a city of people, not an isolated laboratory or rural hideout. The storyline concerns a plot to bring together the parts of an atomic bomb in a US city. The intention is to use it for leverage; and the Russians behind the plot are at least as interested in seeing if they can do the job as in the use; this is the sort of idea one saves for the right occasion. Getting wind of the plot. US agents led by Howard Duff as Dave Pomeroy, working under his boss, Stephen McNally, begin to close in slowly on the perpetrators. The key to the plot turns out to be five keys. One is a scientist who wants to use nuclear energy for peaceful purposes, and is persuaded by the other side to help them assemble the bomb when their first plan fails, fine actor Oscar Beregi. The second is the man pushing the project, Nehemiah Persoff, who is at odds with his boss Gregory Morton. The third is aides to Persoff, such as Anne Jeffreys, Dennis Hopper and others. The fourth is the men who work with Duff, such as his lady, Dr. Linda Cristal, Eddie Firestone and an assortment of competent agents. The last is the size of Los Angeles, which works against the agents' actions at every turn. The plot reaches a point when the bomb is assembled; then there are a dozen twists leading to a thrilling end I will not reveal here. The music by Paul Dunlap is more-than-competent and unobtrusive as well. Alan Stensvold provided lucid cinematography, The art director Paul Sylos gave the film a clean modern look; set decorator Raymond Boltz Jr. and costume designer Charles Arrico did even better, giving the film a realistic and attractive style that almost qualifies as "style". Others in the cat include Charles Barrows, John Hoyt, Steve Franken, Wesley Lau, Paul Pickard, Walter Reed and Cal Currens. This is not a great film; but it is an honest one...and that I suggest is the source of its unusual build and power. Among the cast, Beregi, Morton, Duff and McNally are very good as always. A well-acted and thoughtful adventure film.

The cover of the DVD box for this forgotten movie trumpets one of the actors in it, which happens to be Dennis Hopper. Actually, Hopper (who is almost unrecognizable) only plays a minor role in the movie. That didn't give me a problem. Watching the movie itself, one will be struck by how much it resembles a made-for-TV movie of the era, with its limited production values and flat loot. But that didn't give me a problem. What did give me a problem was the story. Actually, the first twenty or so minutes of the movie aren't that bad - there is some mystery and intrigue that kept me interested. However, after those twenty minutes are over, the next 45 or so minutes will put many viewers to sleep, with endless talk and an investigation that makes little progress. Things do pick up again in the last 25 or so minutes, but many viewers will have abandoned ship long before this part of the movie comes across. The movie also suffers from the fact that we never learn why the bad guys are doing what they are doing. Had there been more tension and action in the middle, as well as explanation for the bad guys scheme, we might have had something here. But as it is, it's more or less a disappointment.