Operazione San Gennaro

No offense. I did not find it entertaining. I recognized no parentage to the modern comedy nor the modern heist movie. Mediocre acting, no comedic timing, light on facial expressions, badly dubbed, and no subtitles.

If you watched the movie without audio, you wouldn't be able to tell what genre it is. However, one may be able to appreciate it for it's intrinsic value if you take into consideration the limitations of the industry then, movie tropes and conventions of the time, historical context and have familiarity with Neapolitan culture from other sources. Because instead of being a lighthearted and faithful representation of Neapolitan culture it represents the state of Italian filmmaking of the time.

In short, a relic. destined to remain in it's time capsule. Inaccessible without Italian fluency, barely comprehensible if you don-t have familiarity with Neapolitan language as some of the humour relies on it. This movie is to be taken out as an object of study

Perhaps an unknown fact from occidental people is about the whole Italy territory is split in two completely different kind of people, the north rich and advanced and south Italy, where the real people be proud to doesn't make part of the great Italy, Naples should be the south's capital, just an introduction, when arrives at Naples an American gang leaded by Jack (Harry Guardino) and his gorgeous girlfriend Maggie (Senta Berger) willing to do a dared robbery at San Genaro's treasure, they asking for a famous Mob's leader Don Vicenzo (The Funny Totó) sadly he was in jail almost retired, then he suggest your inheritor Dudu (Nino Manfred) as Naple's criminal underworld, when they introduces each other, the American gang didn't tell the target of the robbery, however later they have to talk about of San Genaro's treasure, Dudu a hard passionate of this Saint denies such heresy, should be with his own permission only, then he goes to the church to asking for Saint Genaro itself his concordance, already promising to him all gathered money will be for Naples's poor people, this an ingenious comic picture exploring the Italian faith, almost a hundred colorful characters scattered along the movie, in every single scene, specially Totó and Mario Adorf, the final sequence goes beyond of the human insanity!!

Resume:

First watch: 2020 / How many: 1 / Source: DVD / Rating: 8

This is your basic "gang of crooks plot and carry out a big heist" and as such, this one is pretty darn good.

The TUBI print (July 2025) is really sharp, and it is the Italian print, so nearly everything is dubbed into Italian. (important later) Best of all, the script makes sense - it moves the plot forward and takes the group to a number of neat locations.

Experienced director Dino Risi keeps the whole thing under control, and lets his cast shine.

The cast is quite a mixture: -Nino Manfredi (Italian, good looking, solid) -Mario Adorf (Swiss-German-Italian coproduction) overacting, but only pleasantly.

-Harry Guardino (Brooklyn) speaking Italian far more than English.

-Senta Berger (Austria) as another American character, but to help establish that, she breaks into English at odd points.

-The rest of the cast, people from everywhere, doing good work. In fact, the extras and background artists are very well directed (focused and appropriate for the scene).

Sure, it has its slow moments, but overall, this one is worth the two hours.

The sixties was the decade for heist movies, more or less inspired for most of them by RIFIFI: TOPKAPI, GRAND SLAM (though not really a comedy) GAMBIT, CAPER OF THE GOLDEN BULLS, BIGGET BUNDLE OF THEM ALL, ITALIAN JOB; so this one is in the pure continuity. Dino Risi, one of the greatest Italian directors in terms of satyrical comedies, seems to be very comfortable in this comedy crime caper film, which saves us some surprises in the script, such as the death of one of the lead characters eighteen minutes before the end. Very surprising for a comedy, isn'it? . The Italian trademark is so obvious in this story about a "holy" treasure, the christianity oriented spirit, I repeat, so typical of the Italian culture. Mario Monicelli's famous THE PIGEON spirit is not so far...Italian trademark.

In the greatest city of the world someone wants to steal the San Gennaro's treasure. Dudu (Nino Manfredi) boss of "La Sanità" (a popular quarter of Naples) is taking time to make the right choice: can they succeed? is it really a great occasion? will San Gennaro be happy? The comedy let us understand lot of things about the city of Naples and its habits: superstitious practices, amazing people (like "the baron": the only man who has the heart on the right) and their passion for music (the Festival of Neapolitan song, and the great singer Sergio Bruni, he always wants to be the last to sing)... And TOTO', playing the role of DON VINCENZO IL FENOMENO: a genius.