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Nihon no ichiban nagai hi

  • 1967
  • 2h 37min
VALUTAZIONE IMDb
7,7/10
1113
LA TUA VALUTAZIONE
Nihon no ichiban nagai hi (1967)
EpicHistorical EpicWar EpicDramaHistoryWar

Aggiungi una trama nella tua linguaA dramatization of the 24-hour period in which the Japanese government was deadlocked over the decision to accept or reject the Allies' demand for an unconditional surrender following the bo... Leggi tuttoA dramatization of the 24-hour period in which the Japanese government was deadlocked over the decision to accept or reject the Allies' demand for an unconditional surrender following the bombings of Hiroshima and Nagasaki.A dramatization of the 24-hour period in which the Japanese government was deadlocked over the decision to accept or reject the Allies' demand for an unconditional surrender following the bombings of Hiroshima and Nagasaki.

  • Regia
    • Kihachi Okamoto
  • Sceneggiatura
    • Shinobu Hashimoto
    • Sôichi Ôya
  • Star
    • Seiji Miyaguchi
    • Rokkô Toura
    • Chishû Ryû
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,7/10
    1113
    LA TUA VALUTAZIONE
    • Regia
      • Kihachi Okamoto
    • Sceneggiatura
      • Shinobu Hashimoto
      • Sôichi Ôya
    • Star
      • Seiji Miyaguchi
      • Rokkô Toura
      • Chishû Ryû
    • 8Recensioni degli utenti
    • 4Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 1 vittoria e 2 candidature totali

    Foto14

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    Interpreti principali91

    Modifica
    Seiji Miyaguchi
    Seiji Miyaguchi
    • Foreign Minister Shigenori Togo
    Rokkô Toura
    Rokkô Toura
    • Vice-Minister of Foreign Affairs Shunichi Matsumoto
    Chishû Ryû
    Chishû Ryû
    • Prime Minister Baron Kantaro Suzuki
    Sô Yamamura
    Sô Yamamura
    • Navy Minister Admiral Mitsumasa Yonai
    Toshirô Mifune
    Toshirô Mifune
    • War Minister General Korechika Anami
    Yoshio Kosugi
    • Minister of Public Welfare Keisuke Okada
    Takashi Shimura
    Takashi Shimura
    • Information Bureau Director Hiroshi Shimomura
    Etsushi Takahashi
    Etsushi Takahashi
    • Lt. Colonel Masutaka Ida - Military Affairs Section
    Takao Inoue
    • Lt. Colonel Masahiko Takeshita - Military Affairs Section
    Tadao Nakamaru
    Tadao Nakamaru
    • Lt. Colonel Jiro Shiizaki - Military Affairs Section
    Toshio Kurosawa
    • Major Kenji Hatanaka - Military Affairs Section
    Akira Kitchôji
    • General Yoshijiro Umezu - Chief of the Army General Staff
    Haruo Yamada
    • Admiral Soemu Toyoda - Chief of the Naval General Staff
    Ryôsuke Kagawa
    Ryôsuke Kagawa
    • Minister of Agriculture and Forestry Tadaatsu Ishiguro
    Ushio Akashi
    • President of the Privy Council Baron Kiichiro Hiranuma
    Isao Tamagawa
    • Colonel Okitsugu Arao - Chief of Military Affairs Section
    Hiroshi Nihon'yanagi
    Hiroshi Nihon'yanagi
    • Admiral Takijiro Onishi - Vice-Chief of the Naval General Staff
    Tôru Takeuchi
    • Naval Surgeon Kobayashi
    • Regia
      • Kihachi Okamoto
    • Sceneggiatura
      • Shinobu Hashimoto
      • Sôichi Ôya
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti8

    7,71.1K
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    Recensioni in evidenza

    7trevillian2

    Interesting viewpoint

    First off I would say you will want to watch this movie more than once for a couple of reasons. Main one for me is in reading the sub-titles etc. I missed out on a lot of the action and byplay of the various actors. Unless you are fluent in Japanese, you have to read to follow the plots, of which there are many. The subtitles pass so quickly that I was just getting the gist of the dialog in some spots, so I will need to watch again now that I have it down fairly well. There are so many roles to follow and all of them are interesting, so you don't want to let anyone fall away as he returns later in the film and you will want to remember what he was doing earlier in the movie. All are based on real people of the times, and very real events. As the story progresses I was caught up in the increasing action and urgency of the rebellion. The young officer who is so deeply involved and is such a zealot for the army continuing to fight is truly frightening as you can see some of this rabid resolve right now in some of these Jihad warriors in the mid-east. Just goes to show that Berserkers are not only from the days of Viking raiders. By the way this movie is not suitable for young viewers, it is matter of fact, but graphic in various death scenes.
    8zetes

    Gripping depiction of obscure WWII history

    I had thought the title of this one was an American invention to capitalize off of the American film The Longest Day, but I do believe "Japan's Longest Day" is the actual title. It has nothing to do with the other film. It, in fact, depicts perhaps the most tense day in modern Japanese history, the 24 hours between August 14th and 15th, 1945. The simplified version of WWII history has the Japanese quickly surrendering with their tales between their legs after the Allies dropped the bomb on Hiroshima and Nagasaki, but a nation so wound up in nationalistic and militaristic pride wasn't ready to give up that easily. The film doesn't depict the citizenry – one could imagine they would be mostly sick of war. But the military certainly was ready to go all the way, to have every person in Japan martyred. Emperor Hirohito, who is supposed to be looked upon as divine by his people, decided that his empire must surrender. Many of the heads of military only agree grudgingly. Many of their underlings rebel. Hirohito makes a recording of his surrender message, to be played at noon on the 15th. A group of soldiers tries to rally others not to listen, and they attempt a coup and try to steal the record. The film is long – 2 hours and 37 minutes. We are given the names of every single character in the film – I would venture to guess that over 100 names are thrown at us over the film, right up until the end. It's difficult to follow, but I don't believe it's necessary to understand every nuance of what was happening. The previous year, Kihachi Okamoto made what is probably his best (and best-known) film, Sword of Doom. Why choose him for this project? Well, there is at least one scene where that is pretty much answered (just remember that the Japanese soldiers still had samurai swords). Really, though, I don't think the direction is that impressive. As a film, it's nothing fantastic. But for the depiction of the minutiae of history, it's well worth watching. Toshiro Mifune, Takashi Shimura and Chishu Ryu all have large roles, but I honestly didn't even recognize them. They fade into these historical characters perfectly.
    7nomoons11

    With this film, you get to see the other side of events that took place..that changed history

    Whether you already know about the events of the day of the Japanese surrender on August 15th 1945 or you are a newcomer to the topic, this film has something for both.

    Most film goers get to see the good guy side of films and rarely get to see a film made by the losers of war and the way they thought and felt. I've seen a few of these films from Japan and Germany and it's eye opening to see their mindsets during this period.

    Right off your gonna get a pretty clear picture that the Military ran the show. The Prime Minister of Japan was the guy who made the decisions along with the cabinet but Japan back in this time...was almost..if not...a military state. Behind the scenes you will see military men who know no other way of life, but it was all about to change...and they didn't react to well. I mean, who would enjoy surrendering? I know I wouldn't but what you get is an unruly few who think they have the will of the people and the emperor in mind when they decide to try and overthrow the Surrender Proceedings and takeover the Imperial Palace. Imagine being the most powerful force in the world for centuries and within a short span of 3 to 4 years...it's all over.

    It's just a fascinating watch all the way through to finally get to see what was in the minds of the Japanese Soldiers and Politicians during the last day before their surrender. Most accepted with regret..but with grace also. Others didn't take to it too well.

    If your looking for a war film with some action then you better look somewhere else cause this isn't that kind of film. This is war drama all the way. Watch this film and you'll get an idea of what it was like...back when "Japan's Longest Day" occurred.
    10poikkeus

    Superior historical drama

    All historical adaptations take a certain artistic license with their source material. JAPAN'S LONGEST DAY is no exception, but for a variety of reasons, this film rises above the norm.

    The black and white photography, framed conservatively, has the feeling of reality, as if it were almost documentary. There are distinct emotional highs and lows as Japan's high command wrestles with the concepts of unconditional surrender (the Potsdam agreement) and the army's hopes of keeping the war going indefinitely; but the drama seems more real than posed. And despite that the events depicted here really happened, there's a palpable sense of tension in the narrative.

    JAPAN'S LONGEST DAY covers that short period just before the Allied bombings of Hiroshima and Nagasaki to Japan's surrender in August 1945. But the attention to detail is almost documentary in feel, as bureaucrats and politicos spar with each other to save what they feel is the spirit of Japan. This kind of film doesn't get much more compelling, and does a superior job at balancing accuracy with drama.
    10PWNYCNY

    One of the great anti-war movies.

    What is a soldier, who has been told from first day of his enlistment that surrender is not only unacceptable but is treason, to do when he learns that his government, including his own military superiors, are going to surrender? This movie pulls no punches in showing what happened when that exact scenario occurred in Japan in the closing days of World War Two. The two words that can best describe how the Japanese soldiers must have felt are betrayal and despair. The movie further underscores the essential hypocrisy of the Japanese imperial leadership and the sudden realization that everything they had been spouting about the Bushido spirit was just hot air, mere hyperbole. As the movie so graphically shows, the junior Japanese officers who revered their generals simply could not accept what seemed to them a shameless repudiation of principles that they were told were sacrosanct. The movie is excellent for several reasons: first, it tells a compelling story; second, it has an all-star cast; third, it is structured as a documentary; fourth, the story is candidly and forthrightly portrayed; fifth, the movie has excellent continuity; sixth, it avoids becoming moralistic; and seventh, it educates the audience about a critical event in history.

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    • Quiz
      Hakuô Matsumoto plays the Emperor Hirohito in this film, the first time Hirohito (or any living Japanese emperor) was played by a Japanese actor in a Japanese film. Matsumoto subsequently portrayed Hirohito's grandfather, the Meiji Emperor, in La battaglia di Port Arthur (1969).
    • Connessioni
      Referenced in Shin Godzilla (2016)

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    Dettagli

    Modifica
    • Data di uscita
      • 12 agosto 1967 (Giappone)
    • Paese di origine
      • Giappone
    • Lingua
      • Giapponese
    • Celebre anche come
      • Japan's Longest Day
    • Azienda produttrice
      • Toho
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      2 ore 37 minuti
    • Colore
      • Black and White
    • Mix di suoni
      • Mono
    • Proporzioni
      • 2.35 : 1

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