Night Fright

I was immediatly struck by the alarmingly low IMDB rating, at time of writing we're talking 2.4 and that's really impressive!

It tells the long drawn out story of a big beastie that's out in the forest killing folks off, usual standard stuff. Trouble is it never really gets going.

The pace of the film is remarkable, very little actually happens yet the entire film spends its time building up to something. I don't think I've ever seen a movie quite like it, it's the most anti-climatic thing I've ever seen.

Beyond that every other factor from the acting to the sfx are so mediocre that I'm not even remotely surprised that this has remained so obscure.

It's terrible stuff.

The Good:

Nothing springs to mind

The Bad:

Very repetitive audio

Lack of budget showed

Very anticlimatic

Goes nowhere and goes there slow

Things I Learnt From This Movie:

I learnt nothing, other than the other half moved the head ache tablets!

There is one adjective that describes everything about this film - acting, plot, effects, continuity, etc. - and that word is poor. The government wants to asses the effects of space travel on certain organisms but the capsule crashes and a mutant something-or-other (looks like a guy in an ape suit with the top of a football helmet over his face) wreaks havoc around the accident scene, which includes a favorite place for the window-fogging, partying set. Therefore, some young people - as well as a law enforcement officer - are among the creature's victims. You gotta be extremely unparticular about how you spend your time - or rich, if you spend any money - to view this epic.

When the budget doesn't allow for a Cadillac or Packard or Lincoln or Imperial hearse we are talking cheep cheep. That's bird language for cheap cheap.

What is in the hair of the forty year old teen boy? The guy who looks like a cement head who tries a couple of times to run over John Agar and provides the only scare in the movie by how close he comes. His hair looks like a shoe. A patent leather shoe. He is a shoe head.

The nurse woman needs immediate emergency hair washing. She has lacquer in her blond locks that would ignite if the production company had been able to afford lights.

The monster? The music was scarier. I would try to run from the music. The monster probably had better hair than the rest of the cast. Put some lipstick on that monster and you've got Divine's older sister.

The camera work and editing and plot provided a buffer to prepare the audience for the bad music throughout.

Hello Mr. Agar? We're thinking of doing a sequel to Night Fright and... Mr. Agar? Agar? Tom Willett

Something in the forest is killing and mutilating the denizens of a rural Texas community. Could it have something to do with the nearby crash of a recently launched rocket? Probably. Sheriff John Agar leads an investigation as the obligatory group of wild local teens get their kicks in the danger zone.

Besides being shot far too dark, NIGHT FRIGHT is technically not much worse than many other regional indie horrors of the period. The worst thing about it is that it just isn't very interesting, and when the wheels are finally greased for some good cheap thrills, the delivery is too little too late.

Yep, NIGHT FRIGHT is kind of a snore. However...the clothes, hair, and interior furnishings are hilariously dated, so if you have an aesthetic taste for kitsch Americana, you'll at least find it a wealth of amusing mid-century retrocities. Most of the production crew are noted for their contributions to the notoriously low-grade cinema of director LARRY BUCHANAN, so it's no surprise that it looks a lot like something from his inglorious filmography.

3.5/10. Not recommended.

NIGHT FRIGHT shares an eerie half-world with a handful of similarly modest but entertaining teen horror/sci-fi entries like GIANT GILA MONSTER, HORROR OF PARTY BEACH and DEATH CURSE OF TARTU. These are an uneasy mix of happily gyrating teens and skulking horror that are a guilty weakness of mine.

The storyline is standard stuff: a spaceship sent into the icy depths of Out There by dedicated scientists runs into unchecked radiation, and the test animals aboard are mutated. The largest and nastiest promptly goes on an eating binge. The film appears for be a rehash of themes already used in the obscure DEMON FROM DEVIL'S LAKE.

Granted, Texas isn't known for astounding advances in cinema. Larry Buchannan, the fevered brow at the helm of THE EYE CREATURES, IT'S ALIVE! and ZONTAR, THE THING FROM VENUS, hailed from Texas. THE GIANT GILA MONSTER was filmed in and around Cielo. Still...

John Agar, in one of his last "earnest man with a job to do" roles is a somewhat peeved lawman charged with finding out what exactly is killing the locals. He does well in the limited role, providing the film's one strong performance. The other characters are broadly written and almost painfully bland. The bizarrely named Roger Ready woodenly plays a scientist who knows more than he admits (and who is largely qualified as being a researcher by way of smoking a pipe). There's also a nerdy newshound, police resenting kids, and an extremely lackluster love interest.

That said, the overall film is actually fairly enjoyable. The monster, a hulking gorilla with facial spines and a Klingon head ridge, is reasonably impressive for a regional production. The isolated locales and dim photography add a certain appeal, though the latter occasionally flashes almost starkly bright (particularly during the climax where half the hunters seem to be waiting in the dead of night and the rest in some distant land where it's high noon). The government cover-up angle is expected, and should neatly justify the suspicions of any borderline paranoids in the audience.

Not a great film but, taken as a simple "googly fiend run amok" picture, it's more than passable.