Island of the Lost

There's nostalgic charm if you're a fan of the films of this era. I happen to hugely admire the Ivan Tors film and TV projects. This is possibly a script from the 1950s, as it was co-written by actor Richard Carlson, who made SF films with Tors in the 1950s. It's certainly creaky stuff that seems outdated even by the mid-1960s when it was made. It's far more a fantasy than the usual Tors material, which strove for believability and achieved it. This doesn't. The animal sequences, which were always top-notch in Tors films thanks to trainer Ralph Helfer (inventor of affection training), but here they are awkwardly shot and silly. The cast is likable but the script is just not up to making anything work to its advantage.

Richard Greene is certainly a man who believes in family togetherness. He's an anthropologist who believes that somewhere in the vast Pacific there is a chain of undiscovered islands. Remember this is 1967 and by that time we and the Russians have had some men who've circled the globe and I'd think that from their vantage point they might have seen something that had hitherto been undiscovered. Anyway he packs his family which consists of his two daughters, a son, and two research assistants and goes off to the South Seas. At this point this actually does sound like Sterling Hayden who chucked his movie career for just such a venture.

When they get to the South Seas, they get themselves caught in the Pacific equivalent of the Bermuda Triangle. A lot of unexplained magnetic activity causes their compass to go haywire and Greene and the family are stranded on the Island of the Lost.

This is not any kind of island Gilligan would have found hospitable. Greene finds all kinds of strange exotic creatures, killer ostriches, saber tooth dogs and miniature prehistoric Dimetrodons. The family has to battle all of them and some hostile natives. There last encounter with unfriendly creatures however is when Greene and assistant Mart Hulswit go diving and meet some unfriendly garden variety sharks.

I'm still trying to figure why this maroon would take his family on such a dangerous trip, one that in fact turned out to be as dangerous as it was. But Island of the Lost isn't that good a film to be worried about it.

The film was produced by Ivan Tors and Ricou Browning, the same folks that brought us Flipper, that ever trusty friend in the sea. Which is why teen idol Luke Halpin was in this film as Greene's son. Luke's big moment is rocking out on a keyboard made of balsa and creating a truly eerie musical sound.

What's sad is that Luke Halpin once Flipper had run its course on television and films was just another ex-teenage idol. It's hard to believe that this was the only film offer around. Or maybe Halpin had a sincere case of loyalty to Ivan Tors who certainly had been good to him and his career so far. In any event like so many who sink below the radar once their series is canceled, it happened to Halpin. This film sure didn't keep him visible.

Island of the Lost is kind of laughable today, the special effects at which Tors was acclaimed a master back in the day are pretty lame. It's also hard to believe that television's Robin Hood, Richard Greene, had also sunk so low.

This one is bad news folks, skip the three hour tour to this Pacific paradise.

And the most misleading poster award goes to ISLAND OF THE LOST . I mean if you've got a poster with a screaming face of a creature with yellow eyes , green skin and very sharp teeth you might think you're going to be watching a horror film . It really is a fantastic poster - for another film entirely and it's amazing if the marketing men didn't run in to any trouble with this . It's an incredibly stupid idea too because no responsible parent is going to let their children watch a gory horror . And yet ISLAND OF THE LOST is a Walt Disney type family film !

It wasn't until halfway through watching this family friendly non horror film that I realised I'd seen it many years ago one morning on ITV circa 1983 . It's hardly unforgettable must see cinema but the reason I remember it is because it's got some of the most bizarre monsters ever seen on the silver screen - vicious murderous ostriches with horns on their head , that kick their victims senseless and eat them alive which if nothing else shows an imagination of sorts even if it's by default . There is another jarring aspect and that is the teenage lad never resists the opportunity to play a tune while his siblings put on a sexy dance show Listen sonny these are your siblings you're drooling over . I suppose it could have been worse with the family shipwrecked in the Vatican or BBC television centre , but not much worse

As of May 2011, this film is available on Netflix. Great scenery.

Jose De Vega is also in this film. This was made six years after he played a Hawaiian buddy of Elvis in Blue Hawaii. But he was Filipino and Colombian. So he played various ethnic rolls on television and also in the movies.

Lots of beautiful tropical scenery. But I keep remembering this was filmed in the area of West Palm Beach, FL. I am not sure why I ordered this DVD. It could have been because of Ivan Tors. He was the producer of Flipper. So all of the underwater scenes and "trained seal" scenes might have a familiar look about them. Only this time, there is a seal instead of Flipper.

Luke Halpin from Flipper is also a son in this flick. Not much of a part, though.

This was a film I enjoyed as a kid. Even then I knew it was pretty terrible - the hammy lines, the laughable special effects (ostriches with horns glued on are about the pinnacle of special effects on display), the way Richard Greene and the rest of the cast seem to walk in and out of the camera to represent scene shifts... subtle it ain't, nor art. I have no doubt that I'm influenced by nostalgia, but a revisit a few years ago revealed a film with plenty of charm alongside (or, more accurately, because of) it's extreme silliness. One comment - is this the only sixties Luke Halpin movie in which he keeps his shirt on throughout?