Hillbillys in a Haunted House

This movie is one of the worse movies I have ever watched!!! There isn't even anything "haunted" about this movie except maybe some fake hanging skeleton dangling on a wall. All the actors were terrible as well and to have brung some of the famous horror actors in this film is just giving them all bad credit. They must have been desperate and at the end of their career's to have been in this flop. There is nothing haunted about this movie except watching this film! This one deserves a 0!!

HILLBILLYS IN A HAUNTED HOUSE (1967) * (D: Jean Yarbrough) A terrible film, badly directed by Yarbrough. His last film, and possibly Basil Rathbone's too (or perhaps AUTOPSY OF A GHOST). Lon Chaney Jr. and John Carradine can't help matters either - all three are wasted. They should have been put to better use even taking into account the low budget. Rathbone in particular appears disinterested (and who can blame him?) Just barely tolerable to see the three actors, but for completists only. Many awful tunes.

It is easy to dismiss this movie as something that belongs on the bottom half of a double bill or late night television; but I happen to enjoy it. Lon Chaney, John Carradine and Basil Rathbone together again for the first time since THE BLACK SLEEP (1956) and on far more equal terms than they were in the earlier film. Okay so they leave no cliche untouched, from the Oriental "Dragon Lady" top spy to the gorilla in a cage but there are good moments in the film too. Just watch the scene where Lon Chaney takes the secret plans away from the traitorous government worker. Lon waits for just a heartbeat before turning back into the room, pulling his gun and declaring "If you'd betray your country you'd also betray us." and shoots the man dead. A great dramatic moment and not what you would expect from a musical comedy. Unfortunately the movie is very patronising of Southerners. Woody and Jeepers are your basic "scared of everything" backwoods boys. Boots (Joi Lansing) does not have a Southern drawl and at one point declares "Well I for one do not believe in ghosts." making her the most level headed one in the group. As for the music, there is plenty. All Boots has to do is say "Hey Woody, sing a song." for the plot to stop dead in its tracks so Ferlin Husky can warble another country tune. My biggest argument is that the movie goes on for another 20 minutes AFTER it should end! After the bad guys have been rounded up and the spies are in custody we get one whole REEL of country western singers performing their specialties at what is supposed to be a big Nashville Jamboree but looks like a high school auditorium. Granted this is probably the only chance many viewers will get to see old time singers like Molly Bee and Marcella Wright so just relax and enjoy the music.

I visited Nashville in 1998 and paid my respects to the great and the good of country music by spending an afternoon in the hallowed precincts of the Country Music Hall of Fame ,where one exhibit was devoted to the movies featuring the great names of the genre . I was left reflecting that by and large the movie industry has not been kind to country music and that most of the movies given exhibition space were low budget productions from poverty stricken regional studios ,rather than the big Hollywood companies . This lame brain picture exemplifies the kind of no brain movies they turned out and the patronising stance of such studios to their audience and the music it contained ,being a parade of stereotypes which pokes fun at country people and their music of choice Ferlin Husky plays a country singer who is stranded for a night in the eponymous house alongside his " girl singer " and business manager .It is a suitably creepy place -festooned with cobwebs and adorned with secret passages .It also happens to be the base for a spy network headed by a mysterious Oriental lady and her henchmen -slumming horror greats lon Chaney ,John Carradine and the wonderful Basil Rathbone .Not to mention a gorilla ! Do the musical trio triumph over their adversaries and make it to the big Nashville show ? Well , if you like country music and admire the work of the veteran actors I name checked earlier its just about worth watching to find out . By any objective standards this is dreadful but at least Rathbone and Carradine are worth watching although somewhat the worse for wear physically.However it is the presence of country music great Merle Haggard doing two numbers and the involvement of lesser but talented artists like Sonny James and Molly Bee that are mainly instrumental in sustaining interest

The last 20 minutes are devoted to a concert that has nothing to do with the plot and is unimaginatively staged and shot but whose peformances are historically fascinating and help make me like the movie more than it really deserves . Now will someone in the movie industry treat this great music -The true national music of America -with the respect due to it ?

Of the 13 feature films in which John Carradine and Lon Chaney both appeared, 1967's "Hillbillys in a Haunted House" was not only the last, it was one of the few where they actually shared any scenes (shot under the working title "Ghost Party"). Joined in villainy by a game, 74 year old Basil Rathbone, the three actors offer the only real novelty to this tired rehash of old dark house clichés, dragged down by its abundance of country music. A sequel to the successful "Las Vegas Hillbillys" (note the spelling!), retaining stars Ferlin Husky and Don Bowman, but replacing the absent Jayne Mansfield with the equally photogenic Joi Lansing. En route to Nashville for a good old fashioned jamboree, the trio break down and have to spend the night in a house that's not really haunted; its actually the home base for spies trying to steal a top secret formula from a local rocket base. John Carradine alternately scowls and grimaces as Dr. Himmil, when he's not mercilessly teasing the gorilla Anatole belonging to Lon Chaney's Maximillian, who goes undercover by getting past an unsuspecting janitor (all he gets for his trouble is a formula combining nitroglycerin and antihistamine!). As Gregor, Basil Rathbone shares most of his scenes with Carradine, using phony ghosts and noises to try to scare off their dimwitted intruders, whom they mistake for agents from M.O.T.H.E.R. (Master Organization to Halt Enemy Resistance). A genuine ghost closes out the spy stuff at 67 minutes, leaving the final two reels open for yet more musical numbers. Chaney is clearly having a grand time, and Rathbone too, while poor Carradine has to remain sullen for the most part, fewer opportunities to be funny (he did enjoy stealing Anatole's banana!). As bad as the film's reputation is, consider how much worse it would have been without its heavyweight cast of screen villains.