I giorni dell'ira

This clever and successful Spaghetti Western that owes a considerable debt to Leone deals with a miserable young named Scott (Giuliano Gemma) who runs errands and works menial jobs in a little town ; as he's harassed , pushed and kicked by ruthless villagers . Then , there arrives an occasional mysterious visitor , a too smart bad guy , he's a two-fisted gunslinger named Frank (Lee Van Cleef) . He befriends Scott and acts as protector of the humiliated young who receives advice from the gunslinger and he becomes tough , surpassing his teacher . The gunfighter teams up with the hapless young man against the nasty townspeople mistreated him and then Scott carries out a personal vendetta . Later on , fateful happenings takes place , as they never thought it could happen in their town .

The film displays psychological characters-in deep , shootouts , Western action and being entertaining enough . The movie contains typical particularities Spaghetti , as it is filled with fury , sadism , bloodbaths , and portentous close-ups of grime-encrusted faces . Gulianno Gemma is good as unfortunate guy working in worst and dirtiest labors , and Lee van Cleef is cool as cruel gunslinger . As secondaries appear Jose Calvo (Silvanito in ' A fistful of dollars') and Spaghetti regulars as Benito Stefanelli (habitual master of arms) , Andrea Bosic and Ricardo Palacios . Furthermore , Ivonne Sanson as brothel Madame , she was a known actress in Italian melodramas and an uncredited Al Mulock (he was one of the mythic trio at the beginning of 'One upon a time in the West' along with Jack Elam and Woody Strode) . The producers Alfonso Sansone and Chroscicki produced 'Day of Anger' with quite a few budget . The picture is full of nice sound by composer Riz Ortalani and colorfully photographed by cameraman Enzo Sarafian . The motion picture was well directed by Tonino Valeri who was Sergio Leone's assistant . Valeri managed to make a fluid , witty and agreeable SW . He proved his experience in Western , such as : ¨Bounty hunter¨ , ¨Death a President¨ , ¨A reason to live a reason to die¨ and his biggest hit : ¨My name is nobody¨ with Henry Fonda and Terence Hill .

This Spaghetti Western I giorni dell'ira (1967) along with 'Da Uomo a Uomo (Giulio Petroni with Lee Van Cleef-John Philip Law)' led to recovery in the popularity of 'horse opera' after Leone hits . Both of them are masterpieces about gunslinger/disciple theme , and developing a paternal-filial relationship . Other films about this matter is as follows : 'All'ombra di un colt (65)' by Gianni Grimaldi with Conrado San Martin and Stephen Forsyth , 'Bandits (1967)' by Massimo Dallamano with Enrico Maria Salerno and Venantino Venantini and 'Beyond the Law (68)' by Giorgio Stegani with Lee Van Cleef and Alfonso Sabato.

"Days of Wrath" is an excellent Spaghetti Western. Both Van Cleef and Gemma have excellent characterizations to portray; it is particularly interesting to witness Gemma's transformation from submissive outcast to dominating gunfighter. Van Cleef has one of his best non-Leone roles. A solid story, with a great music score and theme. Fans of the genre should not miss it. Some American video versions are highly edited; try to see the uncut version.

Nothing here you haven't seen before if you're a fan of Italian westerns, but DAY OF ANGER develops its plot and characters carefully, keeping you on the edge of your seat throughout. Van Cleef is terrific--this is surely one of his finest moments--yet he's matched stride-for-stride by Giuliano Gemma and the rest of the cast, with solid performances from many bit players. The direction and camera work are first rate, also. It may fall just short of Leone and the first Django movie, but it's still a first-rate spaghetti western.

Really good, from the languorous, elegiac opening to the full throttle finish, I enjoyed it all. I note that IMDb shows a running time of 95 minutes whilst my new Arrow DVD runs nearer 115. Can that be so, 20 minutes cut from the previous print? It is just possible for there is a surprisingly large amount of time given to introduction of the characters and the town so that we might become totally involved. Goodness knows what anyone would make of much of this film without the precious opening ten minutes where Giuliano Gemma is introduced to us, literally as a sh*t shoveler before coming under the wing of the majestic Lee van Cleef. The famous Almeria set and surrounds plays its part well too and whilst the tale is fairly simple (revenge!) it is so well told and whilst the opening scenes seem to show a ghost town by the end we have seen it teeming with folks from all around. A fine film with much violence.

A scruffy garbage boy becomes the pupil of a famed gunfighter, and the stage for confrontation is set when the gunman becomes unhinged and overruns the boy's town through violence and corruption.

The film credits the novel "Death Rode on Tuesdays" by Rolf O. Becker as its basis, although director Valerii and screenwriter Ernesto Gastaldi have attested that this credit was primarily included to appease the West German co-producers, and that although some scenes are partially borrowed from it, the film is not an adaptation of Becker's novel.

This is an interesting western, not just because it has a young man going from janitor to gunfighter, but it has the audience questioning whom to trust. There is sort of the classic theme of a hero being mentored by a villain, and how that can complicate alliances.