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A British spy adventure; A story about a a Robin Hood-like figure known as the Saint who is asked to act as a bodyguard to a best-selling adventure author, a young woman who uses a male pen-name. This feature length film dovetailed with the successful british TV series of "The Saint". It showcases the light comedy talents of stars, Roger Moore and Sylvia Sims. Technically, it has a flat TV look with full screen ratio because of its release previously as a two-part TV format. It has an interesting and ingenious plot, and the action, while not particularly suspenseful, is enjoyable and the third act holds up quite well. Despite it's low budget and TV stage feel, the film has good production values and is well produced. The film pays tribute in a small way to a burgeoning new genre of fantasy spy and heist films. As an aside, several scenes and motifs in the film resemble other such films: Goldfinger (1964), Pink Panther (1964) and Entrapment (1999).

Funny, entertaining, suspenseful, in a smiling way. Thoroughly enjoyable fun. Not as overly ridiculous as some Bond films, fortunately.

Adventurer Templar, known for cocking his eye upwards at his animated halo, agrees to do a favour for a publisher friend (Peter Ashmore) to look after best-selling thriller writer Amos Klein - who writes macho Ian Fleming-type books but is actually scatty, cute, short-sighted Sylvia Sims, who is being targeted by criminals who want their expertise to pull off an impossible crime.

A wacky, spoof of the James Bond franchise, this a fun two-part series made into a feature film which benefits from its two stars - Roger Moore and Sylvia Sims. Their interactions is what makes this all so enjoyable. The Saint regular Justine Lord is beautiful as ever. It's a nice way to pass the time, even though the wackiness can be tiring at times.

Naturally, I was aware of Roger Moore having been Simon Templar aka The Saint (a character created, complete with instantly recognizable theme, by Leslie Charteris) before he was Agent 007 aka James Bond, but I’d never actually watched him in the role (other than catching bits and pieces from the TV series when it was broadcast on Italian TV or the Bravo Cable channel).

Anyway, a number of episodes from “The Saint” (the series began shooting in black-and-white, then switched to color) were compiled to make up two individual features (the other being VENDETTA FOR THE SAINT [1969], which is to follow) and released to theaters. However, there was no mistaking the flat TV style (despite employing a veteran film-maker who had even worked in Hollywood), the full-frame ratio, or the studio-bound look (the big-budgeted James Bond adventures clearly could afford to be a great deal more elaborate); nevertheless, the cinematographer of this one – Michael Reed – went on to lens the very next 007 outing i.e. ON HER MAJESTY’S SECRET SERVICE (1969)!

The film, as a whole, emerges to be mildly enjoyable and serves up a fairly ingenious plot: Templar is mistaken for a popular pulp fiction novelist (actually a woman, played by Sylvia Syms) and kidnapped by a gang – hiding under the aliases of the criminal organization (complete with an H.Q. built to specifications) and characters ‘he’ had himself created – in order to plan a heist from an impregnable site! The leader of the villains is played by a flustered Kenneth J. Warren, who has fun with the role; his associates, then, include Nicholas Smith (later to be seen in the ARE YOU BEING SERVED? comic TV series!) and the engaging Justine Lord (who would prove a memorable femme fatale, literally “The Girl Who Was Death”, in the episode of that name from what was possibly the cult TV series of the era i.e. THE PRISONER).

As I said, the film suffers most from its ultra-modest budget – allowing for thrills and action highlights which, while not disagreeable in themselves, are decidedly bland and predictable, especially when stacked alongside what was being delivered in similar vein on the big screen…

The stage curtains open ...

Before Roger Moore was James Bond 007, he was Simon Templar, "The Saint". This 1968 film, "The Fiction-Makers", is such a fun movie to watch. It really is escapism that is campy, intelligent, and memorable. Originally shown on TV in two different episodes, they were combined for a cinema release and is now commonly packaged as a full-length movie.

Simon is asked to protect and look after a best-selling adventure novelist, a recluse woman who writes under the pseudonym of Amos Klein. And he arrives not a moment too soon as they are both abducted and taken to a veritable fortress under the control of a man who calls himself Warlock. Warlock is an obsessed fan of Klein's work, and has taken every idea she has written in her novels and brought them to life. Thinking that Templar is Klein, he forces them to assist him in planning and executing a daring heist that only his favorite novelist would be able to pull off.

For having been made in the late 60's, this film actually holds up pretty well. Moore shows off his usual wit and charm, and it is easy to see in this film why he was considered to fill the shoes of 007 after Connery and Lazenby. There is plenty of humor here as well that will generate a laugh or two along the way. And at the end of it all, you will be smiling ear to ear. "The Fiction-Makers" is a guilty pleasure - a lost gem.

I highly recommend this one. It took me a long time to find it again for my own personal collection, but now that I have it, I'll never let it go.