Questo documentario segue le vicende del Newport Folk Festival, il più importante festival di musica folk, e le sue edizioni tra il 1963 ed il 1966, attraverso esibizioni, interviste e conve... Leggi tuttoQuesto documentario segue le vicende del Newport Folk Festival, il più importante festival di musica folk, e le sue edizioni tra il 1963 ed il 1966, attraverso esibizioni, interviste e conversazioni.Questo documentario segue le vicende del Newport Folk Festival, il più importante festival di musica folk, e le sue edizioni tra il 1963 ed il 1966, attraverso esibizioni, interviste e conversazioni.
- Regia
- Sceneggiatura
- Star
- Candidato a 1 Oscar
- 1 vittoria e 2 candidature totali
Richard Farina
- Self
- (as Dick Farina)
The Freedom Singers
- Themselves
- (as Freedom Singers)
Recensioni in evidenza
Filmmaker Murray Lerner documents the Newport Folk Festival from 1963 to 1966. It's in black and white. In addition to the performers, he interviews some of the audiences. The performers include Peter, Paul and Mary, Joan Baez, and Bob Dylan. Joan Baez has a good size section which includes her interacting with fans. The most interesting is a small scene with Dylan performing with an electric guitar. There is cheering after his set. I'm not sure if that's the 1965 festival when he first returned to electric. All in all, it's a great time capsule of old performances and artists long gone. It is music history.
I saw this excellent film on television recently and was knocked out by a dance performance about halfway through. Four male-female pairs of dancers (The Blue Ridge Mountain Dancers) go through what I assume is traditional 19th-century (?) clog-dance figures to the music of a small acoustic band including Pete Seeger. The dancing is wonderfully rhythmic with lots of on-the-beat clog-stamping. It's wonderful to watch and listen to, and it looks great fun - the dancers and the musicians are consciously acting out some folk heritage, and pointing out the riches and the enjoyment to be found there ("Folks made their own entertainment then and I purely doubt that you and MTV can show me anything better!"). That's the Newport message, and these few minutes deliver it splendidly.
Director Murray Lerner makes this black and white documentary of the Folk Music at Newport from 1963 to 1966, entwining interviews with the audiences that highlight the importance of the folk music and performances of artists like Bob Dylan, Joan Baez, Peter,Paul and Mary, Donovan, Howlin' Wolf and Johnny Cash.
"Festival" is a testimony of magic moments of the 60's that will never happen again. Who could imagine in the present days an artist like Bob Dylan asking for a harmonica to the audience to play Mr.Tambourine Man; or Peter, Paul and Mary in trouble with the microphones; or Peter Yarrow changing the tune of his guitar while singing with Joan Baez; or the artists so close to the audience. My vote is eight.
Title (Brazil): "Festival"
"Festival" is a testimony of magic moments of the 60's that will never happen again. Who could imagine in the present days an artist like Bob Dylan asking for a harmonica to the audience to play Mr.Tambourine Man; or Peter, Paul and Mary in trouble with the microphones; or Peter Yarrow changing the tune of his guitar while singing with Joan Baez; or the artists so close to the audience. My vote is eight.
Title (Brazil): "Festival"
If you're a rabid fan of early to mid 1960's Folk Music, this is the documentary you have been waiting to see. Director Murry Lerner (who also directed an inspired documentary about the Isle Of Wight Festival of 1970) has crafted a well filmed document of four years of the Newport Folk Festival, between 1963 to 1966,including footage of Bob Dylan the first time he plugged in his brand new Stratocaster and played Maggie's Farm for an unsuspecting (and disturbed)audience. The film also makes good use of other Folk icons of the era (Joan Baez,Paul Butterfield,Son House,etc.). This black & white documentary was screened as an "art film", back in the day, and pretty much was forgotten by the end of the 60's, due to the popularity of psychedelic rock (which itself lead to progressive rock,etc.). Worth a watch if you're a fan of Dylan & the rest of the folk scene.
9444
I had never seen this til I got a hold of this copy and love it... There are so many good artists here, who knew? The interviews are often hilarious and a few are pretty interesting. The bit with Joan Baez signing autographs and talking in a car shows that she was more than just another folk star, talking about "alternative" music and culture back in... 1964? The Odetta clip makes me want to dig up her records, the music is so compelling. Even Peter/Paul/Mary sound pretty damn good. I originally tracked this down just to see Dylan's electric performance, which turned out to be more electric than I expected - the guitarist churns out some pretty bitchen' licks - for 1965 this was hardcore! If you liked "Don't Look Back" you'd probably enjoy this. I hope this comes out on DVD with tons of extra footage sometime soon while I'm still alive! apple-o
Lo sapevi?
- QuizFirst of the theatrical documentaries on counter-culture music festivals, preceding Monterey Pop (1968) and Woodstock: tre giorni di pace, amore, e musica (1970).
- Curiosità sui creditiThe end credits appear during the festival's grand finale where Pete Seeger leads an all-star performance of "Down by the Riverside".
- ConnessioniFeatured in American Masters: No Direction Home: Bob Dylan (2005)
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Dettagli
- Tempo di esecuzione
- 1h 35min(95 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.37 : 1
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