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It's Roger Corman's follow-up to his successful The Wild Angels. Cody (John Cassavetes) leads what's left of his motorcycle gang called the Skulls. They are continuously on the run from The Man. Cody recounts the story of Butch Cassidy's hideout, the Hole-in-the-Wall, and vows to find their own secret place.

Cassavetes should get a bit more gruffy to be a biker. He's too clean. I know that he never has facial hair but this role needs some. Maybe he could have a few day's growth. I am surprised with the humor and it's somewhat too broad. I like the rough general tone of this gang but the almost-rape scene does get very creepy. I don't mind going negative on the bikers as long as the movie doesn't keep trying to push the discrimination narrative. Despite the problematic rooting interest, I would like going apocalyptic on the town. If only they actually did it. The budget would have a problem burning down a town.

After the 1966 biker movie "The Wild Angels" became a box office smash, American-International Pictures over the next few years made and released a number of other biker movies, "Devil's Angels" being one of the first. While the movie definitely was profitable, the profit was much less so than what "The Wild Angels" grossed. Watching the movie, it's pretty easy to see why drive-in audiences weren't as enthusiastic. There is pretty much no plot or character development in the first half of the movie - it's just one vignette after another. The second half of the movie has a little story and fleshes out its characters slightly, but not too much more. Also disappointing is that the movie is nowhere as sleazy and explicit as some other biker movies of the time (it got a PG rating); it's quite tame even by 1967 standards. The best I can say for the movie is that there is some good widescreen photography and composition.

First there are no Hell's Angels as in mentioned in the main summery, the MC is the Skulls for you trivia lovers. As is so often the case in many of these summaries their weakness makes me wonder if they actually watched the movie. The movie does have a common plot for the genre, the beat music and slang of the Sixties fills the movie. The leader, John Cassavetes, is one of the not really bad guys, just a guy trying to find his way. So his performance is above what one often sees in these types of movies. Over another normal 60s biker "gang" stereotypes in plot but without the why so common death ending so in so many of films. At least more of a more positive ending

... as objective as possible. My grandfather (mom's side), the late ROY THIEL, played the deputy in this film. And somewhere in the family archives is a lobby poster for Devil's Angels. Word has it our family packed up the station wagon and watched it at the local (Seattle, WA) drive-in a few years after it's release. Now, years later, the keywords Roger Corman, 1967 biker film, and John Cassavetes shed a new light on the movie I barely knew of while growing up. Unintentionally kitschy, one of those movies you watch for the ambiance of the era rather than scrutinizing the plot line, but all in all, a nice time capsule of B-movie biker films of mid-late '60s. Devil's Angel's comes highly recommended (of course).

PS. My grandfather's name is attributed to (though he acted in commercials and several other non-credited roles) is yet another "Devil" titled-movie of the era: "Devil's Eight."

When things begin to get a little too hot in the city where they live the motorcycle gang known as the Skulls decide to head out on the highway and look for a new place to call their own. This brings them to the small town of Brookville which just happens to be enjoying a carnival on that day. Because they are so rowdy the local lawman, "Sheriff Henderson" (Leo Gordon) tells them to leave town. However, when the leader of the Skulls, "Cody" (John Cassavetes) informs him that they have nowhere to go for the night the sheriff makes a deal where they can sleep out on the nearby beach but have to be gone the next day and that they cannot come back into town. Cody agrees and the motorcycle gang camps out on the beach. Unfortunately, a local girl named "Marianne" (Mimsy Farmer) cannot leave well enough alone and goes out to party with them. However, when things get a little too adventurous for her, she runs back into town in a disheveled state which causes several leading citizens in the town to take matters into their own hands. Now rather than reveal any more of this movie and risk spoiling it for those who haven't seen it I will just say that although it starts off rather slow it eventually gains momentum and ends up satisfactorily for the most part. In short, it's not a great motorcycle movie but it wasn't that bad either.