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After a model's face is burned by a lamp during a scuffle between a surgeon and a salacious photographer, the doctor (who had hopes of marrying the girl) promises to do everything he can to restore her beauty. Screenwriters Derek and Donald Ford concocted this twisted British blood-letter, a violent though somewhat muted variation on 1960's "Les yeux sans visage". Here, the mad doctor doesn't need to kill innocent lovelies for their faces--he needs their pituitary glands! Peter Cushing amusingly begins the picture a dapper, celebrated professional, and his descent into madness is quite a jolt; Sue Lloyd (who resembles Jill St. John) is also good as the vain, shrewish woman who becomes totally dependent on the need for fresh victims. The Swinging London atmospherics are heavily put-on, and the jazzy score from Bill McGuffie is occasionally inappropriate or over-emphatic. The third act, with the doctor and his girlfriend descended upon by thugs at their seaside home, becomes too hysterical, leading to an unsatisfying wrap-up. Still, a good-looking '60s slasher with some tightly-edited sequences and ghoulish suspense. ** from ****

Let's all be glad that Grindhouse has released a really pristine DVD of the elusive "Corruption". This really, really odd relic from 1968 looks very much like tableaux from some department store windows, from the fashions to the stilted action that takes place. Nothing looks real, seems real, or sounds real.

"Corruption" is pretty much a product of it's time. It appears to be a Hammer Films product, from the starring presence of Peter Cushing to the claustrophobic interiors, but it's actually a Columbia Pictures release. In the genre of "crazy doctor tries to restore woman's face with bad science", this movie is the stepchild of "Eyes Without A Face" and even "Atom Age Vampire" as well as a pinch of "The Leech Woman" thrown in from years earlier. This time, the old story is dressed up in mini-skirts and groovy Carnaby Street duds, featuring an incredibly vain "model" who's the much younger girlfriend of surgeon Peter Cushing. At a happening party hosted by a thinly veiled Andy Warhol wannabe, the model is disfigured by an overheated photo lamp falling on her face. Unfortunately, her doctor boyfriend is responsible for the accident by attempting to punch out the Warhol stand-in, who was trying to get nudie shots of the model. Vain, and now disfigured, said model wants to die but the love-struck doctor saves her face by using nefarious surgical and laser treatments. Naturally, the treatment doesn't last long, so the doc has to stop using corpses for his raw materials and turns to murder.

The twist here is that the vain girlfriend knows all about the sources for her treatment, and eventually goads the doc into committing more crime to make her pretty. These two lovebirds retreat to a seaside getaway, where they encounter the cleanest hippies on film, who attempt robbery but meet karma at the end of a laser. This laser, which is the low budget version of the device used on James Bond in "Goldfinger" appears to be a psychotic dental drill that cuts up and then sets fire to everything...and everybody.

"Corruption" is worth a look for cultists, who've heard about this but never seen it. Unavailable for many years, the new Grindhouse Releasing DVD is crisp, clean, and beautifully transferred. Included in the extras are the "French scenes" in which a topless prostitute is brutally murdered. Cushing brings his usual gravitas to the role of a doctor who'd do anything for love. The hippies are more thugs, despite the Nehru jackets and vinyl mod hats. The ending of this tale of depravity is pretty weird for 1968, tip-toeing into more graphic violence than usual. Mild by today's standards, but probably a shocker in it's time.

Of real interest here is actress Kate O'Mara, who would achieve everlasting fame as Patsy Stone's ancient Eurotrash sister in TV's "Absolutely Fabulous". It's difficult not to think of Ab Fab while Kate attempts to bring some sanity to the murderous goings-on. Worth seeing for Peter Cushing, and an incoherent hit-man hippie named Groper who must have won the second-runner up prize in a John Lennon lookalike contest. Watching him kill an apple is the scariest thing in this movie. Points for what's in the freezer!

Story of a brilliant doctor (Peter Cushing) in love with a beautiful younger woman (Sue Lloyd). During a fight at a party they're at, Lloyd becomes disfigured when a flood lamp falls on her face. Cushing becomes obsessed at restoring her beauty and will do anything to do it--even murder.

Plot wise this has been done before (most notably in the French film "Eyes Without a Face") but this isn't totally without merit. Cushing is excellent as a man who is driven to murder for his lover. You can see that he hates doing it but feels he has to. Lloyd, surprisingly, is not an innocent woman. She knows he's killing for her and actually spurs him on! Aside from those two performances though this is pretty by the numbers...except for an incredibly silly ending which had me laughing out loud! Also there is incredibly inappropriate music blaring sometimes on the soundtrack that's totally out of place. This is pretty much forgotten and it's easy to see why. Worth catching though for Cushing's acting alone.

After reading the plot description, I was expecting a British take on the French classic 'Eyes Without a Face'. There's a great deal of Eyes Without a Face rip offs going around; Jess Franco's pair The Awful Dr Orloff and Faceless being among the best of them, and there's nothing wrong with basing a film around that premise; but Corruption doesn't bring much, if anything, new to it and that's a shame as considering the people involved, this could have been a lot better. The film does carry the British style well, although clearly it was a much cheaper production than a lot of the Hammer films. The plot focuses on Sir John Rowan, a doctor who finds himself in a precarious position after an accident involving his wife. Unfortunately, the accident left her badly burned, and feeling responsible; the doctor tries to do something about it. He discovers that if he extracts fluid from women's pituitary glands, he can restore his wife's face - however, the effects are only temporary, leading the doctor to murder again and again to keep his wife beautiful!

Corruption is directed by Robert Hartford-Davis, a capable if not brilliant director behind decent horror 'The Black Torment' as well as rubbish such as Incense of the Damned. As mentioned, it's obvious that Hartford-Davis didn't have much of a budget to work with, although his direction is competent enough, if not particularly enthralling. The film's big draw is, of course, Peter Cushing who takes the lead role as the murderous doctor. Being a horror fan, I am naturally a big fan of the legendary Peter Cushing and always enjoy watching his movies. He doesn't put in a particularly great performance here, although he is still good to watch. It's really a shame he isn't better since the role is quite meaty and could have been made more of. The film was released in 1968 and considering that, the gore is fairly shocking; although the film hasn't aged too well and not a lot of the budget was spent on special effects. The film doesn't stay completely interesting for the duration but it never slows to a standstill or becomes completely boring. I can't recommend anyone goes out of their way to track this one down; but it's worth seeing if you can find it.

After an accident a successful surgeon (played by horror legend Peter Cushing) has to commit murder to preserve the once beautiful face of his fiance (Sue Lloyd). For a start we have here a very odd couple, Cushing being old enough to be Lloyd's father in real life, though I guess she could be a gold digger! When they attend a Swinging Sixties party in London (where the accident happens) Cushing looks uncomfortably out of place, which is intended, but for a fan such as myself who is used to seeing him in Hammer horror movies playing Baron Frankenstein or Van Helsing it just felt strange, and somehow wrong. Naturally it all goes pear shaped - "The more you succeed the more you feel failure" (Cushing). The action moves from London to the couple's cottage on the coast, where near the end we get a frankly bizarre home invasion/robbery. One of the heavies is called Groper, played by David Lodge he looks like he's walked straight of the set of a Carry On movie. Then there is the ending, I'm not giving it away but all I will say is Cop Out! I have waited years to see this but ultimately felt disappointed, despite Cushing giving his usual excellent performance. I did watch the cut UK version with less violence and nudity and would still like to see it uncut, until then it's only a 5/10 for me.