Le false vergini

At the beginning of "La casa de las mil munecas" (called "The House of 1,000 Dolls" in English), we get told that this is a tale of white slavery. I must ask: aren't people concerned when non-whites get enslaved? It just seems to me that they should have concentrated on black slavery, or shown white people and other races getting enslaved. And although I really like Vincent Price, it's sort of distracting to have him as the man running the brothel; you keep expecting to quote Edgar Allan Poe or something.

So, this movie isn't awful, it just takes a weird approach to everything. There are much better movies out there, and if they wanted to show a bunch of hot young women, they could have done it differently.

Dear Mr. Price, Vincent,

You are my favorite actor of all times. I was only 8 years old when I spotted you for the first time in "Edward Scissorhands". Back then, I didn't yet know that writer/director Tim Burton created the role of The Inventor especially for you as a tribute and to honor your entire life in the field of horror movies. By the time I was old enough to realize what a magnificent career you had throughout five full decades, you already passed away, but I spent the next 20 years seeking out and discovering your film classics one by one. Thank you for all the horror greatness! So many titles on your repertoire rank among my personal favorite films, like "The Witchfinder General", "House of Wax", "Laura", "The Abominable Dr. Phibes", "The Fly", "Tower of London", "The Mad Magician", "Last Man on Earth", "The House of Seven Gables" and every single installment in the Edgar Allan Poe cycle that you made with director Roger Corman. Some films were less amazing, like "The Monster Club" or "Madhouse", but I had never really encountered a terrible Vincent Price film... until now!

"House of a 1.000 Dolls" was truly an ordeal to struggle through! I sincerely cannot fathom how the producers managed to pull you aboard for this one. The basic premise, with you as a low-keyed magician in Tangiers operating a vicious network that kidnaps young women and trades them as white slaves, is potentially fascinating enough, but you must have noticed immediately - with all your intellect and experience - that the screenplay was horribly boring and inept? The pacing never properly picks up, and for each remotely interesting sequence (like when the random stranger menaces you outside of the theater) there is seemingly endless footage of people randomly talking. The mystery plot surrounding the "King of Hearts" is lame and predictable, none of your other colleagues gives a likable performance and there's zilch atmosphere or tension. I had to battle sleep during "House of 1.000 Dolls", which is something I never thought would happen during a Vincent Price movie. The finale is pitiable too, by the way. Evil geniuses aren't supposed to be defeated as stupidly as in this film. Still, even though you obviously perform on automatic pilot, you still are the best asset of this poor film, by far.

It was most interesting to find out that even geniuses like yourself occasionally made wrong starring choices, possibly driven by contractual obligations or attractive paychecks. I only still have a handful of your films to see, and it's quite comforting to know that none of them will be as dire and lifeless as this one. May you forever rest in peace!

i think vincent price was one of the greatest actors to ever live, but i have to admit that i don't understand why he degraded himself by starring in this boring, dull, and ultimately pointless bore. the only reason i can think of that they made it at all is that the idea of a whorehouse or female slaves must have been hot stuff on the screen in 1967. was it supposed to be scandalous or something? because otherwise this one is about as exciting and involving as reading a periodical on the cause of varicose veins. it doesn't even work as a goofy camp movie, because it's too solemn and dull. as always price gives an above average performance, but it does nothing for this clunker because the movie as a whole is so fundamentally bad and uninteresting. even if you're a price completist like myself, don't bother watching it, just buy it to fill the whole in your collection.

I'm actually not sure what to make of House of a Thousand Dolls. I didn't hate it, but I wasn't crazy about it either. The best thing about it is easily Vincent Price, he is not in the film much but when he is on screen he completely commands it with a durable elegance and a touch of menace. Martha Hyer and George Nader do give reasonable performances as well, but not on Price's level. There is a good score and opening credits song and some of the photography does give some effective atmosphere. On the other hand, there are a number of failings, such as the sluggish fist-fights, mind-numbing dialogue and the fact that the characters just seem to be there but with nothing to make them particularly interesting. The story never really engaged me either, the basic thrust of the story, the more mystery/thriller-like stuff, is very dull, while the deaths and floggings are bloody and nasty but with little subtlety and taste. They like the characters seem to be there but again other than for shock value little is interesting about them. The twist is irrelevant and adds nothing to the film, so overall while I have seen far worse House of A Thousand Dolls for me was a very odd film. 5/10 Bethany Cox

Here in UK among the swelling amount of potty TV stations , there is one labeled Horror. It is very good at showing missing films from the 60s that are not as yet on DVD. This is not a horror film, waste of great title, just an action crime mystery.18 cert is odd too. A very bored looking Vincent Price along with equally bored all purpose actress Martha Hyer plays a famous magician who calls up pretty girls from the audience on stage to have them disappear completely, as they end up in the White Slave trade in Morocco run by a mystery mastermind.

The best thing by far in this, is lead George Nader, gay beefcake pin up of the 50s. Looking very smart in good suits as the investigator,this actor had moved to West Germany in the 60s.Here he found stardom again in a series of thrillers as Jerry Cotton. He would return to USA,to find he had been left a large money legacy from old friend Rock Hudson.He turned to being a successful author, dying at 80. No I didn't guess the mastermind, but it was so improbable like the rest of this movie. Low brow fun.