Intrigo a Cape Town

Choppy, poorly directed remake of Pickup on South Street. James Brolin while attractive is bland in the lead never approaching the lowdown grit that Richard Widmark effortlessly gave the character in the original. This was one of Jacqueline Bisset's first roles and her inexperience is evident although at least part of the blame belongs with the director since her next few films, with stronger directors, show a marked improvement over her work here. Unsurprisingly the best performance in the film comes from Claire Trevor as the frowsy Sam but even she doesn't match the peerless performance of Thelma Ritter, considered by many her best work, in the first film. This was Claire's last film for 15 years until she made a delightful return as Sally Field's mother in Kiss Me Goodbye, a much better film than this, and then permanently retired. As for the rest of the film, everybody else gives terrible performances, scenes either just stop or start with a good deal of narrative flow missing and the photography is washed out and overly bright. Not an estimable credit on anybody's resume.

The best part of this film is the opportunity to visit Cape Town, South Africa during the height of Apartheid. As a low-budget, spy thriller, it is shot in as many unmodified local settings as possible. Street shots are right in the heart of the downtown and there are harbor shots and scenes from within the Police Headquarters. The photos on the wall give away the time frame as well.

Claire Trevor is the only actor credited in some Film Compendia and I wonder if both Brolin and Bisset paid not to be listed!

Brolin plays a hard-boiled petty thief and "Jacky" Bisset plays a runner for the spy ring. Claire Trevor plays Sam, the connecting character to the world of petty crime and espionage.

People who are fans of Samuel Fuller (who was one of the writers) or wanting to see early appearances by actors James Brolin and Jacqueline Bisset might find the prospect of watching "The Cape Town Affair" promising. But it won't take them very long upon watching the movie to start regretting their decision. The big problem with this movie is that it is incredibly boring. It's talk, talk, talk, with pretty much NOTHING of consequence or importance happening in the first two- thirds of the movie. A few things happen in the last third of the movie, but not much, and it ends up being almost as boring as the first two-thirds. Another problem with the movie is that the central character (played by Brolin) is not very likable - you'll be wondering why you are bothering to follow this selfish and cold individual. By the way, if you are wondering about the Cape Town setting, while it does occasionally add a little color in the backdrop, it's otherwise wasted - with almost no rewriting, the events of the movie could be taking place in Los Angeles. This is one movie that's pretty much a complete waste of time.

A waste of time. Not worth watching. No wonder the film played as a support on its original theatrical release. Filmed in murky color (but cleaned up for DVD) and directed in a thoroughly routine, flat-footed style — long shots bisected with endless pedestrian close-ups — Cape Town Affair is worse than routine. It's amazing how little tension, and how piffling the suspense, the present writers, director and players manage to extract from a scenario that was originally tautly exciting. How slowly paced, how tediously drawn out, how downright wearisome each scene now appears! How sparse the dramatic impact Webb is able to furnish from his real Cape Town (South Africa) locations! True, he is hampered by a script that even in its 82-minute version is unmercifully padded out, over-extended and over-weighted with extraneous dialogue. The players are no help whatever. Claire Trevor has a grand time chewing up the scenery in the Thelma Ritter role, but her performance is an utter bore. The same goes for Jacqueline Bisset (who is not very flatteringly photographed or costumed to boot) and James Brolin (who exhibits very little in the way of charisma).

Great for pre-integration scenes of Cape Town (look for one black person and you won't find them!), this remake of Pick Up on South Street (1953) is missing several things, notably Richard Widmark as the film noir villain that makes the whole thing work. This film is the exact opposite of film noir. It's too clean and crisp to be suspenseful. The colors reek of a British comedy ala the Pink Panther or something with Alec Guiness. The whole thing plays like a poor man's "Man From U.N.C.L.E." without the savoir faire of Robert Vaughn. James Brolin, a few years shy of Marcus Welby, M.D., has yet to learn how to act and Jacqueline Bisset is not worth the trip. See the original.