Il bruto e furfante Petrurchio che cerca la ricchezza doma la sua ricca e astuta moglie Katharina.Il bruto e furfante Petrurchio che cerca la ricchezza doma la sua ricca e astuta moglie Katharina.Il bruto e furfante Petrurchio che cerca la ricchezza doma la sua ricca e astuta moglie Katharina.
- Regia
- Sceneggiatura
- Star
- Candidato a 2 Oscar
- 7 vittorie e 7 candidature totali
Recensioni in evidenza
This is a great Shakespeare movie that the man himself would surely approve of. It has just the right mix of action and dialogue and if the light dims a little during the scenes without the Burtons, certainly Michael Hordern keeps his brightly lit. Michael York and Natasha Pyne are inexplicably weak after their brilliant early moments. But maybe it just is that the two main performances are so captivating, we really only wish to see them. Some find fault with the acting of Elizabeth Taylor but I'll hear none of it. Her early scenes of wild madness are fantastic as are her slightly less confident scenes as she finds herself the object of the chase. The scene I remember most from my original 60s cinema viewing is that of the pair wrestling on the bed of feathers having fallen through the roof. Watching this again at a BFI South Bank, London screening in a packed audience I can surely see why. Pure electricity as the snarling/alluring, struggling yet desiring 'shrew' begins to succumb to the power of the male above her. Great moments, great music, excellent sets and a tremendous if controversial final speech.
I wont go as far as to say I did not enjoy this film adaptation of "Taming Of The Shrew", but I will say that its a production of hits and misses. Richard Burton is perfectly cast as the blustery and bellowing Petruccio. He shows film audiences the vast talent for Shakespeare that he possessed. Elizabeth Taylor on the other hand was woefully miscast.All of Burton's strengths (command of language,natural delivery) are Taylor's weaknesses. She is just uncomfortable delivering Shakespeare's words. However,the action scenes(Petruccio's "wooing" of Kate) are very enjoyable. A strong supporting cast helps the film greatly. In particular Alan Webb's fussy old Gremio,Victor Spinneli's foppish Hortensio and Sir Michael Hordern's comiclly downtrodden Baptista. Unfortunately many of Shakespeare's funniest lines wer trimmed for the film and scenes not in the text added. This was truely dissapointing and distracting. Zefferelli had more success with his adaptations of "Romeo and Juliet" and "Hamlet".
I saw the movie on DVD and liked it. I think if Shakespeare were alive today he would have like. Taylor and Burton do justice to their roles and the movie also introduced a brilliant actor Michael York as Lucentio. I had read the play and had seen the movie 10 THINGS I HATE ABOUT YOU which was loosely based on the play. When I got a chance to see the movie, I grabbed it. Elizabeth Taylor as Katharina the shrew is brilliant. She shows why is much more than a celebrity. Richard Burton shines as Petruchio. Franco Zeffirelli is a reputed director and he shows why. A must see movie for the fans of Shakespeare and the play.
10Marta
This is Burton and Taylor's best film together. It is full of color and fun, and some very fine comedy. All of the actors are brilliant in it. It's a big, romping chase of a movie, and when you hear Petruchio's deep chuckle, it makes you laugh, too.
It's based on the bare bones of Shakespeare's play about Baptista, a rich man with two unmarried daughters. The older daughter is so nasty that no one can stand her long enough to marry her, and everyone in town wants to marry the younger daughter but can't till the older is married off. A bad-mannered fortune hunter shows up and agrees to take the older daughter off the father's hands for a steep price. After the marriage, Petruchio sets about breaking the pride of Kate, and eventually he wears her down, but she works her own magic on him, and in the end they both find that they love each other.
Richard Burton should have won the Oscar for this role; he IS Petruchio. It's a national disgrace that he didn't get it. And Liz is really good as Kate. She makes us believe that she is a horrible shrew, and when her soft side emerges she makes us believe that she could have been sweet all along.
If you can find this film at all, try to watch it in it's letterbox version. You miss far too much of the action in the pan and scan format. It's shown on cable quite a bit, but mostly on the pay channels.
It's based on the bare bones of Shakespeare's play about Baptista, a rich man with two unmarried daughters. The older daughter is so nasty that no one can stand her long enough to marry her, and everyone in town wants to marry the younger daughter but can't till the older is married off. A bad-mannered fortune hunter shows up and agrees to take the older daughter off the father's hands for a steep price. After the marriage, Petruchio sets about breaking the pride of Kate, and eventually he wears her down, but she works her own magic on him, and in the end they both find that they love each other.
Richard Burton should have won the Oscar for this role; he IS Petruchio. It's a national disgrace that he didn't get it. And Liz is really good as Kate. She makes us believe that she is a horrible shrew, and when her soft side emerges she makes us believe that she could have been sweet all along.
If you can find this film at all, try to watch it in it's letterbox version. You miss far too much of the action in the pan and scan format. It's shown on cable quite a bit, but mostly on the pay channels.
This is a lavish presentation of William Shakespeare's classic comedy, highlighted by the ideally cast coupling of Elizabeth Taylor and Richard Burton in the pivotal roles. Hers was the questionable characterization, but Ms. Taylor keeps "Katharina" well within her range, and sparks the original role with an appealing update. Burton balances with a fine interpretation of "Petruchio". The bombastic Burtons are only hindered by the relatively slight material; some of this humor doesn't transcend the centuries, although much is appreciated. Director Franco Zeffirelli and several in this company soon went to work on "Romeo and Juliet" (1968), which was a greater use of their skills.
******* The Taming of the Shrew (2/27/67) Franco Zeffirelli ~ Elizabeth Taylor, Richard Burton, Michael York, Natasha Pyne
******* The Taming of the Shrew (2/27/67) Franco Zeffirelli ~ Elizabeth Taylor, Richard Burton, Michael York, Natasha Pyne
Lo sapevi?
- QuizIn his memoirs, writer and director Franco Zeffirelli said that making this movie was the most fun he had in his entire career.
- BlooperIn the film, Katharina's angry line to Bianca "[tell] whom thou lovest best" (which William Shakespeare actually wrote and which is grammatically correct) is changed to the grammatically incorrect "whom thou dost lovest best". In his review of the film, critic John Simon caught the error.
- Citazioni
Petruchio: Come, come, you wasp! In faith you are too angry!
Katherina: If I be waspish, best beware my sting!
Petruchio: My remedy then is to pluck it out!
Katherina: Hah! Aye, if the fool could find where it lies!
Petruchio: Who knows not where a wasp doth wear his sting? In his tail!
Katherina: In his tongue!
Petruchio: Whose tongue?
Katherina: Yours! If you talk of tales, and so farewell!
Petruchio: What, with my tongue in your tail?
- Curiosità sui creditiInstead of the screen credit "The End" appearing at the end of the film, the line "God give you goodnight" appears, after which the rest of the closing credits are seen.
- Versioni alternative70 mm and some 35 mm film prints feature an overture before the start of the film with a purple flower background and white words on it reading "OVERTURE" (this is not included on non-letterboxed video prints). This overture can be heard on letterboxed video prints on LD, DVD and some broadcast editions, including Turner Classic Movies.
- ConnessioniFeatured in Mona: The Virgin Nymph (1970)
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- Celebre anche come
- William Shakespeare's The Taming of the Shrew
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Botteghino
- Budget
- 4.000.000 USD (previsto)
- Tempo di esecuzione
- 2h 2min(122 min)
- Colore
- Proporzioni
- 2.35 : 1
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