VALUTAZIONE IMDb
5,9/10
6443
LA TUA VALUTAZIONE
Un'ex spia britannica si imbatte in un complotto per far cadere il comunismo con l'aiuto di un supercomputer. Ma chi lavora per chi?Un'ex spia britannica si imbatte in un complotto per far cadere il comunismo con l'aiuto di un supercomputer. Ma chi lavora per chi?Un'ex spia britannica si imbatte in un complotto per far cadere il comunismo con l'aiuto di un supercomputer. Ma chi lavora per chi?
- Regia
- Sceneggiatura
- Star
Françoise Dorléac
- Anya
- (as Francoise Dorleac)
Izabella Telezynska
- Latvian Gangster
- (as Iza Teller)
Recensioni in evidenza
Former MI5 Harry Palmer (Michael Caine) is now a private detective. He gets a phone call from a computer voice directing him to a package in an airport locker. He's told to go to Helsinki where he gives the thermos to Anya (Françoise Dorléac) and his old friend Leo Newbigen (Karl Malden). He is soon suspicious of Leo and his mysterious boss. He is coerced to work for MI5 Colonel Ross (Guy Doleman) who tells him that the thermos is filled with a deadly virus and the conspiracy is headed by an oil tycoon General Midwinter (Ed Begley).
This spy thriller isn't serious or realistic. It's basically a lower grade espionage movie with a convoluted premise. It does jump around a little with out-of-the-way locales, virus, beauties and Russians. Director Ken Russell made a competent but somewhat unimpressive movie. It's a low tension mystery rather than a high power thriller. Then the movie turns into a spoof with the cartoon villain. Its craziness is just enough fun to be interesting.
This spy thriller isn't serious or realistic. It's basically a lower grade espionage movie with a convoluted premise. It does jump around a little with out-of-the-way locales, virus, beauties and Russians. Director Ken Russell made a competent but somewhat unimpressive movie. It's a low tension mystery rather than a high power thriller. Then the movie turns into a spoof with the cartoon villain. Its craziness is just enough fun to be interesting.
Enjoyable if dated, they are still using punch cards to program their computers!, espionage thriller with a solid cast. Caine is cool as ice as the reluctant protagonist casting a jaundiced eye on all the shenanigans going on around him. Francoise Dorleac is a lovely mystery woman although her character seems to vanish at several key points in the film when it feels like she would be there. This might be because she was killed in a traffic accident while the picture was still filming necessitating a rethinking to still make her completed work usable. She's quite magnetic, her resemblance to her sister Catherine Deneuve is striking, and her death cut short a career that was already very successful in France and was starting to expand worldwide. Ed Begley also stands out, having a great time as a crazy old coot. Subtle he ain't but memorable for sure.
When ex-agent Harry Palmer recieves a mysterious request to deliver a flask to Finland in return for a fee, Col. Ross forcibly re-employs him with British Intelligence. Palmer is ordered to proceed to Finland with the flask (which contains deadly nerve gas), in an attempt to infiltrate the organisation of Texan oil billionaire Gen. Midwinter, who is believed to be behind an anti-Soviet plot of some kind.
The third and final of the Harry Palmer films (if you don't count the two woeful straight to cable efforts of the mid-nineties) is generally considered to be the weakest. The strength of both 'The Ipcress File' and 'Funeral In Berlin' was that they were the complete antithesis of the Bond films, portraying the spying game as mundane, shadowy and unglamorous. However, with 'Billion Dollar Brain' maverick director Ken Russell presents the audience with an outlandish plot and large futuristic sets, which seem at odds with the style of its predecessors. The result is that the film appears to be aping Bond, and as such the character of Palmer is less effective.
Despite these shortcomings there are pleasures to be had. Michael Caine once again displays wit and charm as Palmer, Guy Doleman is his usual droll self as Ross and Oskar Homolka makes a very welcome return as Col. Stok. Ed Begley gives his all as the lunatic Midwinter, Karl Malden provides reliable support as an old aquaintence of Palmer, and the tragic Francois Dorleac lends an exotic mystery to her character. The snowbound Finnish locations are beautifully filmed and the production design by Bond man Syd Cain is very stylish.
Ultimately the film is let down by rather wild and undisciplined direction and a cartoonish finale. It's a shame that 'Billion Dollar Brain' strayed so far from the template of the previous films, but its by no means all bad, and can be reasonably entertaining if you're in the right mood.
The third and final of the Harry Palmer films (if you don't count the two woeful straight to cable efforts of the mid-nineties) is generally considered to be the weakest. The strength of both 'The Ipcress File' and 'Funeral In Berlin' was that they were the complete antithesis of the Bond films, portraying the spying game as mundane, shadowy and unglamorous. However, with 'Billion Dollar Brain' maverick director Ken Russell presents the audience with an outlandish plot and large futuristic sets, which seem at odds with the style of its predecessors. The result is that the film appears to be aping Bond, and as such the character of Palmer is less effective.
Despite these shortcomings there are pleasures to be had. Michael Caine once again displays wit and charm as Palmer, Guy Doleman is his usual droll self as Ross and Oskar Homolka makes a very welcome return as Col. Stok. Ed Begley gives his all as the lunatic Midwinter, Karl Malden provides reliable support as an old aquaintence of Palmer, and the tragic Francois Dorleac lends an exotic mystery to her character. The snowbound Finnish locations are beautifully filmed and the production design by Bond man Syd Cain is very stylish.
Ultimately the film is let down by rather wild and undisciplined direction and a cartoonish finale. It's a shame that 'Billion Dollar Brain' strayed so far from the template of the previous films, but its by no means all bad, and can be reasonably entertaining if you're in the right mood.
Some time has passed since Harry Palmer was in the employment of the British Government and he refuses to go back despite a 'friendly' offer from his old boss Colonel Ross. However when Harry takes a case on the basis of a mysterious call he winds up in Helsinki to meet a mysterious Dr only to meet his old colleague Leo Newbigen who invites him to join him on his most recent area of work. Harry suspects everything is not as it seems and investigates further only to find that he has stumbled into the middle of something big; a finding given greater validity by Ross kidnapping him and ordering him to infiltrate Newbigen's group and get to the bottom of a plot to bring down communism in Russia with the aid of a billion dollar supercomputer.
Having watched Tommy earlier the same day, I thought I was pushing my luck by watching two Ken Russell films in the same day surely I would hate at least one as a result of his excessive 'flair'? But no not only did I enjoy Tommy and this film, but also I was surprised to find that Russell had actually directed this pretty much straight down the line. So great was my surprise that Oliver Reed did not get naked and beat Palmer or that we had no masturbating nuns in the mix that I almost found the plot difficult to follow as I checked the IMDb to check that it was THAT Ken Russell. Almost found it difficult but happily I was able to pull myself together and focus on a plot that almost totally throws off the admin-focused world of Ipcress File and has a plot to kick off a revolution in a manner that could easily have a few car chases added to it to make it into a Bond movie. Despite this expansion, the plot is actually pretty sharp and witty if you remember that the communists are usually the bad guys then the film is making a very obvious point by having a ranting American seeking to destroy communism as the bad guy here! Today that is sharp but it must have been even more pointed in the mid-sixties!
While it gradually becomes too overblown to really be appreciated on the level of a 'serious' film, it is still pretty enjoyable, although it is apparent how Palmer has become more Bond-like with this third film than he was in the first (where he was almost the anti-Bond). It still stands up as a good spy movie but it may annoy people who loved Palmer in the Ipcress File simply because he has changed so very much. I'm not sure who caused this change but Caine seems happy with less of a grey little man and more of an international spy character and plays it well. He still has plenty of snide humour but also does the spy thing with a lot more style than was allowed him in Ipcress. Madden and Homolka both give very good support as Leo and Stok respectively, but the film is stolen at times by a wonderful performance from Ed Begley who manages to be both OTT and spot on at the same time!
Overall this is a good spy that starts in the realm of Ipcress File but ends up trying to be a sort of Bond-lite! This may annoy fans of the original Palmer but I enjoyed it and found it more than held my attention despite not doing anything too gripping. The performances are good and the film is made more enjoyable by the fact that the tables are turned on the normal situation with the communists working with Palmer while the baddie is none other than an American 'patriot' seeking to rid the world of 'the reds'!
Having watched Tommy earlier the same day, I thought I was pushing my luck by watching two Ken Russell films in the same day surely I would hate at least one as a result of his excessive 'flair'? But no not only did I enjoy Tommy and this film, but also I was surprised to find that Russell had actually directed this pretty much straight down the line. So great was my surprise that Oliver Reed did not get naked and beat Palmer or that we had no masturbating nuns in the mix that I almost found the plot difficult to follow as I checked the IMDb to check that it was THAT Ken Russell. Almost found it difficult but happily I was able to pull myself together and focus on a plot that almost totally throws off the admin-focused world of Ipcress File and has a plot to kick off a revolution in a manner that could easily have a few car chases added to it to make it into a Bond movie. Despite this expansion, the plot is actually pretty sharp and witty if you remember that the communists are usually the bad guys then the film is making a very obvious point by having a ranting American seeking to destroy communism as the bad guy here! Today that is sharp but it must have been even more pointed in the mid-sixties!
While it gradually becomes too overblown to really be appreciated on the level of a 'serious' film, it is still pretty enjoyable, although it is apparent how Palmer has become more Bond-like with this third film than he was in the first (where he was almost the anti-Bond). It still stands up as a good spy movie but it may annoy people who loved Palmer in the Ipcress File simply because he has changed so very much. I'm not sure who caused this change but Caine seems happy with less of a grey little man and more of an international spy character and plays it well. He still has plenty of snide humour but also does the spy thing with a lot more style than was allowed him in Ipcress. Madden and Homolka both give very good support as Leo and Stok respectively, but the film is stolen at times by a wonderful performance from Ed Begley who manages to be both OTT and spot on at the same time!
Overall this is a good spy that starts in the realm of Ipcress File but ends up trying to be a sort of Bond-lite! This may annoy fans of the original Palmer but I enjoyed it and found it more than held my attention despite not doing anything too gripping. The performances are good and the film is made more enjoyable by the fact that the tables are turned on the normal situation with the communists working with Palmer while the baddie is none other than an American 'patriot' seeking to rid the world of 'the reds'!
A mad Texas general wants to start to overthrow parts of the satellite Eastern Block using his own private army and super computer. Reluctant secret agent - and former crooked army sergeant - Harry Palmer is given the job of trying to stop him before it is too late.
Last of the three HP films made for the cinema.
What a silly idea this film is based on. For a start the plot is far too James Bond for a series whose raison d'etre is to be anti James Bond and besides how can a basic Honeywell Computer (with punch cards) be worth a billion dollars? The thing had about as much power as a Sinclair Spectrum!
Star Caine looks bored to death with all this nonsense and chases around Finland looking like he would rather have been anywhere else but here - and I don't think it is all skilled acting. Director Ken Russell has his supporters and fans, although every passing years his supporters seemed less-and-less inclined to put their hands in their pocket for his product. He became a clapped out old duffer very early in life.
Danger, tension and silly are not easy bedfellows and even solid pros like Malden, Begley and Caine cannot breath much life in to this race-and-chase nonsense. Although Ed Begley chews up the set as a red-baiting Texan general gone mad in a bunker. Part Hitler, part Sterling Hayden in Doctor Strangelove.
Russian general Colonel Stock (Oskar Homolka) turns up again to reprise his role from Funeral in Berlin, even though it makes no sense to the plot - why would the enemy (in the cold war) help a British agent? Last thing on earth he would do unless he had gone stark raving mad or liked Gulag food.
Despite the series coming back much later as a made-for-TV double (made back-to-back) the show had clearly had its day. I could have lived without seeing this and you could too.
Last of the three HP films made for the cinema.
What a silly idea this film is based on. For a start the plot is far too James Bond for a series whose raison d'etre is to be anti James Bond and besides how can a basic Honeywell Computer (with punch cards) be worth a billion dollars? The thing had about as much power as a Sinclair Spectrum!
Star Caine looks bored to death with all this nonsense and chases around Finland looking like he would rather have been anywhere else but here - and I don't think it is all skilled acting. Director Ken Russell has his supporters and fans, although every passing years his supporters seemed less-and-less inclined to put their hands in their pocket for his product. He became a clapped out old duffer very early in life.
Danger, tension and silly are not easy bedfellows and even solid pros like Malden, Begley and Caine cannot breath much life in to this race-and-chase nonsense. Although Ed Begley chews up the set as a red-baiting Texan general gone mad in a bunker. Part Hitler, part Sterling Hayden in Doctor Strangelove.
Russian general Colonel Stock (Oskar Homolka) turns up again to reprise his role from Funeral in Berlin, even though it makes no sense to the plot - why would the enemy (in the cold war) help a British agent? Last thing on earth he would do unless he had gone stark raving mad or liked Gulag food.
Despite the series coming back much later as a made-for-TV double (made back-to-back) the show had clearly had its day. I could have lived without seeing this and you could too.
Lo sapevi?
- QuizThe voice of the computer is Donald Sutherland's.
- BlooperWhen Harry Palmer is being taken to the concert, he passes a sign in Russian that says "Mopchdt", which is a meaningless, unpronounceable misspelling of "Molchat" meaning "silence".
- Citazioni
[Harry is shown a terminal of the Brain]
Harry Palmer: What does it do, tell fortunes?
Leo Newbigen: It *makes* fortunes: ours! Just a little toy, but it puts the MI5 and the CIA back into the Stone Age.
- Curiosità sui creditiIn the opening credits, crew names are written in all uppercase letters, with the exception of Production Manager Eva Monley, whose name is written "eva monley".
- Versioni alternativeThirty-one seconds of the original movie are missing on the MGM DVD release of 2004. The licensing rights of The Beatles song "A Hard Day's Night", which was heard in the scene where Harry meets Basil, were too expensive, so they cut the whole scene.
- ConnessioniFeatured in Caine Below Zero (1967)
- Colonne sonoreBillion Dollar Brain (Main Theme)
(uncredited)
Written and Arranged by Richard Rodney Bennett
Orchestra conducted by Marcus Dods
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By what name was Il cervello da un miliardo di dollari (1967) officially released in India in English?
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