I tre avventurieri

I just saw this film in Paris, on TV, in French. Although my French is bad and I didn't understand the dialogue, I loved it. It was easy to understand the relationships between the characters and their love of life, until something happened to change it. It cheered me up when I was very tired. I would love to see it with subtitles - will British TV show it? Alain Delon was irresistible and his co-stars equally good. I am no lover of 1960s movies, but I admit that I haven't explored enough French movies from this period. This experience has encouraged me to see more, if I get the chance. It lacked the "naff" dated quality that some 60s films have - pure class all the way.

A splash of something fulfilling, moving, romantic, heartbreaking. Robert Enrico is one of the unsung masters of film. His movies are not destined for a Godardian audience but not even the purist film scholar can be indifferent to this. Alain Delon is at his most natural and human. That on its own it's just gorgeous. Lino Ventura is sublime as the older friend who needs the other but at the same time gives him all the freedom in the world because, as it happens with true friends, he want what's best for the other. The entrance of Joanna Shimkus into their lives is totally intoxicating. She doesn't enter to interfere in Delon and Ventura's friendship but to reinforce it. How beautiful! She's perfect. This film deserves a new life. I know it's difficult to find but it's well worth the effort.

This movie is indeed one of the best I have ever seen. It's magic doesn't let you loose until the last picture fades away and still you think "OH - NO!" please don't let that be the end ... Lino Ventura and Alain Delon are the perfect match for this cast! From the sixties though, but as one says, "they don't make such movies any more". Although the movie tells one of those "boy meets girl", "another boy joins them" stories, this one is different. Everything circles around her and it's getting faster and faster. They're goofing around and having lots of fun, the best time of their lives. But when they lose her, their precious toy is gone, which drags them down. That the story has a very sad ending, where our 'hero' loses everything, is obvious, must be obvious from the beginning, still it is very hard to admit - at the end. This movie is a must-see.

The film has many pleasures - a wonderful score, a barnstorming biplane, a funny car (with an even funnier-looking driver), a Paris art show, and a nifty fortress in the middle of the ocean. Alain Delon is always a pleasure to watch. He plays the arrogant, handsome daredevil with a heart of gold quite convincingly. His acting is always intense, even when he is doing very little. Lino Ventura is terrific as well, and he and Delon are a great pair. Upon reflection their relationship makes little sense (since we are given no history of the two) but it hardly matters when one is watching the film. The relationship between the two men and Laetitia (Joanna Shimkus)is a bit odd but sweet and believable. The locations are wide ranging (Paris, Africa, coastal France) and this film is full of exciting and droll scenes: The discovery of the sunken airplane is beautiful and scary; Roland and Manu walking out of the casino in their suave duds and getting into Roland's tow-truck is hilarious. The greatest pleasure of the film is that the narrative does not necessarily go where one would imagine it would. The version I saw was widescreen and the subtitles were mostly in the lower black of the letterboxing, which made them very easy to read. If you're in the mood for a little bit of action with a lot of good characterization and acting, check this one out.

PS: The French seem pretty hung up with threesomes, no?

I have seen this movie 40 years ago, and remembered quite well a few memorable scenes. It's been a pleasure to see it again on the European ARTE channel and to realize that it survived well the time. I enjoyed it again and not only for nostalgic reasons.

Alain Delon and Lino Ventura were 'monstres sacres' of the French cinema of the epoch. Delon was at the pick of his sex-appeal, and Ventura was always interesting enough to catch even the emotional interest of the girl in the film. They look painfully young here, but were fully achieved actors already.

The action story is quite standard, sure we have seen much better and thrilling since, but the quality of the film resides in the feeling of adventure it radiates, in the exquisite choice of many of the locations and in the sincerity and charm of the relation between the characters. There are a few more French films of the time that have a similar quality and memorable scenes of friendship which push them over the average conventional level of the commercial European cinema of the time. 'Adieu l'ami' also with Delon is another that comes now to my mind. These movies have still something to say to the cinema fans of today.