I tre avventurieri

A splash of something fulfilling, moving, romantic, heartbreaking. Robert Enrico is one of the unsung masters of film. His movies are not destined for a Godardian audience but not even the purist film scholar can be indifferent to this. Alain Delon is at his most natural and human. That on its own it's just gorgeous. Lino Ventura is sublime as the older friend who needs the other but at the same time gives him all the freedom in the world because, as it happens with true friends, he want what's best for the other. The entrance of Joanna Shimkus into their lives is totally intoxicating. She doesn't enter to interfere in Delon and Ventura's friendship but to reinforce it. How beautiful! She's perfect. This film deserves a new life. I know it's difficult to find but it's well worth the effort.

The film has many pleasures - a wonderful score, a barnstorming biplane, a funny car (with an even funnier-looking driver), a Paris art show, and a nifty fortress in the middle of the ocean. Alain Delon is always a pleasure to watch. He plays the arrogant, handsome daredevil with a heart of gold quite convincingly. His acting is always intense, even when he is doing very little. Lino Ventura is terrific as well, and he and Delon are a great pair. Upon reflection their relationship makes little sense (since we are given no history of the two) but it hardly matters when one is watching the film. The relationship between the two men and Laetitia (Joanna Shimkus)is a bit odd but sweet and believable. The locations are wide ranging (Paris, Africa, coastal France) and this film is full of exciting and droll scenes: The discovery of the sunken airplane is beautiful and scary; Roland and Manu walking out of the casino in their suave duds and getting into Roland's tow-truck is hilarious. The greatest pleasure of the film is that the narrative does not necessarily go where one would imagine it would. The version I saw was widescreen and the subtitles were mostly in the lower black of the letterboxing, which made them very easy to read. If you're in the mood for a little bit of action with a lot of good characterization and acting, check this one out.

PS: The French seem pretty hung up with threesomes, no?

It is a huge basket with fruits. Dreams and games of childhood, reflected by treasure and fortress, splendid chemistry between Lino Ventura and Alain Delon, few drops of romance and great portrait of friendship, humor and extravagance, fights and deaths, a boy, guide of a local museum, a dromader with a noble name associated, bad guys.

Short, a large window opened in early morning.

I saw this movie in Viet Nam in the open air. It impressed me because of the beautiful scenery, photography and story line. I followed this picture from compound to compound and saw it several times . It was an island, a bit of paradise in an otherwise brutal setting. I will never forget this movie even though I have not seen it in over 30 years.

This movie is indeed one of the best I have ever seen. It's magic doesn't let you loose until the last picture fades away and still you think "OH - NO!" please don't let that be the end ... Lino Ventura and Alain Delon are the perfect match for this cast! From the sixties though, but as one says, "they don't make such movies any more". Although the movie tells one of those "boy meets girl", "another boy joins them" stories, this one is different. Everything circles around her and it's getting faster and faster. They're goofing around and having lots of fun, the best time of their lives. But when they lose her, their precious toy is gone, which drags them down. That the story has a very sad ending, where our 'hero' loses everything, is obvious, must be obvious from the beginning, still it is very hard to admit - at the end. This movie is a must-see.