Robert T. Ironside, detective in sedia a rotelle che combatte il crimine, combatte i cattivi per le strade di San Francisco.Robert T. Ironside, detective in sedia a rotelle che combatte il crimine, combatte i cattivi per le strade di San Francisco.Robert T. Ironside, detective in sedia a rotelle che combatte il crimine, combatte i cattivi per le strade di San Francisco.
- Vincitore di 2 Primetime Emmy
- 2 vittorie e 17 candidature totali
Sfoglia gli episodi
Recensioni in evidenza
I have fond memories of watching this well crafted detective show during my growing up years. The series portrays the story of San Francisco Chief of Detectives, Robert Ironside, who has been hit by a sniper's bullet, paralyzing him from the waist down. Confined to a wheelchair, he must forego his previous detective position but stays on with the Police Department as sort of a consultant. Ironside ferrets out crime while working from a special Police Department office complete with exercise equipment and sleeping facilities. Assisting him is his own special unit, a diverse trio consisting of regular cop Detective Sargent Ed Brown, educated policewoman Eve Whitfield, and black ex con Mark Sanger. During the course of the series Sanger progresses from Ironside's bodyguard to a police officer and finally a lawyer.
In this series we see this formerly tough Chief of Detectives endeavouring to nail San Francisco's bad guys, all the while coping quite successfully with his recent disability. The program shows that this previously high profile crime fighter can still lead an equally productive life from his wheelchair. The show reveals his character development as well as his interactions with the trio of assistants, all providing viewer interest in addition to the crime solving elements.
Raymond Burr, alias Perry Mason, was born to solve TV crimes! The actor gives a masterful performance here as the wheelchair bound Ironside. This is generally quite an engaging detective series and frankly, I wish that there was more TV programming of its quality these days.
In this series we see this formerly tough Chief of Detectives endeavouring to nail San Francisco's bad guys, all the while coping quite successfully with his recent disability. The program shows that this previously high profile crime fighter can still lead an equally productive life from his wheelchair. The show reveals his character development as well as his interactions with the trio of assistants, all providing viewer interest in addition to the crime solving elements.
Raymond Burr, alias Perry Mason, was born to solve TV crimes! The actor gives a masterful performance here as the wheelchair bound Ironside. This is generally quite an engaging detective series and frankly, I wish that there was more TV programming of its quality these days.
I didn't know much about Ironside, apart from my mum, explaining to me what Raymond Burr did apart from Perry Mason. So, in 1999, the BBC started to do re-runs of it, and i watched a few, and I liked it alot. Channel five showed the 1967 TV Movie, and the Priest Killer (1971, scary and a bit controversial) and it was the best i've ever seen. It blows all the other cop shows out of the water, and quincy jones's score, is addictive. the support cast, proved their worth, especially Ed and Mark, and Eve's razor sharp wit. It shows that people (the characters) who are from different backgrounds Mark, a young black ex-con, Eve's upper class background, to Ed's (i'm assuming working class catholic boy, who lost his way when his fiance died) can gel quite well, but, that was what San Francisco was like from 1967 onwards, a melting pot, of people from different backgrounds.It is worthy of a big screen remake, but they have to it justice and not go for the starsky and hutch spoof hollywood have managed to botch together. It needs a director who is a fan, rather than somebody who sees this as another remake of an old show, it's more than that. and what i can't get, is that what actually happened to the actors from Ironside, Galloway has appeared on Perry Mason a couple of times, looking 10 years older than his real age! but in comparison to him in Ironside galloway aged 30 was a catch.
enough of my female observations. It's a great programme, but i think it needs to be brought to attention of a new audience, i'm 22 years old, and i think that the programmes of today are trash!!
enough of my female observations. It's a great programme, but i think it needs to be brought to attention of a new audience, i'm 22 years old, and i think that the programmes of today are trash!!
I mentioned this before on a review of a third series that Raymond Burr had after Perry Mason and Ironside, that most actors are lucky to have one successful series let alone two of them back to back. Burr did it with two very different kinds of characters.
Perry Mason was cool and calculating until he sprung a trap in court that nailed the real murderer and/or the helpless prosecutor be it Hamilton Burger or someone else. But Robert Ironside had already faced his life crisis when that bullet severed his spinal cord. With that kind of baptism of fire nothing ever fazed the Chief. He was hostage a couple of times during the course of the show and he faced some unusual life threatening situations that were more stressful because of his paralysis, but he always kept a cool head.
I loved the position he was in as the head of that special squad. He had a picked team in Don Galloway, Barbara Anderson, and Don Mitchell. He worked only the most important cases or something that interested him. I worked for NYS Crime Victims Board and believe me I always looked for interesting cases where people filed claims. So much is dull and routine. Burr had the dull and routine out of his life.
Barbara Anderson did not go the full run of the series, but Elizabeth Baur came in and moved seamlessly into the team Ironside.
Beneath all the gruffness and the demands on his people that work be finished yesterday, the Chief had a good heart and was an inspiration to all around him. I suspect to many viewers as well.
Perry Mason was cool and calculating until he sprung a trap in court that nailed the real murderer and/or the helpless prosecutor be it Hamilton Burger or someone else. But Robert Ironside had already faced his life crisis when that bullet severed his spinal cord. With that kind of baptism of fire nothing ever fazed the Chief. He was hostage a couple of times during the course of the show and he faced some unusual life threatening situations that were more stressful because of his paralysis, but he always kept a cool head.
I loved the position he was in as the head of that special squad. He had a picked team in Don Galloway, Barbara Anderson, and Don Mitchell. He worked only the most important cases or something that interested him. I worked for NYS Crime Victims Board and believe me I always looked for interesting cases where people filed claims. So much is dull and routine. Burr had the dull and routine out of his life.
Barbara Anderson did not go the full run of the series, but Elizabeth Baur came in and moved seamlessly into the team Ironside.
Beneath all the gruffness and the demands on his people that work be finished yesterday, the Chief had a good heart and was an inspiration to all around him. I suspect to many viewers as well.
Hardly any actor so credibly reinvented himself as many times as Raymond Burr. In the late 40's into the mid 50's he often played the villain, usually in westerns and noirs, and once he even had a minor but crucial role as the villain in Hitchcock's "Rear Window". Then there were all those years playing unbeatable defense attorney Perry Mason that I figured he'd be typecast forever after that series ended. However, he did such a credible job playing the wheelchair-bound Ironside that the staff at restaurants were surprised when he would show up for reservations walking in on his own two legs. The show had camera-work that was ground-breaking without being annoying, there was a feeling of family and camaraderie among the cast that oddly enough reminds me of Joss Whedon's "Angel" in that regard, it had much better plots than the other ensemble cop shows of that era, and it even had lots of counter-culture material that worked out pretty well without being cheesy or preachy considering the age of its main star, Burr, who was 50 when the show premiered.
The premise of the show is that while vacationing in an isolated farmhouse, Robert Ironside is shot by an unseen assailant. The result of this wound is that he is paralyzed from the waist down. Accustomed to being Chief of Detectives, and not wanting to be put out to pasture, he turns to his old friend, the Commissioner of Police, who makes him his Special Consultant so that Ironside can go on working on cases rather than face living the life of a retiree on a disability pension. The supporting cast, and his team in solving crimes during the series, consists of rookie detective Ed Brown, policewoman Eve Whitfield, and somewhat reformed juvenile delinquent Mark Sanger. Up to this time, police detective shows had consisted of able-bodied young white men dressed in suits complete with hats, no matter what the occasion. This was one of the first TV shows of that genre - maybe the very first - to mix things up with an interracial cast, a policewoman who was an integral part of the team, a handicapped leader, and a member of "the establishment" in Ed Brown thrown in for good measure.
If this formula sounds a lot like Mod Squad, that's because it is, except Mod Squad came out the following year on the coattails of Ironside's initial success. Ironside had its share of guest stars that made it big in later years. In this first season keep a lookout for a young Harrison Ford in "The Past is Prologue", for Ed Asner in "The Fourteenth Runner", and Susan St. James in "Girl in the Night".
The premise of the show is that while vacationing in an isolated farmhouse, Robert Ironside is shot by an unseen assailant. The result of this wound is that he is paralyzed from the waist down. Accustomed to being Chief of Detectives, and not wanting to be put out to pasture, he turns to his old friend, the Commissioner of Police, who makes him his Special Consultant so that Ironside can go on working on cases rather than face living the life of a retiree on a disability pension. The supporting cast, and his team in solving crimes during the series, consists of rookie detective Ed Brown, policewoman Eve Whitfield, and somewhat reformed juvenile delinquent Mark Sanger. Up to this time, police detective shows had consisted of able-bodied young white men dressed in suits complete with hats, no matter what the occasion. This was one of the first TV shows of that genre - maybe the very first - to mix things up with an interracial cast, a policewoman who was an integral part of the team, a handicapped leader, and a member of "the establishment" in Ed Brown thrown in for good measure.
If this formula sounds a lot like Mod Squad, that's because it is, except Mod Squad came out the following year on the coattails of Ironside's initial success. Ironside had its share of guest stars that made it big in later years. In this first season keep a lookout for a young Harrison Ford in "The Past is Prologue", for Ed Asner in "The Fourteenth Runner", and Susan St. James in "Girl in the Night".
Raymond Burr is excellent as Robert T. Ironside and proves that despite being crippled by a snipers bullet, manages to trap his would be assassin and bring the culprit to book.
Great locations,(set in San Francisco), powerful score by Quincy Jones and excellent supporting cast.
This film captures the mood of the late 60's in America, better than any other film of its time.
Naturally with the above combination it was decided to make a successful tv series that ran for eight years and quite rightly so, I always thought Ironside was one of the best cop shows of the 60's & 70's and it was exciting to see how he would cope in dangerous situations when confronting crooks, when his friends were not always around to help him.
Raymond Burr as Ironside proved that he could solve cases sitting down better than any other tv cop standing and despite being paraplegic he was more than a match for any able bodied villain or crook, with his sharp mind and 26yrs experience on the SFPD.
Excellent film and tv series, its a pity there is nothing like it around like it today.
Great locations,(set in San Francisco), powerful score by Quincy Jones and excellent supporting cast.
This film captures the mood of the late 60's in America, better than any other film of its time.
Naturally with the above combination it was decided to make a successful tv series that ran for eight years and quite rightly so, I always thought Ironside was one of the best cop shows of the 60's & 70's and it was exciting to see how he would cope in dangerous situations when confronting crooks, when his friends were not always around to help him.
Raymond Burr as Ironside proved that he could solve cases sitting down better than any other tv cop standing and despite being paraplegic he was more than a match for any able bodied villain or crook, with his sharp mind and 26yrs experience on the SFPD.
Excellent film and tv series, its a pity there is nothing like it around like it today.
Lo sapevi?
- QuizAs the show progressed, Mark went from being Ironside's bodyguard to a full fledged police officer, and eventually became an attorney in the final season. In "The Return of Ironside" (1993), he had become a judge.
- BlooperIronside's office/apartment was on the fourth floor of the Old San Francisco Hall of Justice. Stock footage of the building appeared on many episodes for the entire series run (1967-1974). The building itself was abandoned in 1961 and demolished in 1968.
- Citazioni
Robert T. Ironside: I... LIKE... burned toast.
- Curiosità sui creditiGene Lyons plays San Francisco Police Commissioner Dennis Randall. However, on some closing credits, Lyons is listed as "The Commissioner".
- ConnessioniFeatured in The 23rd Annual Primetime Emmy Awards (1971)
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
Dettagli
- Tempo di esecuzione
- 1h(60 min)
- Mix di suoni
- Proporzioni
- 1.33 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti