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LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaFour costumed superheroes battle the world's most terrifying villains.Four costumed superheroes battle the world's most terrifying villains.Four costumed superheroes battle the world's most terrifying villains.
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This is probably the best adapted version of Stan Lee/Jack Kirby's Worlds Greatest Comic Magazine, and a really solid representation of Mr Fantastic, The Invisible Woman, The Human Torch and the ever lovin, blue eyed Thing. It is the only Animated series that manages almost perfectly to capture the energy and excitement that could be found in the Fantastic Four comics from 1961-1969. The F4 Themselves are well presented by their characterisations in this series, and as with most Hannah Barbera cartoons, the show doesn't talk down to the kids. There is alot of good natured bickering between Reed Richards, and trying to upstage him Ben Grimm, and he in turn being wound up mercelessly by Johnny Storm, all under the watchful glare of a bemused Sue Richards. Where the 1979 F4 series went wrong was that it underestimated its audience as being totally juvenile in a way the comics never did. The 1994 animated series managed to get it wrong too because instead of taking its cue from the smash hit X Men animated series and treating the characters with respect, it totally sent, and camped them up. The less said about the 1994 movie the better!
As a kid i loved this swinging 60's version of the Fantastic Four, and i still do. It has all the right ingredients, action, humour, good plots and a kick ass theme tune. On the downside however the animated at times is a little ropey and never manages to match up to the genius and majesty of Jack Kirby's art. Still, the Hannah Barbera F4 Series will be a great nostalgia trip for afficionadoes and is well worth a look.
As a kid i loved this swinging 60's version of the Fantastic Four, and i still do. It has all the right ingredients, action, humour, good plots and a kick ass theme tune. On the downside however the animated at times is a little ropey and never manages to match up to the genius and majesty of Jack Kirby's art. Still, the Hannah Barbera F4 Series will be a great nostalgia trip for afficionadoes and is well worth a look.
The stories and art direction for the series more than make up for its spare animation. These cartoons were made when companies understood that translating a comic to the screen requires keeping intact the elements that make the comic enjoyable and successful. If you enjoy the Lee/Kirby era of the Fantastic Four, you'll enjoy these faithful adaptations. Series is a lot of fun.
This cartoon was far better than "the New Fantastic Four" a.k.a. "the one without the Human Torch." This is probably due to the fact that Lee and Kirby had some involvement. My only beef is that Dr. Doom was a bit weak. There's an episode based on an issue with the Sub Mariner, but since his cartoon was done by another company, Namor was replaced by a green sea king named Triton (also the name of one of the Inhumans). Oddly enough, all the other characters remained intact. Kirby later helped Hanna-Barbarra by creating character designs for Thundarr the Barbarian.
Reed Richards, his wife Susan Storm, her brother Johnny, and Reed's college friend and war hero pilot Ben Grimm travel into space. They are bombarded by cosmic rays and turned into the Fantastic Four. Reed becomes the stretchy Mr. Fantastic. Sue is the Invisible Girl. Ben is the Thing with the strength of a thousand men. Johnny becomes "Flame On", the Human Torch. Based in the Baxter Building in New York City, they battle many threats facing the world.
Hanna-Barbera produced this Marvel property. Compared to its cousin Spider-Man, it doesn't have the iconic song although it does have the jazzy theme. It's not quite as action-packed fun. It's better than the 1978 series which ran without the Human Torch. This lasted for a season. Ownership probably separated the two shows. It also is more bent towards sci-fi. This is a classic cartoon at the dawn of a new era.
Hanna-Barbera produced this Marvel property. Compared to its cousin Spider-Man, it doesn't have the iconic song although it does have the jazzy theme. It's not quite as action-packed fun. It's better than the 1978 series which ran without the Human Torch. This lasted for a season. Ownership probably separated the two shows. It also is more bent towards sci-fi. This is a classic cartoon at the dawn of a new era.
In my eyes, this version of the Fantastic Four is the best overall. Number one, all the voices are great except for Doctor Doom... he's not really scary enough. But Reed and all the gang have their ultimate voices here, especially Reed and Ben! Even the Mole Man has a cool voice.
In the Silver Surfer/Galactus episode, they captured the essence of both characters far better than the 90's cartoon did in their telling of the tale (but they more than made up for it the following season). You get to see the Molecule Man, Super Skrull, and you KINDA get to see Namor... the other toon company had the rights for Namor's own series, so they actually replaced him with a Triton like character.
The animation may not look all that great, but the tone and mood are just like the classic comics that inspired them.
In the Silver Surfer/Galactus episode, they captured the essence of both characters far better than the 90's cartoon did in their telling of the tale (but they more than made up for it the following season). You get to see the Molecule Man, Super Skrull, and you KINDA get to see Namor... the other toon company had the rights for Namor's own series, so they actually replaced him with a Triton like character.
The animation may not look all that great, but the tone and mood are just like the classic comics that inspired them.
Lo sapevi?
- QuizIn the fall of 1966, Sy Fischer, a television agent who at the time worked at the powerful Ashley Famous Agency where his job was to sell shows on behalf of his clients, one day noticed his son Stuart reading a Fantastic Four comic book. Fischer saw potential in the Fantastic Four when he asked his son if this comic book could be a good cartoon who enthusiastically said, "Yes!" The very next day, Fischer got on the phone with Joseph Barbera, the co-founder and head of Hanna-Barbera and told him of this wonderful comic by Marvel Comics and recommended that Hanna-Barbera get the rights to develop it for Saturday morning. After taking a look at the FF, Barbera agreed. Both Joe Barbera and Sy Fischer then contacted Stan Lee and asked if the rights were available and luckily enough they were. A deal was quickly made between the two companies and Hanna-Barbera put the show into development and pitched it to ABC, and quickly it was on the ABC Saturday morning schedule for the Fall of 1967.
- ConnessioniFeatured in Muppet Babies: Comic Capers (1989)
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- 22min
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