Buttati, Bernardo!

A coming of age film centering on a young man's longings and fantasies for his dream girl whom he sees in the New York Public Library's main branch. This comedy-drama is so spotty it is often infuriating but still worth seeing. The lead, Peter Kastner, is forgettable, but his father played by Rip Torn, head of incunabula (see the movie and find out what it is!) at the library, is hilarious; the fight scene with Julie Harris is marvelous. The opening scenes show the behind the scenes goings on at the great library and even where all the books are stored, which the public can't see. Karen Black did a fine and affecting job as Kastner's girlfriend. On the negative side is the lovely Elizabeth Hartman coming off her big success in "A Patch of Blue" with Sidney Poitier. She is supposed to be the cool and detached object of longing - but is as vapid and empty as any character could be, and in part this has to be the fault of the direction of Coppola. This is a significant problem with the film. Hartman was very tragically an apparent suicide in 1987. The movie does have enough in it warrant a viewing.

What we have here is an early F.F.C. effort (he also wrote most of the screenplay).You can see the genius that is later to come.

Here's a confused, virginal young man, constantly picked on by his over-bearing parents, trying to find his way in the world of New York City. Bernard is his name and just watch what he does with initials he spots.

The gal that wants him he doesn't want, and the gal that he wants doesn't want him. Got it straight? No wonder this is turning into a "cult" film.

The acting is first rate in a lot of places. Geraldine Page is always great and Rip Torn can handle most roles. Julie Harris was "perfect" as Mrs. Thing (honest, that's her name). Speaking of names, the part played by Lisa Hartman is Barbara Darling, a would-be actress who dances in a go-go club at night.

Watching Bernard weave his way through conniving co-workers and the strange behavior of Miz Darling, is worth the price of admission.

I always wonder who writes these critiques for IMDB, and should I trust them? For that reason,I'd like you all to know that I am a male senior citizen, but this movie made me feel 18 again. You'll find yourself running into similar things that happened to you in your youthful pursuits.

You could do a lot worse taking a chance on a movie.

The movie's mainly a matter of taste. There's no real narrative or exchanges of dialog, while the characters are more humorous caricatures than real people. Still, the cinematography is dazzling, probably too much so since FFC appears obsessed with the spiraling effects. These, however, do lend the film a free-spirited sense of freedom that young Bernard (Kastner) is confused by, having been kept on a tight parental leash. So, the theme, as much as there is one, is very much a 60's one— how to break free of stifling convention. In Bernard's case, it's more like simply understanding what it is that's stifling him.

The biggest mystery to me is how FFC assembled such an outstanding Broadway cast—Harris, Paige, Torn—for a Master's Thesis. And who's inspired touch is that "attack chicken" that bedevils the girls, or the Neanderthal cop who's never off duty. Anyway, if you're not insisting on a conventional style and are willing to put up with some pretty self-indulgent passages, the movie may have genuine appeal, especially for those either nostalgic or curious about the free-wheeling 60's.

When you see this movie in theater in '66 at age 18, you are probably going to be a YABBN cultist for life. I saw it originally because I was a Lovin' Spoonful fan (who wasn't in '66?) but was blown away by the whole thing and have seen it probably 6 or 7 times over the years. Thinking about it today in particular at the passing of the great Rip Torn, who is awesome in this along with his brilliant wife Geraldine Page. Probably will seem dated to most younger people now, but it is both a time capsule and an immortal vision of coming-of-age.

The most famous movie to look at the younger generation's disillusionment with the American way of life is "The Graduate", but Francis Ford Coppola's "You're a Big Boy Now" also offers some insight. The young protagonist is a character very much like Ben Braddock: born into an affluent family that plans for him to be a big success. But this young man actively seeks out a new life, and he befriends a go-go dancer...but that's not all.

A lot of the humor is cutaway humor. In the end the movie isn't a masterpiece but has some funny stuff. It's sort of a cross between the zany comedies that dominated the '60s and a Woody Allen movie. One of the most interesting things is the soundtrack. The Lovin' Spoonful did the music, and it includes some songs - among them "Amy's Theme" - that I had heard but never knew whence they came.

I recommend the movie. It's a perceptive look at the youth culture, and also at mid-'60s New York. We even get shots of movie theaters running noted movies of the era! It's really a movie that you gotta love. I bet that when "The Godfather" debuted, people were shocked that it was directed by the same man who directed "You're a Big Boy Now".

And remember, wooden legs and aggressive chickens.