Winny Puh l'orsetto goloso

This is the first of the 4 Winnie the Pooh short films, and a really great one at that, too! Everything is introduced into this short classic, and the storyline fits perfectly. The animation is great and the songs are catchy. The voice cast is perfect, as well. But let me tell you this. I may be in my teenage years, but ANYONE would love Winnie the Pooh. By the way, this is the one out of the four I enjoyed the most through my whole life. Seriously. I do enjoy the other three, too, but if you want to make sure, see my reviews for the others. But you'll find this one more than satisfying. I highly recommend this, as well as the others.

One of the best shorts ever, it marked my childhood a lot. Highly recommend.

1966 was the year when the first animated short of Winnie the Pooh and his friends came out. These characters immediately became a phenomenon of popularity and they're still just as popular nowadays. It all started with "Winnie the Pooh and the Honey Tree" in 1966, followed by many other Winnie the Pooh's shorts, all of them taking place in the magical and childish world of the Hundred Acre Wood.

This first adventure introduces us these adorable characters, as well as Winnie the Pooh, the little bear obsessed by hunny (honey), lovingly called «silly old bear» by Cristopher Robin. However, Piglet and Tigger's first appearance is only in the following short "Winnie the Pooh and the Blustery Day". Anyway, we can see right from the start how the characters's personalities are.

A delightful story, lovely songs (such as "Little Black Rain Cloud", "Up, Down and Touch the Ground", "Rumbly in My Tumbly" and "Winnie the Pooh"), great artwork and animation, charm and classic humor are another attribute here.

The story is amusing and focus mostly on Pooh's determination to get some honey. Although he is a bear with very little brain, he's not the sort of bear to give up easily. It's funny how he often thinks of something, but no matter how hard he tries to think, the only thing that comes to his simple mind is honey. And it's funny that he does physical exercises, but not for the reasons you could think. You think he does physical exercises to get thinner? You better think again, he he he! He does physical exercises to get hungry, as an excuse to eat honey.

The Gopher (who is not in the book) is hilarious, especially whenever he falls down his hole. That is spectacular! The nervous Rabbit can be unfair at times, but he does the right thing when he stops the Gopher from feeding Pooh with honey.

As for Eeyore, his pessimistic personality is obvious right from the beginning, when he says «If it's a good day, which I doubt».

The "Winnie the Pooh" cartoons from Disney are classics. This is the quality program that you would want your children to see. And it makes you glad you have children so that you have an excuse to see it too.

They did a wonderful job of adapting the A. A. Milne stories to the screen. It's good clean fun with no "undesirable" elements such as violence or bathroom humor. All the characters are brought to life faithfully and their casting of the voices is perfect. Sterling Holloway IS Winnie.

The story line of this cartoon revolves around Winnie, the honey-loving bear trying various schemes to get his golden delight. He is so funny, stopping at nothing to get some honey, regardless of the practicality of the effort. He uses a toy balloon to float to the bees' nest high up in a tree, but is foiled by the bees.

Each different character has a unique trait. Eeyore shows the depressed side of human nature, always finding the down side of anything. The other characters succeed in cheering him up. Owl is the "educated" one who loves to hear himself talk. Tigger, happy-go-lucky tiger bounces around exuberantly on his coil-spring tail, greeting everyone, and sometimes accidentally knocking them over. The cartoons say a lot about friendship -- friends helping friends.

Very enjoyable -- worth seeing, whether you're a child of 3 or 93.

If memory serves, the original Steiff toy belonging to the late Christopher Robin Milne, "Winnie the Pooh", now resides in Manhattan, either at the New York Public Library or at publisher E.P. Dutton's headquarters. The symbolism is obvious: a British children's classic has made the transatlantic leap.

Disney scriptwriters have been heavily criticized for de-emphasizing the Britishness of Pooh, beginning with this first film in what became a series of theatrical short subjects. Most of the voices - Christopher is an exception - are American. Sterling Holloway became so identified with the title role that it is hard to imagine anyone else, British or American, taking it over.

The best thing about "Winnie the Pooh and the Honey Tree" is that it is adapted directly from Alan Milne's printed work. As I did in 1966, a child today seeing this film for the first time could ask for the book version and receive something unusually congruent with the screenplay.

Christopher Robin Milne, bookshop owner and authors' rights heir, had notoriously mixed feelings about his father's creation. In particular, he had his doubts about the effect Disney's version might have on the original.

Not to worry: the Disney machine has generated far more positive attention for Pooh than a global army of publishers.