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IMDbPro

Le streghe

  • 1967
  • VM14
  • 1h 51min
VALUTAZIONE IMDb
5,9/10
2186
LA TUA VALUTAZIONE
Clint Eastwood, Annie Girardot, Silvana Mangano, Alberto Sordi, and Totò in Le streghe (1967)
ComedyDramaRomance

Il ruolo delle donne nella società.Il ruolo delle donne nella società.Il ruolo delle donne nella società.

  • Regia
    • Mauro Bolognini
    • Vittorio De Sica
    • Pier Paolo Pasolini
  • Sceneggiatura
    • Giuseppe Patroni Griffi
    • Cesare Zavattini
    • Agenore Incrocci
  • Star
    • Silvana Mangano
    • Annie Girardot
    • Francisco Rabal
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    5,9/10
    2186
    LA TUA VALUTAZIONE
    • Regia
      • Mauro Bolognini
      • Vittorio De Sica
      • Pier Paolo Pasolini
    • Sceneggiatura
      • Giuseppe Patroni Griffi
      • Cesare Zavattini
      • Agenore Incrocci
    • Star
      • Silvana Mangano
      • Annie Girardot
      • Francisco Rabal
    • 23Recensioni degli utenti
    • 27Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 2 vittorie totali

    Foto139

    Visualizza poster
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    Visualizza poster
    + 134
    Visualizza poster

    Interpreti principali65

    Modifica
    Silvana Mangano
    Silvana Mangano
    • Gloria (segment "La Strega Bruciata viva")…
    Annie Girardot
    Annie Girardot
    • Valeria (segment "La Strega Bruciata Viva")
    Francisco Rabal
    Francisco Rabal
    • Paolo (segment "La Strega Bruciata Viva")
    Massimo Girotti
    Massimo Girotti
    • Sportsman (segment "La Strega Bruciata Viva")
    Véronique Vendell
    Véronique Vendell
    • Young Girlfriend (segment "La Strega Bruciata Viva")
    Elsa Albani
    Elsa Albani
    • Gossip (segment "La Strega Bruciata Viva")
    Clara Calamai
    Clara Calamai
    • Ex-Actress (segment "La Strega Bruciata Viva")
    Marilù Tolo
    Marilù Tolo
    • Maid (segment "La Strega Bruciata Viva")
    Nora Ricci
    Nora Ricci
    • Gloria's Secretary (segment "La Strega Bruciata Viva")
    Dino Mele
    Dino Mele
    • Dino (segment "La Strega Bruciata Viva")
    Helmut Berger
    Helmut Berger
    • Hotel Page (segment "La Strega Bruciata Viva")
    • (as Helmut Steinbergher)
    Bruno Filippini
    • Pianist (segment "La Strega Bruciata Viva")
    Leslie French
    • Industrialist (segment "La Strega Bruciata Viva")
    Alberto Sordi
    Alberto Sordi
    • Elio Ferocci (segment "Senso Civico")
    Totò
    Totò
    • Ciancicato Miao (segment "La terra vista dalla luna")
    • (as Toto)
    Ninetto Davoli
    Ninetto Davoli
    • Baciu Miao (segment "La terra vista dalla luna")
    • (as Nenetto Davoli)
    Laura Betti
    Laura Betti
    • Male Tourist (segment "La terra vista dalla luna")
    Luigi Leoni
    • Female Tourist (segment "La terra vista dalla luna")
    • Regia
      • Mauro Bolognini
      • Vittorio De Sica
      • Pier Paolo Pasolini
    • Sceneggiatura
      • Giuseppe Patroni Griffi
      • Cesare Zavattini
      • Agenore Incrocci
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti23

    5,92.1K
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    10

    Recensioni in evidenza

    6Jeremy_Urquhart

    Contains an absolutely crazy Eastwood performance.

    As a decent but not great anthology movie, some parts of The Witches were not very good. A couple of segments I forgot while they were still going, with #2 and #4 feeling particularly lazy, and kind of unfinished. Segment #1 wasn't as bad, but it was a little boring.

    The Pasolini-directed segment came third, and that one made me laugh a couple of times. It was absurd and silly, and some side characters in it felt like they predicated Super Mario Bros.

    But it's the Clint Eastwood segment - the final one - that I came to The Witches for, and it made the whole thing worth watching. They get him to do some ridiculous things in this, and I don't know how. There's something that verges on a fantasy/musical section and he just looks so awkward and grumpy; smiling through the pain. I feel like someone had dirt on him and blackmail might've been involved, but it was neat seeing him play someone very different from his usual stuff (and I'm not just saying that because he was dubbed into Italian, but that is like a whole other level of crazy).
    10pacificpubs

    surreal, absurdist, very Italian, very 60's

    Surreal, absurdist (kind of), very Italian, very 60s. You should definitely see this movie if you like a) 60's clothes, b) 60's movie sets, c) weird movies, d) Silvana Mangano, and e) obscure Clint Eastwood titles (yes, he's in it, too), among other things.
    6bob998

    Watch for Visconti

    Visconti's sketch is the best; he always did well in elegant surroundings and Mangano is at her best here. De Sica has Eastwood before he became a star and forgot how to act; it's a pretty good look at a marriage gone stale. The other three sketches are pretty much useless.
    Buddha-Jones

    1966 - Italy - 'nuff said!

    These five shorts have an undeniable breezy quality, commenting on the freewheeling Italian lifestyle of the swingin' sixties and also offering some timeless "period" storytelling. The favorite is "The Witch Burned Alive". Visconti's work is redolent of Fellini's "Juliet of the Spirits"' upper class shenanigans, with the celebrity angle making Woody Allen's comments nearly half a century later seem, well, tired and inferior. Silvana Mangano appears a bit, well, exhausted in this film and others of the series, like Chrisitna Applegate on a bad day, but the costuming and Kitzbuehl apres ski setting in a chalet make Visconti's short irresistible. The Pasolini work is charming in a semi-dada-esque way, especially with the knowledge that the young male pimply faced "actor' may well have been really a boy toy from the streets of Roma. The story has a punk rock feel that rings with folkloric quirkiness and white magic.

    "Civic Spirit" is the most emblematic of the five, very au courant of the era, using an injured man as an excuse to barrel through Rome traffic at top speed under the guise of being hospital bound, while the driving beauty is really just using the poor hapless man as a shill to get to a rendezvous on time-- very cute, and Silvana looks fabulous once again, as she rushes to meet her playboy date. This film is on cable on occasion late at night and worth sitting through for the afficionado of these fine directors. Brava to Silvana, an actress largely forgotten in the pantheon of stars of international merit. Two pinkies held semi-high.
    LLAAA4837

    One of the Weirdest and Most Surreal Anthologies I've Seen.

    *** out of ****

    This is basically a collection of five short films all about women and the roles that people feel that they play in society. It gives us different interpretations of women and how people feel around them.

    The first story is about a famous actress who hides away from the public at a ski resort, before discovering that she's pregnant. But when she calls her husband, he is not at all supportive of her desire to have children. It starts out slow, but it becomes pretty haunting to watch after a while.

    The second story gives us a woman who has an injured man in her car who is supposed to drive him to the hospital, but instead drives by several of them before going to where she wants to go. The man doesn't appear to be hurt too badly. Perhaps this is supposed to be a comment on how a woman supports a man in times of need?

    The third story is an indescribably weird and chaotic satire of a father and son who look for a woman to be the father's wife and his son's mother. They come upon a woman who is deaf and are able to get something going with her before the story gets even weirder. This film actually really made me feel weird and left my mind broken in a million directions, but i couldn't stop watching it no matter how much i tired.

    The forth is a story about a man who murders several people because of a woman. This one isn't really funny at all and is actually pretty depressing when you really get right down to it.

    The fifth story has Clint Eastwood in it as the uninteresting husband of a woman who escapes into an imaginary world where she gets sweet revenge on him for being so boring.

    My favorite story is the third, simply because it is so strange and unlike anything that it must be seen to be believed. Overall, i enjoyed it and found it to be very entertaining and interesting. It's creepy and weird if you aren't prepared. Check it out.

    contains adult content and some violence.

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    Trama

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    Lo sapevi?

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    • Quiz
      Clint Eastwood was given the choice of taking $25,000 in cash or $20,000 and a new Ferrari by Producer Dino De Laurentiis to play a small part in this movie. He chose the money and the Ferrari. He got along well with Silvana Mangano and Director Vittorio De Sica.
    • Citazioni

      Industrialist: I make a perfume. But I can't make it any better or it would destabilise the market.

    • Connessioni
      Featured in Sunday Night: Man of Three Worlds: Luchino Visconti (1966)
    • Colonne sonore
      Mandolinata
      (uncredited)

      Written and Performed by Ennio Morricone And His Orchestra

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    Domande frequenti16

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    Dettagli

    Modifica
    • Data di uscita
      • 5 giugno 1968 (Francia)
    • Paesi di origine
      • Italia
      • Francia
    • Lingue
      • Italiano
      • Inglese
    • Celebre anche come
      • Nadie engaña a una mujer
    • Luoghi delle riprese
      • Kitzbuhel, Austria(First Episode)
    • Aziende produttrici
      • Dino de Laurentiis Cinematografica
      • Les Productions Artistes Associés
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 51 minuti
    • Colore
      • Color
    • Proporzioni
      • 1.66 : 1

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