Aggiungi una trama nella tua linguaA little boy is abducted by ruthless bandit gang leader El Cachal after Cachal and his men butcher the boy's family with the exception of his father. Johnny Ashley, the gunslinger father of ... Leggi tuttoA little boy is abducted by ruthless bandit gang leader El Cachal after Cachal and his men butcher the boy's family with the exception of his father. Johnny Ashley, the gunslinger father of the boy, goes searching for his son. Alas, the boy has grown up to be a mean and vicious c... Leggi tuttoA little boy is abducted by ruthless bandit gang leader El Cachal after Cachal and his men butcher the boy's family with the exception of his father. Johnny Ashley, the gunslinger father of the boy, goes searching for his son. Alas, the boy has grown up to be a mean and vicious criminal.
- Regia
- Sceneggiatura
- Star
- Bill
- (as Jerry Wilson)
- Rosario
- (as Caroll Brown)
- 1st Sheriff
- (as Fred Warrel)
- Sheriff of Wishville
- (as Frank Farrell)
- Oeste's Wife
- (as Miriam Salonicchio)
Recensioni in evidenza
Seven Dollars on the Red boasts a competent cast and a memorable soundtrack, and though a little unremarkable and slightly muddled its strong plot helps overcome this. Steffen is very good in the lead, and so is a dead-eyed Roberto Miali and a radiant Elisa Montes - they play the stolen son and his doomed love interest. It presents a hand-to-hand fight in the barn which is an eye opener, and it ends with a rain soaked showdown with father vs son. The last twenty minutes are quite tense and emotional. Not a bad spaghetti western.
March 16, 1966
Bandits kill the wife of Johnny Ashley. They also take his young son, Jerry. Now Johnny vows revenge. Mostly he just spends his time in the wilderness, doing random acts of goodness. Time passes, and half-breed Jerry is all grown up. He's gotten mean too. The gang has come into some gold, and they intend to split up with their booty.
'How do you carry that child? He's not a sack of potatoes.'
Johnny does not talk about his revenge. He does his revenge. (Well, whenever he gets around to it.) This is a simple revenge picture, with estranged father and son who have to form a bond for the first time. The best thing about this one is the mountain scenery in the first half, which makes a pleasant treat for the eyes, even in a bad Youtube transfer. In the second half, we move onto a standard western town. I dig the bleakness of the ending. It gets an extra half star for that ending. When it comes to family business, we're all just rolling in the mud.
Get me an Eastwood type. Get me a John Phillip Law type. Get me an Emilo Fernandez type. Now we can make a movie. Bronzed up Steffen is wooden as it gets, but he's not afraid to get nasty, breaking into a bandit's cave lair and blowing him away. Miali is possibly even more wooden. On the other hand, Sancho is a lot of fun as the fat bad guy. Elisa Montes sings a song about 'Wishville.' Wishville was also referenced in the director's 1000 Dollari Sul Nero (1966.) We're all half-breeds if you think about it. (I rather suspect that I have no breeding at all.) The ability to shoot locks saves you on the expense of keys. Of all the ways to go, I would not want to fall and hit my head on a rock. Our hero is named John Ashley, but this one never appeared in a single Beach Party movie. (Hey, one of our female characters does kind of look like Annette!) Sombrero, mustache, and ammo belt. That's the look I want to emulate. There's a little bit more greenery of forest than you see in most spaghetti westerns. Stock footage of a western town is cut in, and even on Youtube, the quality difference is apparent. Pawing a bar wench is what a bandit does. Look, if a bar wench doesn't wear a low-cut blouse, I question the entire basis of reality. (Her hair is right out of the 1960s though.) The ability to roll down stairs and shoot bad guys at the same time is something else. Poor Jerry is shooting his guns in the street.
'Oro!'
Alberto Cardone also directed 20,000 Dollari Sul 7. (That's considerably more expensive than this movie.) Anthony Steffen was in An Angel for Satan (1966.) Elisa Montes was in Captain Apache (1971.) Fernado Sancho was in La Resa Del Conti (1967.) Roberto Miali also appeared as the dumb-mute brother in 1000 Dollari Sul Nero (1966.) Loredana Nusciak was in Django (1966.)
*** / *****
Decent Maccaroni/Chorizo Western dealing with a deadly confrontation , including interesting elements of Greek tragedy , though it has some flaws and gaps , too . This violent Spaghetti results to be an oater plenty of action , thrills , gun-play , in a word : emotion . Besides , it contains effective action sequences as when there takes place the final attack on the town or the exciting ending gun-down between father and son . It's a medium budget film with passable actors , technicians, production values and ordinary results . Here there are ritual shootouts among gunslingers confronting each other in some quick-draw duels in the accepted Western movie fashion . It follows the Sergio Leone wake , including close-up , zooms , choreographic duels and no being proceeded in American style . Acceptable action sequences with rousing crossfire and spectacularly bloody shootouts . Charismatic performance for the whole casting . The notorious Spaghetti actor , Anthony Steffen is good in his usual tough role . Enjoyable and sympathetic performance by the always great Fernando Sancho . In the film appears ordinary Tortilla/Spaghetti Western actors , such as : José Luis Martin , Elisa Montes , Spartaco Conversi , Franco Fantasia and Loredana Nusciack of ¨Django¨ .
The picture displays a resounding and appropriate musical score by Francesco De Massi who composes one of the his best Western soundtracks . And colorful and glimmer cinematography by Jose F. Aguayo who photographed various Buñuel films . Being filmed on location in Hoyo Manzanares del Real , Colmenar Viejo and La Pedriza , Madrid , Spain and El Lacio , Rome , Italy . This Chorizo-Spaghetti Western mostly produced by Italy and important Spanish participation , being decently shot by the Italian professional Albert Cardone . Albert was a prestigious assistant director to popular films as ¨Ben Hur¨, ¨Purple noon¨, ¨Cagliostro¨ , ¨Carmen¨ , ¨Don Camilo¨ , ¨Return of Don Camilo¨. And shot some films , most of them entertaining Westerns such as : ¨¨ Blood at Sundown¨ , ¨Kidnapping¨ , ¨Il Lungo Giorno Del Massacro¨ , ¨20.000 Dollari Sul¨ , ¨L'ira Di Dio¨ and starred by usual genre stars as Brett Halsey , Gianni Garco , Peter Martell , Wayde Preston , Fernando Sancho and Anthony Steffen . Rating : Acceptable and passable 5.5/10 . Only for Spaghetti Western aficionados .
"Seven Dollars on the Red" begins with a group of bandits slaughtering a household. A young boy is left unharmed and the bandit leader decides to adopt the kid. Little does the bandit know that the boy's father was not home and vows to do everything he can to find the boy. But, everything is not good enough and years pass--and the nice kid slowly evolves into a vicious jerk just like his foster dad.
If you are looking for an Italian film of the quality of a Sergio Leone or even a Sergio Carbucci film, then keep looking. This one is actually a bit funny, since the guns didn't even use blanks--and the actors had to pretend that the guns were firing something. However, the gun sounds were added later and it comes off as kind of funny seeing the men jerking the guns even though nothing is coming out (even a blank will appear out of the barrel the same as a normal bullet). Plus, they also seemed to have tried to save money by eliminating blood--making the bullet-riddled bodies oddly clean and without bullet holes. The film also has only fair music--nothing particularly haunting or memorable about the tunes. The bottom line is that the Italians made hundreds of westerns--some good, some bad and some ugly. I'd rank this among the ugly--kind of cheap but reasonably entertaining if you are looking for just a time-passer.
The acting including the lead, is woeful to say the least!.
Sets move at times and the script writer/s must have gotten their knowledge of the wild West from a penny western book. (old Western comic like books of the 50's).
It's hard to describe the sound of gun fire in this movie, but it's unlike any gun ever fired, including the flintlock.
As for fist fightng, we'll the acting is so poor, that you can see punches thrown, but clearly missed by 12 to 18 inches.
When someone is hit or shot, they seem to stay upright for a week before screaming and hitting the ground.
All I can say is Clint Eastwood saved the spaghetti westerns for sure, if this is typical of those produced at the time.
Simply Dreadful.
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- ConnessioniReferenced in Red Dead Revolver (2004)
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