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El Cjorro

Titolo originale: Savage Pampas
  • 1965
  • Not Rated
  • 1h 52min
VALUTAZIONE IMDb
5,6/10
453
LA TUA VALUTAZIONE
Robert Taylor, Marc Lawrence, and Ron Randell in El Cjorro (1965)
Classical WesternSpaghetti WesternAdventureDramaWestern

Alla fine del 1800, un capitano dell'esercito cerca di domare le aperte pianure dell'Argentina, dominate da indiani e banditi. Per aiutare a fare questo, il capitano convoca un gruppo di don... Leggi tuttoAlla fine del 1800, un capitano dell'esercito cerca di domare le aperte pianure dell'Argentina, dominate da indiani e banditi. Per aiutare a fare questo, il capitano convoca un gruppo di donne per mantenere felici i suoi soldati.Alla fine del 1800, un capitano dell'esercito cerca di domare le aperte pianure dell'Argentina, dominate da indiani e banditi. Per aiutare a fare questo, il capitano convoca un gruppo di donne per mantenere felici i suoi soldati.

  • Regia
    • Hugo Fregonese
  • Sceneggiatura
    • Hugo Fregonese
    • John Melson
    • Ulises Petit de Murat
  • Star
    • Robert Taylor
    • Ron Randell
    • Marc Lawrence
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    5,6/10
    453
    LA TUA VALUTAZIONE
    • Regia
      • Hugo Fregonese
    • Sceneggiatura
      • Hugo Fregonese
      • John Melson
      • Ulises Petit de Murat
    • Star
      • Robert Taylor
      • Ron Randell
      • Marc Lawrence
    • 18Recensioni degli utenti
    • 6Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
  • Foto4

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster

    Interpreti principali37

    Modifica
    Robert Taylor
    Robert Taylor
    • Captain Martín
    Ron Randell
    Ron Randell
    • Padrón
    Marc Lawrence
    Marc Lawrence
    • Sgt. Barril
    Ty Hardin
    Ty Hardin
    • Miguel Carreras
    Rosenda Monteros
    Rosenda Monteros
    • Rucu
    Mario Lozano
    • Santiago
    Felicia Roc
    • Camila Ometio
    • (as Fela Roque)
    Ángel del Pozo
    Ángel del Pozo
    • Lt. Del Río
    Susana Mara
    • Sarita
    Enrique Ávila
    Enrique Ávila
    • Petizo
    Laura Granados
    Laura Granados
    • Carmen
    Milo Quesada
    Milo Quesada
    • Alfonso
    Charles Fawcett
    • Pvt. El Gato
    • (as Carlos Fawcett)
    Héctor Quiroga
    • Pvt. Pepe
    Lucía Prado
    Lucía Prado
    • Chiquito
    Juan Carlos Galván
    Juan Carlos Galván
    • Isidro
    Jorge Rigaud
    Jorge Rigaud
    • Old Man
    • (as George Rigaud)
    José María Caffarel
    José María Caffarel
    • Vigo
    • (as Jose Maria Cafarell)
    • Regia
      • Hugo Fregonese
    • Sceneggiatura
      • Hugo Fregonese
      • John Melson
      • Ulises Petit de Murat
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti18

    5,6453
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    10

    Recensioni in evidenza

    7lsda-80381

    Gritty, Very Gritty

    I watched this movie as part of my mission to watch all of Robert Taylor's films. He was just a few years from his death, so, there was, for me, a poignancy about this performance. He still looked good, had that marvelous commanding voice and, IMHO, still had IT as an actor. For anyone who loved his earliest films, this picture will be a shock. It is very gritty but exemplary of the types of "westerns" made in the 1960s. While not a true spaghetti western, it did have that look and feel of same. Not a great story; mostly a vehicle for sensationalism, sexism and brutality. These are not elements that were associated with his early romantic pictures,; so the public can clearly see that our star had quite a professional journey. . I think it may have taken great courage to do this film. I can not recommend it but I do not regret watching it bc I enjoyed seeing Robert Taylor.
    8discount1957

    Strong emphasis on realism

    An Argentinian Western and Taylor's oddest film, Savage Pampas is a remake of the 1946 Argentinian film Pampa Barbera. Taylor is the guardian of a wagon train of women heading for a lonely outpost in the interior in 1870. The plot is reminiscent of his Westward the Women (1952) with the difference that this time the women are prostitutes, intended to be morale boosters to stop the men of the outpost from deserting. Shot by Hollywood veteran Fregonese who co-scripted it with a strong emphasis on realism, the film got lost in the flood of Spaghetti Westerns.

    Phil Hardy
    9drystyx

    Tittilating movie is what the spaghetti westerns should have been

    Tittilating and exciting describe this movie, which has a opiate effect of luring the viewer in and addicting the viewer. Its a South of the border Western with Robert Taylor portraying an anti hero in charge of a group soldiers who are drafted from the prisons and gallows. He has his hands full just trying to keep them all from deserting. Ty Hardin plays an anarchist who slowly wins over Taylor's confidence and possibly respect. They are among a handful of men who transport beautiful women to the fort to help keep the number of deserters down. Meanwhile, former deserters unite with local natives and try to steal the women. Taylor plays the sort of anti hero who is much more believable and identifiable than the clownish ones of later spaghetti Westerns. Taylor, like Eastwood, wasn't as gifted an actor as his fellow cast members in most cases, so his stoic look serves as that of observer-cynic. However, the writing of "Savage Pampas" is far superior to that of the spaghetti Westerns. The characters are well defined and written well enough that you don't need an Eli Wallach or Lee Van Cleef to pull them off. Still, Hardin was never a slouch in the acting department. His anti hero has more heart than Taylor's, but Taylor's character is still convincing. Like true anti heroes, they're not superhuman murderous machines, but much more in line with the old West. The ending is totally unpredictable, and as far as I know, an unusual fate for Robert Taylor, and Ty Hardin. The music has a fascination to it, and it helps lure you in. One of the great Westerns.
    5Desiree1954

    Down Argentina Way

    A sad and dismal almost final ending for Robert Taylor. His handsome looks faded by time, drink, and possible lung cancer, Robert Taylor presents a depressing lifeless figure in this 3rd rate South American produced Western. As a big fan of Taylor, I really don't want to remember him in this film. Of course, this is easy to do, as this movie has virtually been lost to time. It's clear that Robert Taylor didn't have his heart in the role of "Captain Martin". He looks weather beaten, tired, and just plain worn out. His build is just too thin and he appears in ill health. Even the feel of this whole movie is that of people "Beaten-Up" by the passing of time and hard living. Savage Pampas is "savage" to watch. There is little to like and it's not even a pleasant night at the movies. Savage Pampas is just a dismal footnote in the faltering career of Robert Taylor.
    6ma-cortes

    Churrasco/Paella picture co-produced by Spanish/Argentinian/US and shot in Spain and Argentina with a good cast

    In the late 1800's , in the thunderous Argentina , where the boundary between Indians and Europeans was marked by "Fortines" (little forts) manned by conscripted soldiers . There is a pillbox in the middle of the Pampa surrounded by Indian tribes , this fort is commanded by a stiff commander (José Nieto) who along with his captain named Martin (Robert Taylor as the lead) decide to bring women from Buenos Aires , for not deserting soldiers . To help do this , the captain brings in a party of women to keep his soldiers happy . Meanwhile , the army captain tries to tame the open plains of Argentina which are dominated by Indians and bandits . As the movie centers on the forced transportation of a group of women (Isabel Pisano , Rosana Monteros, Laya Raki , among others) , hookers and convicted of crimes and banished to the fortines to alleviate the loneliness of the soldiers . Being attacked by Indians and cutthroats whose gang is made up of army deserters led by Padrón (Ron Randell) .

    Remake of 1946 Argentinian film ¨Pampa Barbara¨ (1946) with Luisa Vehil directed by Lucas Demare and Fregonese himself. The script is at times a little bit stilted , moody and dramatic , but does a good job of capturing the violent environment , including brutal killings and beheading , as well as breathtaking battles and gorgeous outdoors . It narrates in Spaghetti Western style the gradual rolling back of the native Indians of Argentina from their ancestral lands by the Europeans and their descendants as well as settlers , cattlemen and army soldiers . Savage Pampas is glossy and sleek , but somehow doesn't manage to rise to a superior quality . In spite of efforts towards authenticity , the film fails on some non-sense scenes and other disconcerting events . The veteran Robert Taylor in his last film plays a rugged army captain and his nemesis , a rebel deserter , is well played by Ron Randell . Fine acting all around, especially from the support cast that included some of the best secondaries of the period , usual in co-productions (Spaghetti Western , Peplum) like José Jaspe , Julio Peña, José María Caffarel , Angel Del Pozo , Milo Quesada , George Rigaud , Sancho Gracia , José Nieto , Enrique Avila , Barta Barry . Excellent production design by the Oscarized Gil Parrondo (Gil was an unfailingly good production designer in more than 80 movies over 50 years). Colorful and evocative cinematography in Superpanorama 70 by Manuel Berenguer . Thhrilling and atmospheric musical score by Waldo De Los Rios .

    The motion picture was professionally directed by Hugo Fregonese , though has numerous flaws and gaps . Direction by Fregonese maintains a steady pace and is partially as good in interiors as in outdoor action scenes . Hugo Fregonese is familiar remember the Argentine director for his Hollywood work , that began with One Way Street in 1950 and included some biggies such as Blowing Wild (1953), his biggest hit . Fregonese started in Argentina, and Pampa Bárbara , first version , is the first first film he directed he is listed as co- director with Lucas Demare . He had done his apprenticeship with Demare as assistant director in two previous films. Hugo was an Argentina director who emigrated to Hollywood, then became technical adviser on latino themes at Columbia Studios in Hollywood, and subsequently under contract at Universal from 1950 to 1952 filming ¨Man in the attic¨ with Jack Palance , ¨Blowing wild¨with Gary Cooper and Barbara Stanwyck , ¨Decameron Nights¨with Joan Fontaine , ¨Harry Black and the tiger¨with Stewart Granger . Spent the rest of the decade in Europe directing Euro-westerns as ¨Apache's last battle¨ , this ¨Savage Pampas¨ and potboilers as "The Death Ray of Dr. Mabuse" , Terror as "Dracula vs. Frankenstein" before finishing his career back in the country of his birth . Rating : 6 , acceptable and passable . Worthwhile seeing for marvelous landscapes and breathtaking outdoors from Argentina and Spain.

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    Trama

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    • Quiz
      Ron Randell and Laya Raki were married at the time of this film.
    • Connessioni
      Remake of L'ultima carica (1945)

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    Dettagli

    Modifica
    • Data di uscita
      • 7 luglio 1965 (Argentina)
    • Paesi di origine
      • Spagna
      • Argentina
      • Stati Uniti
    • Lingue
      • Spagnolo
      • Inglese
    • Celebre anche come
      • Savage Pampas
    • Luoghi delle riprese
      • Samuel Bronston Studios, Madrid, Spagna
    • Aziende produttrici
      • Producciones Jaime Prades
      • D.A.S.A.
      • Bronston International S.A.
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      1 ora 52 minuti
    • Mix di suoni
      • 70 mm 6-Track
      • Stereo
      • Dolby Surround 7.1

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