La bambola di cera

Amicus's The Psychopath could be considered a British giallo, the film bearing several of the hallmarks of the genre: a mysterious killer in leather gloves; many suspects; a sexy young woman (blonde beauty Judy Huxtable); the use of a haunting music-box melody; and creepy dolls aplenty. Made in 1966, just three years after the first true giallo, Bava's The Girl Who Knew Too Much, the film is written by Robert 'Psycho' Bloch, directed by Hammer stalwart Freddie Francis, and stars Partrick Wymark as Inspector Holloway, the detective trying to solve a string of murders in which a doll is left by the side of each victim. However, despite these hefty credentials, the film is strictly routine stuff, with little of the bizarre plot twists, creative death scenes, and hyper-stylised visuals that the giallo is renowned for.

Francis does make great use of colour in his film, especially in the home of wheelchair-bound doll collector Mrs. Von Sturm (Margaret Johnston), and performances are solid all round, but the film needed a little something special to make it a more memorable experience (some bright red gore wouldn't have gone amiss in my opinion).

Freddie Francis continues to be one of my all-time favorite directors(not to mention his superb work in Cinematography) and here's another fine effort from him for Amicus.

A serial killer seems bent on striking at 4 men involved in a common conspiracy. Each victim is found murdered under bizarre and unusual circumstances and in each case a little doll in the victim's likeness is left at the death scene. One Inspector Holloway(played by the then promising talent Patrick Wymark) investigates and uncovers a whole bunch of unusual connections between nearly every character in the film.

This film is terrific visually and in terms of story(it does display some similarities to Alfred Hitchcock's PSYCHO)--one is always left guessing. Great stuff!

Cinematographer and Director Freddie Francis who is best known for his work at Hammer Studios in Britain, (a classy outfit that remade the Universal Horror classics with verve and in color and produced some of the most remembered movies of the 50's and are Baby Boomer favorites), was behind the camera on this one.

With the help of Psycho (1960) author Robert Bloch, they went into familiar turf here with this little seen, and slightly disappointing, entry.

It does look pretty good and has some creepy setups, but suffers from some poor editing (some say it was re-edited after initial screenings) and a bit of a talky atmosphere. The ending is memorable and it is worth staying for the denouement, it just takes its time getting there and is clumsy at times, but not at all to be dismissed.

This is one of Amicus's lesser-known films and not one in their usual omnibus format. But it's an effective, creepy tale in what would be known today as the "serial killer" genre. Patrick Wymark is good as the detective, and director Freddie Francis, a multi-Oscar winning cinematographer, always brings a fine visual sense to his films. According to director Subotsky, the ending was re-edited and overdubbed to change the identity of the murderer (!) although this is not discernible on screen.

Freddie Francis directed The Psychopath, a 1966 horror/thriller. The stars are Patrick Wymark, Margaret Johnson, Alexander Knox, and Judy Huxtable.

Inspector Holloway (Wymark) investigates murders by what appears to be a serial killer, who leaves a lookalike of the victim in the form of a doll next to each body. Four men are killed, none in the same way. These men play in a string quartet but actually knew one another in the war.

The dolls are traced to Mrs. Von Sturm (Johnson) who lives with her son in a house that has dolls everywhere. She considers them human, and talks to them. The men killed were in fact part of a committee that discredited Mrs. Von Sturm's husband during the war, so she seems a likely suspect. However, Mrs. Von Sturm, though she seems bonkers, is confined to a wheelchair. Holloway's interest turns to the fiancée of Louise (Huxtable), who is the daughter of one of the men (Knox) who was murdered.

This is pretty good - some people reviewing on this site saw the film as children, and I can see where it would have left a major impression on them. It is a derivative story, very strange, and Francis has a good atmosphere going, if the pace at times is a little slow. If you like this kind of film, you will like seeing this one.