Il lungo coltello di Londra

Circus of Fear is based on a novel by Edgar Wallace; the same writer who spawned the German "Krimi" style of film-making. This film is a British take on the Krimi style and comes out something like a Hammer Horror mystery, though the film is not without its problems. That's possibly why this film is not easy to come by; as despite the fact that it stars Christopher Lee in an interesting role as a circus lion tamer, Circus of Fear, at times, isn't all that easy to get along with as the plot is really quite messy and the horror that goes along with the central mystery often gets in the way. The plot begins with a botched heist that ends with one of the criminals shooting a police officer. The shooter is given the chance to go and give the boss his share before being allowed to flee the country; but unfortunately, he is murdered upon his arrival at the meeting place. The action then switches to the local circus where is believed that the identity of the murderer will be revealed. There we are introduced to a whole host of shady and mysterious characters...

The film is directed by John Llewellyn Moxey, who previously directed Christopher Lee in the excellent, fog-soaked, City of the Dead. Said previous film is a better one as the plot worked better; but while Circus of Fear doesn't always work well, the things that do work are very good and the film never gets boring. The cast is headed by Christopher Lee who is grim and imposing in his role as a horribly scarred and masked lion tamer. The film also features a small role for the great Klaus Kinski, as well as sound performances from British performers Anthony Newlands, Leo Genn and Margeret Lee. The film presents a lot of suspects and it soon becomes easier to just watch it rather than try and guess who the killer is. However, the two twists in the tale can be guessed (the first one is very obvious) without putting too much strain on the viewer, which is a shame. City of the Dead was all about atmosphere and this film is fairly atmospheric too, though not nearly to the same extent as the earlier film, which is another shame. Overall, Circus of Fear is not a great film; but it's entertaining enough and I can recommend it.

this movie proved to be a surprisingly effective spin on the then popular german genre of the "krimi": a series of films, often from edgar wallace source novels, which tend to defy the generic conventions of crime dramas by moving into horror, espionage, even sci-fi at times.

beginning with an energetically directed heist sequence, the film soon shifts gear and location, focussing on the machinations of circus folk, in particular the various affairs and double-dealings of a handful of seemingly innocent and not so innocent clowns, midgets, knife-throwers and lion tamers. the two stories are linked, but only about as much as the two stories in "psycho" are linked: one is there to purely to feed the other.

there are twists and turns galore in this film; perhaps a few too many to be entirely plausible. some of the dialogue scenes are a little stilted, too. however, john moxey's direction tends to keep things going quite well, with some surprisingly sophisticated and kinetic direction. (note, for example, the way the loop of gregor's whip hovers around mr big's head to symbolise his attempts to psychologically ensnare his blackmailer.)

performances are generally quite solid, including from the imported german cast (there presumably to keep west german krimi fans happy), and there are definitely a couple of standouts. klaus kinski is unintelligible a usual, especially as he's forever got a cigarette in his mouth, but his presence lifts the film quite a bit. christopher lee is the only crashing disappointment, as he doesn't appear until act two, he's in a mask for most of the film, and his russian accent wavers a little. he really has no definitive presence here, and it's not particularly his story. i'd also have recast a lot of the police officers for a modern audience, as although they're quite old-fashioned (think dixon of dock green or pc 49), their dialogue would suit the stars of "the sweeney" with little adjustment. but then, in a microcosm of the characteristically unusual, perhaps a little grounding in sanity isn't so bad!

overall, this was a surprisingly effective film. i've only seen the restored 91-minute version that's available on dvd, so perhaps a slightly shorter version with some of the duller dialogue scenes cut down would hold the attention a bit better. (can't be as bad as the p;d 65-minute version, though, even if the film does hold up okay in b&w.) but this is definitely a film worth seeing, especially if you want a decent introduction to the world of the krimi. just don't see it if you want a big christopher lee vehicle -- he had more presence in "dracula", and he was only in six minutes of that!

This movie would lead you to believe that Christopher Lee is the main star, but he is not in it all that much. He is in this one more than he was in "Scream and Scream Again", but for most of his scenes he is wearing a hood. This movie was sort of good, sort of bad. The opening of the movie was messed up on the copy I got as scenes skipped here and there and the sound was messed up too, but as the movie went along it got better. This movie first shows a complicated armored truck robbery in to much detail. It then shifted to the circus where the police tracked some of the money. In the circus we meet all sorts of strange characters; any number of them could be responsible for the robbery and a murder that took place on circus grounds. Of course, the movie leads you to believe this or that person committed the crime and each time they usually clear the person of the crime. Could have been better, but it could have been worse it was somewhat interesting. Has to be one of the only movies ever to end with a little person being fired.

This is likable but perhaps in the end a little too keen to confuse. With more sex and violence this would have been a giallo and we would have worried less about one after the other being made to appear the guilty one. Great start with robbery against the backdrop of Tower Bridge and we proceed with a fantastic little river trip amidst the docks that were. Hard now to recall just how dismal, dirty and downright depressing some of these bits of London were in the early sixties. Great to see now though and contrast with today.

The story slows as we go to the circus but there are plenty of period vehicles and fairly interesting turns to watch. Klaus Kinski, and Suzy Kendall have far too little to do and whilst not wishing to spoil anything, what a strange part for Christopher Lee!

Christopher Lee in "Circus Of Fear". It's got to be a horror movie, right ? Well, no. "Circus Of Fear" is a pretty classic-style whodunnit full of red herrings and characters with skeletons in their cupboards.

It starts with a very dramatic and almost silent armoured car heist which goes terribly wrong when a security guard is shot and killed. The gang escape and divide up the loot, saving one share for their boss who only communicates with them via the phone and who none of them have ever seen. The action soon moves to the winter quarters of Barberini's circus - which appears to be somewhere in Berkshire! There is a quite surreal shot of a line of elephants and camels moving down a suburban street. The rest of the film takes place here, its anglo-German cast perfectly capturing the international flavour of the circus. And it is here that the murder mystery element of the film really takes off. Leo Genn is 'Gentleman Jim' Elliott, the police inspector investigating the heist. Though it seems most of the circus folk are keeping an eye on each other. Christopher Lee makes a startling appearance as Gregor, the lion tamer, who wears a black hood at all times to hide the horrible scars he received when he was attacked by a lion. The film was written and produced by Harry Alan Towers, for whom Lee made the series of Fu Manchu pictures, and directed by John Moxey, for whom he had made the 1959 occult chiller "City Of The Dead". There are pleasures to be had from cameo appearances by the likes of Cecil Parker as Elliott's superior and Klaus Kinski who gets to lurk menacingly as a member of the gang. It's not long before more bodies start piling up. But who is the killer ? Is it Barberini, the circus owner with financial troubles ? Mario, the jealous knife-thrower ? Maybe it's Mr. Big, the blackmailer ? Or Karl, the ringmaster with an unhealthy interest in Gina, Mario's girlfriend ? Or maybe it's Gregor, whose brother is in jail for murder ? I've seen the film. I know the truth. The killer is..Aaaarghh!