Press for Time

Press for time, where to begin? It's a somewhat madcap comedy, I'm not sure why, but I get glimpses of some of the earlier Carry on Films, it has that vibe, no smut, good clean humour. It takes its time to get going, but the scenes involving The Mayoress are hilarious, particularly in the debating chamber and at the 1000th house.

The Beauty Contest scene was perhaps a little deeper than you would perhaps think, there are several messages in it, the first being that beauty is very much in the eye of the beholder, and secondly, how refreshing to see women with curves!

Stanley Unwin is great to watch, delivering his gobbledegook lines in his own unique style. Frances White is lovely as Norman's eventual live interest, but the one that stole the show for me was Noel Dyson, who played The Mayoress.

Not a classic, but enough madcap moments, and if course shows us that the eternal battle between Labour and Conservatives has gone on for a very long time. 6/10.

This is more of a social drama than a comedy, although it does have comedy in it, it is slightly different than the other Norman films in that.

It is more interesting than anything else to me, to see what it was like in a seaside town in the sixties, Teignmouth looked absolutely lovely, filmed in the summer of 1966 when England was on top of the world.

The comedy was fun, but not that funny, there was no instant laugh for me, but it was good acting, the girls were a bit of a side issue, it was more about politics. And there lies the problem, its difficult to make good comedy from politics (It has been done well since - Yes Minister), and even Norman could not pull it off, his accident stunts looked more embarrassing than funny, and the choosing the ugly girl to win the beauty contest was a bit cheesy.

However I give it a 6 because it was interesting.

'Press For Time' is easily my favorite Norman Wisdom film; it has everything, plenty of humour, slapstick, a great cast, and a really catchy soundtrack.

Norman Wisdom plays three roles in this film, he plays the hero Norman Shields, his ex-suffragette mother, and his ancient grandfather (who also happens to be the Prime Minister of Great Britain!!!). It is a shame that the latter two only appear briefly during the first few minutes of the film.

Shields is a happy newspaper vendor in London, but a constant source of embarassment to his grandfather who, by pulling strings, gets him relocated to the West Country as a junior reporter. Once there Shields leaves a trail of havoc behind him in typical Norman Wisdom style.

As in most Wisdom films, the plot is superficial, and serves only as a vehicle for madcap humour. This film is certainly no exception. Memorable scenes include the council meeting, the house opening ceremony, the bus chase, and the beauty pageant. All are Wisdom at his very best!!

This is the last film in Carlton's 12-Disc "The Norman Wisdom Collection" (and his last official starring vehicle), also made in color and featuring the star in no less than three roles - a young ne'er-do-well, his ex-suffragette mother and the spastic British Prime Minister (who'd rather not get involved with his lowly relatives). It's not bad and the star - who's beginning to show his age - is in good form, with the best scenes being his disruption of a Council meeting and the sustained set-piece in which he contrives to destroy the stage during the inauguration of a new housing block (followed shortly by the edifice itself). Bafflingly, the only film of Wisdom's not to have made it to DVD as yet is the well-regarded caper THERE WAS A CROOKED MAN (1960) as, in fact, even the atypical THE GIRL ON THE BOAT (1962) has been given a budget release!

In any case, PRESS FOR TIME is also notable for the presence of Stanley Unwin (as the Town Clerk), an eccentric British comic best-known today perhaps for providing the "gibberish" narration to The Small Faces' song suite on Side Two of their classic psychedelic album, "Ogden's Nut Gone Flake" (1968). The film's lively score, then, was the first for the cinema by ex-Manfred Mann band member, Mike Vickers, who would go on to score a number of rather dismal British fantasy flicks. Curiously enough, PRESS FOR TIME was produced by Robert Hartford-Davis and Peter Newbrook (serving also as cinematographer) who are best-known as directors for their own dabblings in the Horror genre like THE FIEND (1971) and THE ASPHYX (1973) respectively!

The best analogy for American audiences for a Norman Wisdom film is Jerry Lewis. Like Mr. Lewis, Mr. Wisdom, at least in the films I've seen, have him playing bumbling, fish out of water, slightly dim characters. This film is no exception, as he plays Norman Shields, the grandson of the Prime Minister (also played by Wisdom), who gets sent to provincial seaside town Tinmouth in England to become a reporter. Things happen, mostly slapstick type mishaps, all because of him. There is political commentary here which is lost on me, bit it hardly matters. Its a silly comedy, but its a Norman wisdom comedy, so its hard to take seriously. For the uninitiated, try "Just My Luck" or "Trouble In Store" first. For those who know of Norman, add a notch to my vote and enjoy.