VALUTAZIONE IMDb
7,4/10
3949
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaWhen the children of an executed General are pursued in 1457 China, some heroic martial arts swordsmen intervene.When the children of an executed General are pursued in 1457 China, some heroic martial arts swordsmen intervene.When the children of an executed General are pursued in 1457 China, some heroic martial arts swordsmen intervene.
- Premi
- 1 vittoria e 1 candidatura in totale
Recensioni in evidenza
Terrible acting by all of the cast and terrible dialog albeit mediocre directing. The reason why this first "Dragon Inn" is quite famous and popular is because it's the earliest break-through of the Taiwanese martial arts and swordsmanship that was in a newer method to shoot a action movie by Taiwanese movie maker. But if by the standard of the up to date technique, it's very primitive and borderline shallow. The fighting scenes are so awkward and raw, showing strongly unnatural, poor and rigid prearranged fighting scenes, so awkward and even childish by today's standard. The acting, the make-up, the costumes all looked quite shallow, the dialog was even worse. But the English subtitles were translated pretty correct and appropriate, matching well with the Chinese language. This is a quite mediocre Taiwanese product with very poor directing and acting. It's a classic and even a cult-like Chinese swordsmanship movie, but if compare with the Japanese samurai films by the Japanese screenplay writers, their directors and the performances of the Japanese actors, this "Dragon Inn" simply looked like a child play, but if compare it with those ridiculous swordsmen and martial arts movies produced by the "Shaw Brothers" later, it still looked better.
10Phil-302
A must see swordplay film, probably the best of its kind ever made. The director, King Hu, is the master of tension and suspense and holds the viewer's attention throughout. I cannot rate this fim highly enough. If only it were more readily available.
10wataru-7
There are some movies that stick by you over the years and this Chinese swords movie from the middle sixties is one of them.
King Hu's Dragon Gate Inn has all the ingredients in it to make this movie a classic. Not only does it have good swords fights and combines these with an excellent story and plot but on a more subtle level the background music adds a really good atmosphere to it that draws you even more into the movie and story.
I can recommend this movie for anyone who is interested in Chinese film in general and anyone who is interested in Chinese swords movies with a good story and plot.
10 out of 10 points from me.
King Hu's Dragon Gate Inn has all the ingredients in it to make this movie a classic. Not only does it have good swords fights and combines these with an excellent story and plot but on a more subtle level the background music adds a really good atmosphere to it that draws you even more into the movie and story.
I can recommend this movie for anyone who is interested in Chinese film in general and anyone who is interested in Chinese swords movies with a good story and plot.
10 out of 10 points from me.
This film takes place during the Ming Dynasty with a powerful government official named "Cao" (Bai Ying) in the act of executing one of his main rivals so that he can secure even more power for himself. Having accomplished that, he then orders his elite agents to track down and kill his rival's two children as well. Fortunately, once word of the order is leaked, a small number of soldiers loyal to their previous master take the two children and flee on foot into the desert to escape those in hot pursuit. Upon then being apprised of this development, Cao subsequently orders some of his men to outflank them on horseback to a tavern known as the Dragon Inn. Once there, however, the agents at the Dragon Inn are surprised when a swordsman named "Xiao Shaozi" (Chun Shih) suddenly arrives and creates problems for all of them. Now, rather than reveal any more, I will just say that this is one of those movies which features quite a bit of sword fighting and martial arts--which should please viewers who enjoy action films of this sort. And while I would have preferred a movie with a bit more drama and suspense, I thought it passed the time well enough, and I have rated it accordingly. Slightly above average.
It's China in the year 1547. A minister has been executed and his two younger children sent into exile ... officially. The Eunuchs in charge and the bad boys of the Eastern Gate intend to kill them at the Dragon Inn on the border. As they move, however, an assortment of skilled swordsmen (and one swordswoman) show up at the Inn...
King Hu's martial arts movie has nasty villains, loner heroes, magnificent wide-screen Eastmancolor images (restored in 2013) and all sorts of crazy fight sequences in a dazzling array. There seem to be a few plot holes (people keep pausing in their fighting to talk), but that may be a matter of the standards of the Taiwanese cinema as opposed to my more western ideas. What strikes me in the storytelling technique is that the film maker seems to have seen and been influenced by the Man With No Name" trilogy, or at least YOJIMBO and SANJURO, drawing the same conclusions about cinema that Leone had. Chun Shin's character enters the Inn and encounters the agents of the Eastern Gate with the same wry, skilled, deadly sense of humor that Eastwood showed in his performances.
I'm not familiar with Taiwanese film-making of this era and genre. My experience has tended toward the Hong Kong offerings, with an emphasis on the Jacky Chan and Stephen Chow comedies. This is a very impressive introduction to the style and to King Hu
King Hu's martial arts movie has nasty villains, loner heroes, magnificent wide-screen Eastmancolor images (restored in 2013) and all sorts of crazy fight sequences in a dazzling array. There seem to be a few plot holes (people keep pausing in their fighting to talk), but that may be a matter of the standards of the Taiwanese cinema as opposed to my more western ideas. What strikes me in the storytelling technique is that the film maker seems to have seen and been influenced by the Man With No Name" trilogy, or at least YOJIMBO and SANJURO, drawing the same conclusions about cinema that Leone had. Chun Shin's character enters the Inn and encounters the agents of the Eastern Gate with the same wry, skilled, deadly sense of humor that Eastwood showed in his performances.
I'm not familiar with Taiwanese film-making of this era and genre. My experience has tended toward the Hong Kong offerings, with an emphasis on the Jacky Chan and Stephen Chow comedies. This is a very impressive introduction to the style and to King Hu
Lo sapevi?
- QuizDirector King Hu encouraged his martial arts choreographers to draw from the alternately fluid and rhythmic movements of Chinese opera. Rather than resorting to fast or slow motion, footage printed backward, animation, or other early special-effects techniques, the filmmaker relied as much as possible on the actual skills of his performers and on the magic of editing.
- ConnessioniFeatured in Goodbye, Dragon Inn (2003)
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
- How long is Dragon Inn?Powered by Alexa
Dettagli
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti