La truffa che piaceva a Scotland Yard

Playboy Barney Lincoln (Warren Beatty) breaks into playing cards company Kaleidoscope and replaces some decks with marked cards. The cards are delivered to casinos and he uses them to win big. He has a fling with Angel McGinnis (Susannah York) and she informs her Scotland Yard father who needs the known gambler to smoke out notorious criminal Harry Dominion.

Warren Beatty is Warren Beatty. He is a movie star. This is a British crime thriller but it has few thrills. The plot meanders around. If the premise of the movie is recruiting a card cheat to take down a criminal, that's what this movie should start with. Instead, it spends so much time doing the marked cards and the rest. This should start with Beatty in prison after getting caught cheating on cards. The recruitment comes immediately and the plot can begin right away. The first time Barney meets up with Harry should not take over an hour. If it's about the marked cards, it should cut out the Dominion part. Even the knowing humor achieves very little. The general sense is that there is nothing here to see except one poker hand and one movie star.

"Kaleidoscope" drifts through like a pleasant breeze. Allow yourself five minutes with this light comedy, and you're hooked. Set in 1960's Swinging London and Europe, the film was directed by an American, Jack Smight, in an abstract style that deliberately calls attention to itself. The dialogue is amusing repartee; and the performers seem so offbeat they exist as near comic-book characters. If a viewer feels distanced, then the film's creators have succeeded. It's all pretty much at the same level as that quintessential Sixties caper, "Modesty Blaise" (1966), only a bit less refined and a tad more square.

Warren Beatty stars as a card-cheating playboy with romantic pretensions. Before "Kaleidoscope," Beatty had acted in only one other film comedy ("Promise Her Anything," with Leslie Caron). Here, he comes on a little heavy-handed at first, but he soon settles in with the other performers, including Eric Porter, a powerful presence in the role of a sociopathic Mr. Big with a dreadful Napoleon-complex.

The movie's high notes arrive on cue. The climax is a high-stakes, winner-take-all poker game, and it's a tight, suspenseful scene. Its resolution will leave you breathless, admiring the good, low-keyed humor of the whole affair. The film's denouement, a kidnap-and-rescue sequence, is almost as clever. This film is not High Art -- not by any stretch of our good will or imagination. But there's nothing wrong with taking pleasure from well-made fluff, especially if we realize the genre's built-in limitations. "Kaleidoscope" is great fun because, like its gambler/hero, it doesn't always play by the rules.

With Susannah York as Beatty's chic companion, a Carnaby Street shopowner, and Clive Revill as her Scotland Yard inspector/father.

Though not credited (and probably unauthorized), this film is clearly based on the James Bond novel "Casino Royale" by Ian Fleming. In fact, it's more like the novel than the 1967 film "Casino Royale". The initial set-up of the story is very different - it has nothing to do with spies, and Beatty's character is not based on Bond; but his attempt to out-gamble a villain, and the subsequent events, will be very familiar to anyone who has read the book. Bond fans who have wished for a faithful adaptation of "Casino Royale" should check out this film.

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ADDENDA: I wrote the above comments in February of 2001. It's now November 2006, and a new "official" version of "Casino Royale" is in theaters. It's one of the best Bond films ever, and very faithful to Fleming's original book. But I still heartily recommend "Kaleidoscope" to Bond fans (and others).

The famous scene in THUNDERBALL, the first James Bond feature featuring supervillain Bloefeld, has his associates seated around a table, wondering which one of them will be found out as a traitor... for then to die in front of everyone...

And the same thing happens here with jovially sinister, talky antagonist Eric Porter as Dominion, more like Le Chiffre from CASINO ROYALE since American import cat burglar Warren Beatty is sent by British police to break the bank with a single night's poker match on the baddie's home turf, a castle with groovy interior befitting the rest of the cheerfully dated late-60's aesthetic...

Meanwhile the twist has already occurred, and is the main plot since Beatty's roving gentleman bandit Barney Lincoln had long broken into the KALEIDOSCOPE factory to mark each card...

So the best sequences occur before he's forced the reluctant spy-type mission... when he keeps winning hands at a plush casino, providing Beatty the kind of breezy role he's good at, and, with gorgeous blonde Susannah York... daughter of lawman Clive Revill... as a quirky ingenue, when the stakes are raised and cheating is no longer an option, there's a decent amount of plot-thickening suspense within the overall romantic-comedy aspect, making KALEIDOSCOPE a nifty time-filler that never tries for greatness, or even very-goodness... and that's perfectly alright.

Warren Beatty struggled through a few duds in-between his star-making role in "Splendor In The Grass" and his re-emergence as a superstar in "Bonnie & Clyde". This film, though Warren is good in it, is incredibly slim. The production looks great, there's livelier-than-usual pacing from director Jack Smight, but it's just a puff piece--and not likely to be something Beatty is very proud of. Plot has a scam-artist in Europe breaking into a playing card factory and changing the reverse designs into code (I kid you not) so he can successfully cheat at all the top casinos! Much of the film is exposition, a big build-up to the climax, and supporting players Susannah York and Clive Revill are left without much to do. Flashy outing certainly looks handsome, but it's swinging '60s balderdash. ** from ****