Kairyû daikessen

I do always enjoy a wild mash-up of unexpected genres, and The Magic Serpent combines action, high fantasy, adventure, revenge, a samurai historical setting, and even giant monsters (complete with sound effects I could have sworn were from Godzilla).

It relies heavily on fantasy tropes that seem to have been around since the dawn of time, so the story is far from surprising, but at least it's decently told. Everything's clear and mostly satisfying, even if it's quite easy to guess each main plot point some time before it happens.

Things move fast, and the fact it jumps between genres so much does keep things fun, and does a great deal to compensate for the predictable story. There are also some really inventive special effects, and I liked how it was unafraid to get quite weird with its style and imagery at certain points.

It's always a bit of a lucky dip, watching these old Japanese genre movies, but this is probably one of the strongest of those I've seen in a while. It certainly has flaws, but it's also got a great deal of entertainment value, and overall, it made for a breezy, comfortable watch.

It's always sad to see how a film as fun as this was released once it was outside of Japan. The dubbing for the A.I.P. print is abysmal compared to some of their other treatments of similar titles of the time, and the pan and scan cropping of the film destroys much of the majesty of the film itself. If you'd like this version of the film, however, it's being released soon by Retromedia (if I'm not mistaken).

But, thankfully, all is not lost. Toei Co. Ltd., a studio known more for it's sentai than for anything else, saw to it that this title, along with several other films that are nearly impossible to find, was released to Laserdisc in 1993. While currently out of print, the laserdisc is not impossible to find. If you have a player and some extra cash (while not impossible to find, a copy runs anywhere from $45 to well over $100 these days) I highly recommend it.

Kairyu Daikessen tells the story of a prince who's kingdom is over-taken by an evil warlord sometime in medieval Japan. A hawk sent by a kind wizard saves the young prince from a group of ninjas and a giant dragon that has killed off the rest of the royal lineage. The boy grows up with the wizard as his surrogate father and mentor. Eventually the prince goes out on his own to take back the kingdom, facing ghosts, ninjas, and an evil wizard along the way. The conclusion is an all out battle between the good prince and the evil wizard, who have transformed themselves into (respectively) a giant frog and a dragon.

As the other two reviewers have noted, the influence of this film on Star Wars is fairly obvious, though the character genders are reversed (the Luke Skywalker of the story is female while the Princess Leia is male). The special effects sequences are very dated but were very well managed for the time. The action sequences are imaginative and plentiful. The monster suits for the ending of the film are based on traditional Japanese art renditions of dragons and frogs. Overall, this is a very fun film, though it is infinately more enjoyable if viewed in its original format. I'm still hoping for a fully restored Region 2 dvd of the title to be released.

What a great movie this is! Every time I watch it (and I have seen it several times since 1975 or so) I always enjoy it. Probably the first true introduction of ninja to America. Well dubbed, lots of cool magic and monsters, swordplay and palace intrigue. I wish some enterprising individual would think to release THIS film on DVD over in America. The influence on STAR WARS can't be denied, either. But find a copy and watch it!

Thoroughly enjoyable fantasy film. The special effects are par for the era and the budget, but watch it for the storyline, which is strong and consistently interesting all the way through. The heavy use of magic and surrealistic plot twists (the hero gets beheaded and then puts his head nonchalantly right back on again later!) sets this one apart from the usual "giant monster" movie. Plot, pacing, and characterization are above average for this type of movie, and elevate it from being just another kaiju film into a truly enjoyable fantasy.

One of the more interesting things about this movie is that it apparently has a moral. The hero values honor above all else, and honors his obligations to his family, his friends, and his kingdom. Of course, in this case, sometimes one's honor requires one to turn into a giant fire-breathing frog, but still!

There are some elements in this movie that do remind me of Star Wars: A New Hope, as others noted, but I am not sure whether this means that Lucas drew from this film or not. I suspect he didn't. The plot (young man with special powers avenges his parents and saves his kingdom by battling an evil sorcerer) is fairly common. But still and all, who knows? George Lucas drew on a lot of movies to create "Star Wars" and I wouldn't be terribly surprised if this movie had a little something to do with his work. However, "The Magic Serpent" deserves to be appreciated on its own.

I would love to see a better print of this movie with a better transfer to DVD, but from what I understand this movie is quite rare in the United States, and due to its lack of popularity, it's not likely to get the remastering/rerelease treatment. So get it when you can and enjoy.

1966's "Magic Serpent" ("Kairyu Daikessen" or Decisive Battle of the Giant Magic Dragon) emerged from Toei Studios rather than Toho, perhaps best known for Sonny Chiba's "Terror Beneath the Sea" or Robert Horton's "The Green Slime," as well as TV feature "Voyage Into Space" (derived from JOHNNY SOKKO AND HIS FLYING ROBOT). Preceding Daiei's Majin trilogy by mere months, this joyous combination of ancient Japanese folklore with giant monsters opens with the betrayal and murder of Lord Ogata by once trusted general Yuki Daijo (Bin Amatsu), aided by ninja sorcerer Oroki Maru (Ryutaro Otomo), who then assumes the form of a sea serpent to pursue Ogata's son and rightful heir to the throne (the serpent is dubbed with Godzilla's roar combined with green Gargantua Gaira). All the men perish as their craft is crushed by the dragon, only for a giant eagle to carry the boy to safety (this winged savior is dubbed with the sound of Mothra). Ten years pass and the lad has grown into the handsome Ikazuki Maru (Hiroki Matsukata), like Oroki taught to master the mystic arts by the same teacher, elderly Dojin Hiki (Nobuo Kaneko), who has decided that the time has come for Ikazuki to learn the truth about his heritage and to avenge the honor of his parents. An ambush by Oroki's ninja servants results in what appears to be a beheading, Ikazuki's laughing head seating itself on a nearby log while his headless body frightens the would be assassin to take his own life (the head reattaches itself backwards, then makes the right adjustment). Pretty young Sunate (Tomoko Ogawa) witnesses the carnage, wrongfully assumes that the survivor was the aggressor, and finally realizes her mistake as he agrees to help find her long missing father, following her mother's recent death. Oroki manages to trick his old master into a fatal snake bite, though the dying man is still able to send the couple on their way to see usurper Yuki Daijo. Sunate learns the identity of her father yet cannot bring herself to obey his orders when it comes to taking a life, setting up a climactic battle between Oroki's water spouting dragon against Ikazuki's fire breathing horned toad (dubbed with the sound of Rodan), with a brief appearance from Sunate's summoning of a giant spider that spins its web all over the serpent. For once, the addition of four monsters weren't necessary to the plot, action packed and fast paced from start to finish, though obviously dubbed at a later date for AIP-TV since "The War of the Gargantuas" had yet to be made by Toho. The titular serpent closely resembles Manda from Toho's "Atragon" and later "Destroy All Monsters," only with larger claws that can be used more effectively in smashing its opponent. One can easily imagine filmmakers like George Lucas or Quentin Tarantino taking note of this unjustly forgotten opus for future reference, certainly good enough for US theatrical release.