Aggiungi una trama nella tua linguaMonsieur Feydeau has writer's block, and he needs a new play. But he takes an opportunity to observe the upper class of 1900 Paris, Monsieur Boniface with a domineering wife, and the next-do... Leggi tuttoMonsieur Feydeau has writer's block, and he needs a new play. But he takes an opportunity to observe the upper class of 1900 Paris, Monsieur Boniface with a domineering wife, and the next-door neglectful husband Henri with a beautiful, but ignored wife, Marcelle. Henri traces arc... Leggi tuttoMonsieur Feydeau has writer's block, and he needs a new play. But he takes an opportunity to observe the upper class of 1900 Paris, Monsieur Boniface with a domineering wife, and the next-door neglectful husband Henri with a beautiful, but ignored wife, Marcelle. Henri traces architectural anomalies (most ghost sounds are drains), and plans a night at the Hotel Paradi... Leggi tutto
- Regia
- Sceneggiatura
- Star
- M. Martin
- (as Douglas Byng)
- Hotel Guest
- (as Edra Gale)
- Policeman Bringing Convocation to Henri Cotte
- (non citato nei titoli originali)
- Policeman in Hotel
- (non citato nei titoli originali)
- Policeman in Hotel
- (non citato nei titoli originali)
- Policeman in Hotel
- (non citato nei titoli originali)
Recensioni in evidenza
Certainly, the film displays great production values, and fine acting, but unless you truly love the genre, the interest level grinds to a complete halt by mid-point. Why it supposedly requires great intellect to comprehend the "farce," I'll never know. Add Tootie and Blair, and you have "The Facts of Life Goes to Paris." I'll take good, solid repartee between Hepburn and Tracy any old day. Silliness simply does not suffice.
For that same someone also to slip in a comment about how they dislike the entire country and culture of France, well, that says it all--about them. No need for me to point out (but I will) their location is in Texas. Sheeeesh.
I saw this particular farce (which stars one of the greatest British actors of stage/screen, mind you) many years ago and it left a vivid enough impression, simply as a well-made comedy, that I would have no hesitation about renting it again.
Worrying about whether one is 'understanding the farce' --or resenting the insecurity you may feel if you suspect that you don't understand the format--has nothing to do with it.
Watch films you like--don't watch films that you dislike, and you will never need any further defense than this. Personal taste is yours to command. Don't worry about fitting in with other people, worry about yourself.
Such delightfully histerical lines are just the beginning of the fun.
I first saw this during my college days when I was a projectionist at the local movie house in Rexburg, Idaho. I dispaired of ever seeing it again. When I finally found it on VHS I was in (not on) ecstasy.
Thing that I liked about this movie was that it was being perfectly silly. It really wasn't afraid to truly go over-the-top at times, with its characters and situations. Some of the comedy makes absolutely no sense in the context of the story but that actually made it all the more hilarious to watch. Yes, this truly is a movie that made me laugh a couple of times and therefore I can also do nothing else but to consider this movie a good and a successful one, at what it was trying to achieve.
You could definitely still complain about the story itself though. Of course its being quite simplistic but what is all the worst is that you are supposed to root for a man and woman who are cheating on their wife and husband. It felt a bit weird to me, no matter how obnoxious and uptight the wife and husband of the two were.
But still, this obviously isn't a movie you should take very seriously or think too much about. You should simply enjoy it for what is is and you should definitely be able to do so, thanks to its great comical situations and actors involved.
The acting is definitely really stagy-like but this obvious suits the genre and you will start to feel accustomed to it, after a few minutes in already. And Alec Guinness, Gina Lollobrigida, Robert Morley and all of the others really succeed in making their characters work out as greatly comical ones, who get themselves more and more into trouble, no matter how hard they try to get out of it.
This is very typical for a farce of course. It begins with a simple situation and setup but slowly and steadily things start to go from bad to worse for the characters, when more and more different characters show up, in the hotel Paradiso. The comedy even turns really slapstick at times which was definitely silly but still fun to watch at the same time.
It all made me laugh, so this movie definitely served its purpose well enough for me, though I can still recognize it as a not very great movie.
7/10
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Lo sapevi?
- QuizDerek Fowlds, who played Maxim, recalled how one day on set, he told Gina Lollobrigida she had "the most beautiful eyes he had ever seen." She simply looked him up and down and walked off and never spoke to him again. Alec Guinness also disliked Ms. Lollobrigida, and the two rarely, if ever, spoke.
- BlooperThe women do not wear the correct type of shoe. In this period - late Victorian to WWI - women wore high buttoned boots as daily wear.
- Citazioni
Benedict Boniface: I'll show you what a man should be. Strong, tender and terrible in his passion.
Marcelle Cot: Well, Monsieur Boniface! You may be rather plain, but you certainly have a way with women!
- ConnessioniFeatured in Discovering Film: Gina Lollobrigida (2015)
- Colonne sonoreMain Title
Written by Laurence Rosenthal
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Dettagli
- Tempo di esecuzione
- 1h 38min(98 min)
- Proporzioni
- 2.35 : 1