Hotel Paradiso

Watch this movie to see Alec Guinness at his comedic best! The plot is somewhat contrived and does have its weak spots, but the stars really shine here. Guinness is at the top of his form here - his sly, sotto voce comments to the audience, his expressive face, and his manic capering show why he should be remembered for his comedy roles as well as his more serious roles. Robert Morley plays the role he's played a hundred times: a stuffed shirt of a character who bulldozes his way through the movie (but in a good way). Gina is lovely to look at, of course, and her excitable character is sympathetic enough. The last two-thirds of the movie are almost non-stop grins as the various characters encounter and "near-miss" each other in the Hotel Paradiso.

For anyone to disparage the long history of the farce (as someone did in their review here) just boggles my mind. The farce has a long and rich history.

For that same someone also to slip in a comment about how they dislike the entire country and culture of France, well, that says it all--about them. No need for me to point out (but I will) their location is in Texas. Sheeeesh.

I saw this particular farce (which stars one of the greatest British actors of stage/screen, mind you) many years ago and it left a vivid enough impression, simply as a well-made comedy, that I would have no hesitation about renting it again.

Worrying about whether one is 'understanding the farce' --or resenting the insecurity you may feel if you suspect that you don't understand the format--has nothing to do with it.

Watch films you like--don't watch films that you dislike, and you will never need any further defense than this. Personal taste is yours to command. Don't worry about fitting in with other people, worry about yourself.

Yes, Fellow User, most of us are quite aware of the definition of "farce." The French are certainly known for their "farces," ahem, but they have never appealed to me - neither France, nor farce.

Certainly, the film displays great production values, and fine acting, but unless you truly love the genre, the interest level grinds to a complete halt by mid-point. Why it supposedly requires great intellect to comprehend the "farce," I'll never know. Add Tootie and Blair, and you have "The Facts of Life Goes to Paris." I'll take good, solid repartee between Hepburn and Tracy any old day. Silliness simply does not suffice.

I never knew that Gina Lollobrigida and Alec Guinness had such knack for comedy. What a treat to see them in such a caper. This is a fast paced film with complex twists, interesting screenplay, endless surprises, good acting, and just great fun for the whole family. This is how comedies should be.

While viewing an amply proportioned la Belle Epoc French "strip tease" artieste who performs over her audience's heads while on a trapeze, Mme. Cote notes that, according to the programme: "I says here 'she is the mother of three children and her husband is a professor at the Sorbonne.'"

Such delightfully histerical lines are just the beginning of the fun.

I first saw this during my college days when I was a projectionist at the local movie house in Rexburg, Idaho. I dispaired of ever seeing it again. When I finally found it on VHS I was in (not on) ecstasy.