VALUTAZIONE IMDb
6,5/10
2201
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaEight inseparable college friends become involved in widely differing lifestyles after graduation.Eight inseparable college friends become involved in widely differing lifestyles after graduation.Eight inseparable college friends become involved in widely differing lifestyles after graduation.
- Regia
- Sceneggiatura
- Star
- Nominato ai 1 BAFTA Award
- 3 candidature totali
Marion Brasch
- Radio Man's Wife
- (as Marion Brash)
Recensioni in evidenza
I saw this film last night and was absolutely stunned by how excellent it was. Not only did it seem to be one of the first 'chick flicks' (sorry for anyone who hates that title) but it was incredibly brave to deal with extremly contentious issues. The colours and the costumes in the film made the film seem like a true snapshot for life for seven educated women getting by in the first half in the century. It did not shy away from the issues of sex, and mental illness which is brave for a film made over thirty years ago. I started watching this film because I couldn't sleep but ended up watching it until 2.30am defintely entertaining and possibly superior to 'The Prime of Miss Jean Brodie'??
Glossy soap opera about 8 Vassar graduates of 1933. It follows their lives after college and deals with alcoholism, mental breakdowns, frigidity, beatings, adultery, child rearing, lesbianism and death.
I tried reading the book this was based on but I couldn't understand it. They kept throwing in 1930s slang and politics and lost me. This movie keeps out the slang, tones down the politics (but it is there) and came up with a good movie. Yes, it is a soap opera but well made with some great actresses and it deals with it's subjects seriously. Some of the story lines involve: Polly (Shirley Knight) falling in love with a married doctor (Hal Holbrook); Kay (Joanna Pettet) dealing with an alcoholic husband (Larry Hagman); Dottie (Joan Heckett) falling in love with a womanizer (Richard Mulligan) and Priss (Elizabeth Hartman) dealing with raising a child.
It's fascinating to see these actors so young and full of life. All the acting is good but Hartman and Knight stand out. Also Candace Bergman shows up at the beginning and the end as a lesbian--quite daring for 1966. The surprise is that she's dealt with in a very sensitive manner and not made evil.
This movie is long (150 minutes) and its cast is very big (it took me at least an hour to figure out who was who) but I ended up enjoying this and recommend it. I give it an 8.
I tried reading the book this was based on but I couldn't understand it. They kept throwing in 1930s slang and politics and lost me. This movie keeps out the slang, tones down the politics (but it is there) and came up with a good movie. Yes, it is a soap opera but well made with some great actresses and it deals with it's subjects seriously. Some of the story lines involve: Polly (Shirley Knight) falling in love with a married doctor (Hal Holbrook); Kay (Joanna Pettet) dealing with an alcoholic husband (Larry Hagman); Dottie (Joan Heckett) falling in love with a womanizer (Richard Mulligan) and Priss (Elizabeth Hartman) dealing with raising a child.
It's fascinating to see these actors so young and full of life. All the acting is good but Hartman and Knight stand out. Also Candace Bergman shows up at the beginning and the end as a lesbian--quite daring for 1966. The surprise is that she's dealt with in a very sensitive manner and not made evil.
This movie is long (150 minutes) and its cast is very big (it took me at least an hour to figure out who was who) but I ended up enjoying this and recommend it. I give it an 8.
"Elsewhere, THE GROUP pluckily tackles many an underrepresented subject matter, such as the breast-feeding or bottle-feeding dilemma befalls a fragile Priss (Hartman), also saddled with a callous, paternalistic husband; the psychotherapy that obfuscates Polly's married lover Gus (Holbrook, masterfully conceals his ordinary-Joe selfishness with an urbane flair, also his film debut here); and an unconventional head case in the person of Polly's father Henry (Emhardt), plus a gelid lesson for Dottie (Hackett, another future Oscar-nominee makes the entrance on the celluloid, and who adeptly shows how a girl's minutely comported poise can crack quietly and inwardly), falling prey to the despicable Dick, the faux-artist type (Mulligan, a sly and cavalier pick-up artist), who charmingly entices her as a throwaway low hanging fruit."
read my full review on my blog: cinema omnivore, thanks
read my full review on my blog: cinema omnivore, thanks
but this film is interesting for the cast, and the time period it depicts. Also the costumes are rather amusing. I have not yet read the book although several reviews have mentioned the time warp factor. Candice Bergen is in an early role as member of an elite group of Vassar graduates. Joan Hackett, Joanna Pettet, Larry Hagman (as her alcoholic husband), Hal Holbrook, James Broderick, Jessica Walter (as swinging single gossip in the NY publishing world), Kathleen Widdoes, Carrie Nye, Elizabeth Hartman and several other notable appearances make for an interesting cast. Some of the dialog will take you back to a different time. The controversy of breast over bottle feeding, Republican vs. FDR Democrat (there are some pretty amusing scenes between Priss (Elizabeth Hartman) and her pediatrician husband, a Republican, who says after her second miscarriage this will give him a bad reputation in the hospital (!). Obviously, the book may be more interesting, and less histrionic. Jessica Walter is very good, and amusing; wish she had done more films in the 80's and 90's (She was great in "Slums of Beverly Hills", with Alan Arkin, as well). I do not watch regular television although several have mentioned she is very good in the Ron Howard comedy "Arrested Development". At any rate, a good escapist film, which I would not completely dismiss as soap opera, since there are skilled actors and some worthwhile dialog. 8/10.
Based on the Mary McCarthy novel about depression-era Vassar grads. First big roles for: Candice Bergen, as a snooty lesbian; Larry Hagman, young, skinny and already obnoxious; Carrie Nye (Mrs. Dick Cavett); Elizabeth Hartman, who killed herself a few years ago; exquisite Joan Hackett, who never lived up to her potential and died ridiculously young; a pre-"Soap" Richard Mulligan surprisingly convincing as the sexy bohemian cad who breaks Hackett's heart (in real life, they were married); Hal Holbrook, straight from his "Mark Twain Tonight" show; young James Broderick as a young doctor; an incredibly sexy Jessica Walter; a lusty young Shirley Knight. A must-see.
Lo sapevi?
- QuizBaruch Lumet (Mr. Schneider) was the father of the director Sidney Lumet.
- BlooperThe setting is supposed to be between 1933-40, however some of the ladies' hairstyles reflect the styles of the mid-60s. Libby (Jessica Walter) is the most notorious of the group, her up-do with pigtails at Kay & Harald's party being the most obvious of the styles.
- ConnessioniFeatured in The 77th Annual Academy Awards (2005)
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Il gruppo e le sue passioni
- Luoghi delle riprese
- Connecticut College, New London, Connecticut, Stati Uniti(college campus)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 2.400.000 USD (previsto)
- Lordo in tutto il mondo
- 90 USD
- Tempo di esecuzione2 ore 30 minuti
- Colore
- Proporzioni
- 1.66 : 1
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