Le grandi vacanze

The Exchange Student, starring the inimitable Louis de Funès, easily earns a 9/10 from me. Standing alongside classics like Fantomas and The Gendarme, this film highlights de Funès' exceptional comedic talent, making it one of his best.

In this delightful comedy, de Funès' signature energy and comedic timing are on full display. His ability to convey humor through a blend of physical comedy and expressive facial reactions is as brilliant as ever. The film's storyline, revolving around the antics and misadventures of an exchange student, provides the perfect setup for de Funès to showcase his comedic prowess.

What sets The Exchange Student apart is its clever writing and the seamless way humor is woven into the plot. The situational comedy, combined with de Funès' performance, creates a series of laugh-out-loud moments that are both timeless and universally appealing.

Moreover, the film's pacing is spot-on, ensuring that the comedy never feels forced or overdone. Each scene is carefully crafted to maximize the humor while advancing the story, making for an engaging and thoroughly enjoyable viewing experience.

In summary, The Exchange Student is a standout film in Louis de Funès' illustrious career. It's a testament to his talent and a must-watch for fans of classic comedy. Its blend of clever writing, impeccable timing, and de Funès' unmatched comedic style earns it a high rating and a place among the best of his works.

it is not the best movie of Louis de Funes. but that fact not represents a great sin because the old recipes works, the humor is good, the clash between the values of college director and his students - amusing and the adventures to Le Havre nice at whole. a good point - the conflict between French and Englishmen, almost a sketch but used with inspired precise. a film about holiday,interesting, not extraordinary or seductive but covered by the talent of one of greatest actors. a film for entire family. and that fact is the essential virtue for discover/remind the spirit of a French cinema style. summer, holiday and a great actor. it could be enough.

I quite agree with Elmaruecan82's long and excellent review. I will take away one further star because of the treatment and terrible shooting conditions those poor horses in the last scene obviously had to go through. Just for this I would recommend boycotting this movie! But it's too bad because, as has been observed, the premise is great and a perfect opportunity for a fun, cross-cultural window on 1967, and all the right comedians are in the cast (even Claude Gensac). It's just mostly bad, over-the-top, comedic stuff, deprived altogether of the quasi-surrealism of the best De Funès entries of his prime years. Even himself plays kind of low-key here... And his verbal fighting scenes with his English antagonist are poorly improvised...

1960s style French comedy with better than average gags and the comic timing of Funes. This diverting film deals with a stiff Principal named Charles : Louis de Funes, of a rigid boarding school. On vacation he is planning a student exchange between his son Philippe and MacFarrell's daughter : Martine Kelly, but Philip actually plans to save an amusing holiday by boat and replacing himself by the fat nerd Stephane : Maurice Rish. To be aware Charles of his true activitates, that's why he follows his son, chasing the yacht by sailing, or flying . But then his colleague : Ferdy Mayne, soon joins him and things go wrong.

This enjoyable French comedy contains amusing incidents, funny set pieces, slapstick, slapdash, simple humor and loads of fun . Of course, the central piece is Louis de Funes himself and his comic genious, while delivering a towering main performance, a prime example of a first role carrying a film . In fact this role as a strict school headmaster was particularly written for this great French comedy superstar. As it is a Louis de Funes show, giving a sympathetic acting , as usual, he is very good providing his habitual Tics, gestures , tongue twister and overacting with lots of gesticulation. Costarred by the likeable young girl Martine Kelly who also played with Funes in Hibernatus and The Band, in addition Ferdy Mayne who acted in Fearless Vampire Killers by Polanski . Here Funes is accompanied by ordinary actors who usually show up in Saint Tropez Gendarme series as Claude Gensac also playing his wife , Guy Grosso and Maurice Risch. And brief appearance by Silvia Dionisio, subsequently a star of the Italian sex comedy.

Agreeable musical score by regular Raymond Lefebre that scored Saint Tropez franchise. As well as colorful cinematography by Marcel Grignon, this notorious cameraman is considered to be one of the best of French cinema. The picture was amusingly and lively directed by Jean Girault who made the Saint Tropez series with Louis de Funes. Girault was a comedy expert, directing a lot , such as : The miser, Squek squek, Jo, The troops of St Tropez, Gendarme in balade, Gendarme in New York, Gendarme and the Gendarmettes, Gendarme and the creatures of the outer space, Les Charlots, among others. Rating 7/10. Well worth watching. The flick will appeal to Louis de Funes fans.

"The Exchange Student" won the Golden Ticket in 1967, it was the movie that attracted the highest number of viewers, it also marks the fourth time in a row that this feat is achieved by a De Funès comedy (forgive the pleonasm). Indeed, the last two years were his classic works with Gérard Oury: "The Sucker" and "The Great Stroll" (the most successful French movie of all time before being dethroned in 2008 by Dany Boon's "Welcome to the Ch'tis") and before them, Jean Girault first opus of the "Troops" series: "the Gendarme of St Tropez". Fourth time's a charm. It wouldn't happen in 1968 because you just can't beat Walt Disney "The Jungle Book" attracted 14 million people, twice more than any De Funès movie but still less than "The Great Stroll".

Now, why should I always bring up these ponderous statistics when I review a De Funès movie, to be honest, it's because I don't feel much like reviewing this film and I'm just gaining space and time. But if there's a point I'm trying to make is that De Funès' bankable status had firmly been established, that it happened with two different directors, proved was definitely De Funès' talent that attracted the viewers. But 1967 marks a real turn, the top movies of 64, 65 and 66 were objectively the best and are still regarded as De Funès most defining and iconic works, "The Exchange Student" is a good movie that delivers a fair share of laughs but 'legendary' isn't a word I'd use to describe it.

The film has a nice little premise that allows De Funès not to rely much on his expected gimmicks, you know the over-the-top reactions, the grimaces and gesticulations, he's rather quite restrained and it pays off most of the times. It is also the first film where Claude Gensac plays his wife and the chemistry is obvious and would never lack in their next collaborations (she'll be his wife in the next 'Troops" opus the year after). It also features one of the most defining scores of the 60's as Raymond Lefèvre's tempo carries all the joy and exhilaration of this period, whether we're talking of the summer vacations' start of the sixties in France.

The set up is all well-made, De Funès is a tyrannical head of a prestigious boarding school with a rebellious son who got lousy marks in English so he sends him for an exchange program with an English student. The son wants to sails across the Seine so he sends one of his friends to take his place, meanwhile, the English girl comes and it's a matter of a few scenes before she has a love at first sight with De Funès' son and leaves the school. Worried about the negative publicity, he goes looking for them. The plot bears too much resemblance to his chase after his daughter in "The Troops in New York" or to the designer of his ship in the "Little Swimmer". After two classic road movies with De Funès, the concept starts to wear down a little, and watching De Funès harboring different disguises isn't the kind of roaring laughter material it used to be.

This is not to say that there's not much to enjoy in "The Exchange Student", the film is like a time capsule of an innocent France circa 1967, and it features a few interesting moments of clashes between French and British culture, at a time where France was overflown by the Beatle-mania and the rise of the mini-skirts. The interactions between De Funès and Ferdy Mayne, who plays the girl's father provide some of the film's best moments. But the film is more of a product of its era, a sort of illustration of the kind of movies they used to make, but it doesn't really stand on its own right as a must-see De Fune's movie, you can listen to the score on Youtube, watch a few clips, you wouldn't miss much.

It's so forgettable that I even wish it was a little worse so I could care about explaining while it's not good. But here's an example, there's a funny character in the movie, the housemaid, she desperately wants to show a sailor uniform to the British hosts, which in the context of the film, is a rather incriminating piece. De Funès closes the door on the uniform and she keeps pulling it, naturally, the funniest thing he can do is to open the door. But then, do we need to watch her being pushed down to the bed and lose consciousness, the sight of a door opening and hearing her losing her balance would have been enough, but subtlety has never been Girault's strongest suit. The bar brawl that occurs halfway through the film is another instance asking for our indulgence.

And the film is not even that bad, it just mild and innocent entertainment. Even Olivier de Funès, as the younger son, is being given the ungrateful role of the butt-kisser while he looked nothing like a snitch, he'd have better pairing with his father in the 70's but his presence also indicates that De Funès gained more nepotistic power and influence, but I wouldn't consider him accountant for the film's lack of entertainment, he's actually the best thing about the film, he made me wonder if I wouldn't enjoy a school session with him rather than all the sailing trips with boring, predictable youth.