VALUTAZIONE IMDb
5,5/10
6900
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaFour men searching for one's brother are shipwrecked on Letchi Island, where they encounter Godzilla, a monstrous lobster, and terrorists who have enslaved the natives of Infant Island.Four men searching for one's brother are shipwrecked on Letchi Island, where they encounter Godzilla, a monstrous lobster, and terrorists who have enslaved the natives of Infant Island.Four men searching for one's brother are shipwrecked on Letchi Island, where they encounter Godzilla, a monstrous lobster, and terrorists who have enslaved the natives of Infant Island.
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Recensioni in evidenza
This movie was set on an island, where all the mayhem, action, destruction, battles and drama take place. A group of teenagers go sailing in search for a long lost brother and gets shipwrecked on an island. The island inhabitants are a band of people called the Red Bamboo, who are secretly making nuclear bombs in order to conquer the world. Islanders from Infant Island were kidnapped as slaves and the teenagers try to do everything they can to save the islanders and stop the terrorists. To add to the excitement, who would have guessed Godzilla would be seen sleeping in a cave on the island and that an over-sized Shrimp (Lobster or Crab in some reviews) is supposed to be guarding the island? A lot of humor in this movie, especially the lines "I thought you studied science?" with an answer "But I didn't pass the first year, one thing's for sure."
A pretty native girl, played by Kumi Mizuno, is attracted by Godzilla, who gave a little love relationship to her-a love relationship more associated with King Kong (since the story of this movie was originally written for King Kong). Masaru Sato's music score is catchy and Jun Fukuda did a great directing job. Shinichi Sekizawa gave us an exciting story and Eiji Tsuburaya gave us cool special effects. And, Mothra has a cameo in this movie and her tiny twin priestesses also made an appearance.
Overall, it is a unique and exciting Godzilla entry with plenty of monster appearances and action, which is a plus!
Grade A
A pretty native girl, played by Kumi Mizuno, is attracted by Godzilla, who gave a little love relationship to her-a love relationship more associated with King Kong (since the story of this movie was originally written for King Kong). Masaru Sato's music score is catchy and Jun Fukuda did a great directing job. Shinichi Sekizawa gave us an exciting story and Eiji Tsuburaya gave us cool special effects. And, Mothra has a cameo in this movie and her tiny twin priestesses also made an appearance.
Overall, it is a unique and exciting Godzilla entry with plenty of monster appearances and action, which is a plus!
Grade A
This is actualy a fun film if you're a kid, and i loved godzilla when i was i think back to the days of watching those chessy B movies(i havnt realy progresed that far in 10 years) and this was one of my favriotes and now somthing that angers me is it having a 4 point rating i mean kids love this and its fun and next time you get a chance pop one of these in have a good laugh and look back at you're childhood you'll have more fun then you would think.Now that thats gone ill fill you with my memories of this film the specel effects are alright and about what you would expect. Plot? we dont need no stinking plot!!! so botom line if you're a kid you'll love it and if you're with friends and older and in serch of a laugh you'll love it for its chessyness.
Of all the Japanese monster films that came out from the mid Fifties to the mid Seventies, Godzilla Versus The Sea Monster is the only one that seems to have taken a political stand on anything. The Japanese for obvious reasons are big on nuclear disarmament. This film involves Godzilla and two other giant monsters involved with the Red Bamboo who are a group conducting nuclear experiments on a deserted south sea island. Of course there was no such a group as the Red Bamboo, but the power across the Sea of Japan did have a Red Guard who were pretty active in those days. I think that was another political statement that Godzilla Versus The Sea Monster was making.
Anyway some 20 somethings who were involved in a dance marathon which opened the film, commandeer a boat that was to be the getaway vehicle of a bank robber to search for the brother of one of them who set sail southeast and was not heard from.
It's there that a storm washes them ashore on the island of the Red Bamboo. These dastardly folks are not only conducting nuclear experiments, they're making heavy water to use as nuclear fuel, but are using slave labor. The slaves are being taken from the island that Mothra resides, but he's sleeping and the natives are doing their best to arouse their friend and protector.
To discourage escape in the meantime, the island is guarded by Ebirah a giant lobster monster. The Red Bamboo controls him by means of the nectar of some exotic tropical fruit that acts as a tranquilizer.
When our heroes arrive, they discover that Godzilla is in some kind of coma asleep on the island. Needing an ally they look to get him awake to start doing his thing. Of course all three monsters battle it out in the end.
This particular all star monster spectacular is a cut above the others for its political statement wrapped up in the dopey way these films play. But I have to admit a soft spot in my heart for them.
Anyway some 20 somethings who were involved in a dance marathon which opened the film, commandeer a boat that was to be the getaway vehicle of a bank robber to search for the brother of one of them who set sail southeast and was not heard from.
It's there that a storm washes them ashore on the island of the Red Bamboo. These dastardly folks are not only conducting nuclear experiments, they're making heavy water to use as nuclear fuel, but are using slave labor. The slaves are being taken from the island that Mothra resides, but he's sleeping and the natives are doing their best to arouse their friend and protector.
To discourage escape in the meantime, the island is guarded by Ebirah a giant lobster monster. The Red Bamboo controls him by means of the nectar of some exotic tropical fruit that acts as a tranquilizer.
When our heroes arrive, they discover that Godzilla is in some kind of coma asleep on the island. Needing an ally they look to get him awake to start doing his thing. Of course all three monsters battle it out in the end.
This particular all star monster spectacular is a cut above the others for its political statement wrapped up in the dopey way these films play. But I have to admit a soft spot in my heart for them.
This is actually on of my favourite Godzilla films. While on one hand it has one of the worst enemy monsters, Ebira (although it also has Mothra, but he only appears at the end and doesn't really do anything) it also has a neat story. It's not as cool as the original, but I think it sure as hell beats the cheezy alien stories which are so ridiculous and unbelievable that even their cheeze value is threatened. As well, most Godzilla movies spend *way* too much time and focus on the monsters fighting and rampaging (Godzilla vs. Gigan is a perfect example of this), but this one had more of a plot. The takeover didn't seem as implausible and it was more tongue in cheek. It's also one of the best dub-jobs I've *ever* seen in a Godzilla movie (or any of the other similar ones).
Overall: this is one of the more fun Godzilla films. It's still silly, but in an enjoyable way. It's not ruined by being overly stupid and it's cheeze factor is definitely amusing. 6/10.
Overall: this is one of the more fun Godzilla films. It's still silly, but in an enjoyable way. It's not ruined by being overly stupid and it's cheeze factor is definitely amusing. 6/10.
This is one of the first Godzilla movies I saw, and when I see it now after seeing almost all of the other movies, it still holds up pretty well. The main problem is, of course, Ebirah. Definetly Godzilla's worst foe. I mean, really, A GIANT LOBSTER!? But, other than that, the film is quite good, following the usual trend that the Godzilla movies tend to have much better plots than their american counterparts of the time. Here we have a young man trying to find his brother taking his friends with him to look at boats. When they board one to look around, they find a man with a gun to greet them. He claims to be the owner and allows them to spend the night on the boat. When they wake up the next morning, however, the young man has taken the boat to find his brother. It's wrecked in a storm and they are stranded on an island where they discover a secret organisation called the Red Bamboo is using slave labor to make nuclear weapons. Ebirah, a giant lobster, prevents boats from entering or leaving the island, and Okondoru, a giant condor, prevents planes from arriving. The man who claimed to own the boat, Yoshimura, turns out to be both a thief and the most resourceful member of their little group (which now also includes an escaped slave played by the wonderful Kumi Mizuno). They discover that Godzilla is sleeping on the island, so they wake him up in order to stop the Red Bamboo. He trashes the base, defeats the two other, ahem, monsters, and the slaves and group are all saved by Mothra (who really isn't looking to good by now). The thief, Yoshimura, is definetly my favorite character in this, and the special effects are pretty good at times (he may be a pathetic monster, but Ebirah looks great). As a bonus, it also makes for a great MST3K episode.
Lo sapevi?
- QuizThis film was originally written to star King Kong, as Rankin/Bass Productions had provided Toho with the license to the character in order to produce a tie-in film for Toei's animated TV series King Kong (1966), which they co-produced. However, Rankin/Bass rejected the original treatment, as they wanted director Ishirô Honda to helm the film. Toho insisted on Jun Fukuda and after Rankin/Bass backed out, Toho decided to replace King Kong with Godzilla. Toho and Rankin/Bass would then go on to co-produce King Kong - Il gigante della foresta (1967), a film that was more in line with what Rankin/Bass wanted.
- BlooperAt the end of the film, as Mothra flies back to Infant Island, the large net she is carrying with her feet with the humans inside it is missing.
- Curiosità sui creditiFor the Columbia/Tri-Star U.S. DVD release of the film, which uses the original uncut Japanese version of it, its English-language credits list the noted composer Masaru Satô as "Mararu Sato."
- Versioni alternativeThe Mystery Science Theater 3000 version of the film featured a Film Ventures-lensed print of it that used a different title sequence made up of clips from the next film in the Godzilla series, Il figlio di Godzilla (1967).
- ConnessioniEdited into Il ritorno di Gorgo (1969)
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Ebirah, Horror of the Deep
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 1.200.000 USD (previsto)
- Tempo di esecuzione1 ora 27 minuti
- Mix di suoni
- Proporzioni
- 2.35 : 1
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By what name was Il ritorno di Godzilla (1966) officially released in India in English?
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