VALUTAZIONE IMDb
5,5/10
6993
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaFour men searching for one's brother are shipwrecked on Letchi Island, where they encounter Godzilla, a monstrous lobster, and terrorists who have enslaved the natives of Infant Island.Four men searching for one's brother are shipwrecked on Letchi Island, where they encounter Godzilla, a monstrous lobster, and terrorists who have enslaved the natives of Infant Island.Four men searching for one's brother are shipwrecked on Letchi Island, where they encounter Godzilla, a monstrous lobster, and terrorists who have enslaved the natives of Infant Island.
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This is actualy a fun film if you're a kid, and i loved godzilla when i was i think back to the days of watching those chessy B movies(i havnt realy progresed that far in 10 years) and this was one of my favriotes and now somthing that angers me is it having a 4 point rating i mean kids love this and its fun and next time you get a chance pop one of these in have a good laugh and look back at you're childhood you'll have more fun then you would think.Now that thats gone ill fill you with my memories of this film the specel effects are alright and about what you would expect. Plot? we dont need no stinking plot!!! so botom line if you're a kid you'll love it and if you're with friends and older and in serch of a laugh you'll love it for its chessyness.
This is actually on of my favourite Godzilla films. While on one hand it has one of the worst enemy monsters, Ebira (although it also has Mothra, but he only appears at the end and doesn't really do anything) it also has a neat story. It's not as cool as the original, but I think it sure as hell beats the cheezy alien stories which are so ridiculous and unbelievable that even their cheeze value is threatened. As well, most Godzilla movies spend *way* too much time and focus on the monsters fighting and rampaging (Godzilla vs. Gigan is a perfect example of this), but this one had more of a plot. The takeover didn't seem as implausible and it was more tongue in cheek. It's also one of the best dub-jobs I've *ever* seen in a Godzilla movie (or any of the other similar ones).
Overall: this is one of the more fun Godzilla films. It's still silly, but in an enjoyable way. It's not ruined by being overly stupid and it's cheeze factor is definitely amusing. 6/10.
Overall: this is one of the more fun Godzilla films. It's still silly, but in an enjoyable way. It's not ruined by being overly stupid and it's cheeze factor is definitely amusing. 6/10.
This movie was set on an island, where all the mayhem, action, destruction, battles and drama take place. A group of teenagers go sailing in search for a long lost brother and gets shipwrecked on an island. The island inhabitants are a band of people called the Red Bamboo, who are secretly making nuclear bombs in order to conquer the world. Islanders from Infant Island were kidnapped as slaves and the teenagers try to do everything they can to save the islanders and stop the terrorists. To add to the excitement, who would have guessed Godzilla would be seen sleeping in a cave on the island and that an over-sized Shrimp (Lobster or Crab in some reviews) is supposed to be guarding the island? A lot of humor in this movie, especially the lines "I thought you studied science?" with an answer "But I didn't pass the first year, one thing's for sure."
A pretty native girl, played by Kumi Mizuno, is attracted by Godzilla, who gave a little love relationship to her-a love relationship more associated with King Kong (since the story of this movie was originally written for King Kong). Masaru Sato's music score is catchy and Jun Fukuda did a great directing job. Shinichi Sekizawa gave us an exciting story and Eiji Tsuburaya gave us cool special effects. And, Mothra has a cameo in this movie and her tiny twin priestesses also made an appearance.
Overall, it is a unique and exciting Godzilla entry with plenty of monster appearances and action, which is a plus!
Grade A
A pretty native girl, played by Kumi Mizuno, is attracted by Godzilla, who gave a little love relationship to her-a love relationship more associated with King Kong (since the story of this movie was originally written for King Kong). Masaru Sato's music score is catchy and Jun Fukuda did a great directing job. Shinichi Sekizawa gave us an exciting story and Eiji Tsuburaya gave us cool special effects. And, Mothra has a cameo in this movie and her tiny twin priestesses also made an appearance.
Overall, it is a unique and exciting Godzilla entry with plenty of monster appearances and action, which is a plus!
Grade A
This is one of the first Godzilla movies I saw, and when I see it now after seeing almost all of the other movies, it still holds up pretty well. The main problem is, of course, Ebirah. Definetly Godzilla's worst foe. I mean, really, A GIANT LOBSTER!? But, other than that, the film is quite good, following the usual trend that the Godzilla movies tend to have much better plots than their american counterparts of the time. Here we have a young man trying to find his brother taking his friends with him to look at boats. When they board one to look around, they find a man with a gun to greet them. He claims to be the owner and allows them to spend the night on the boat. When they wake up the next morning, however, the young man has taken the boat to find his brother. It's wrecked in a storm and they are stranded on an island where they discover a secret organisation called the Red Bamboo is using slave labor to make nuclear weapons. Ebirah, a giant lobster, prevents boats from entering or leaving the island, and Okondoru, a giant condor, prevents planes from arriving. The man who claimed to own the boat, Yoshimura, turns out to be both a thief and the most resourceful member of their little group (which now also includes an escaped slave played by the wonderful Kumi Mizuno). They discover that Godzilla is sleeping on the island, so they wake him up in order to stop the Red Bamboo. He trashes the base, defeats the two other, ahem, monsters, and the slaves and group are all saved by Mothra (who really isn't looking to good by now). The thief, Yoshimura, is definetly my favorite character in this, and the special effects are pretty good at times (he may be a pathetic monster, but Ebirah looks great). As a bonus, it also makes for a great MST3K episode.
This was obviously made because Toho wanted to discover new plot elements for their kaiju film formula, which was falling into something of a predictable rut (humans fight humans, humans fight monster, monster fights monster, sayonara). But simply limiting the amount of time the monsters appear on screen offers no improvement.
"Sea Monster" is one of the weaker entries in the original Godzilla series. Much of the film is directed as light comedy, a mild satire on the James Bond films. Actually, the comedy works pretty well; it's never knee-slapping laugh-out-loud, but it finds and sustains a level of humor most viewers should find fairly easy to live with.
The monsters here are almost tossed in for deus-ex-machina plot devices, saving the day at the last moment. To be sure, it's amusing to see Godzilla sit around pondering what to do with the woman he's just saved from bad guys, but there really isn't much for him to do here. He zaps a giant vulture, pulls the claws off a lobster and smashes a nuclear power plant - and that's about it. For a minute towards the end, it almost looks like things will get complicated by a battle between Godzilla and Mothra, but this doesn't really amount to much either.
For Godzilla completists, it's a relatively harmless sub-par entry - it certainly doesn't scrape the same bottoms as "Godzilla's Revenge" or "vs. Megalon". But if you are not yet a Big G. fan, this should not be your introduction to the series.
Entertaining fluff, nothing more.
"Sea Monster" is one of the weaker entries in the original Godzilla series. Much of the film is directed as light comedy, a mild satire on the James Bond films. Actually, the comedy works pretty well; it's never knee-slapping laugh-out-loud, but it finds and sustains a level of humor most viewers should find fairly easy to live with.
The monsters here are almost tossed in for deus-ex-machina plot devices, saving the day at the last moment. To be sure, it's amusing to see Godzilla sit around pondering what to do with the woman he's just saved from bad guys, but there really isn't much for him to do here. He zaps a giant vulture, pulls the claws off a lobster and smashes a nuclear power plant - and that's about it. For a minute towards the end, it almost looks like things will get complicated by a battle between Godzilla and Mothra, but this doesn't really amount to much either.
For Godzilla completists, it's a relatively harmless sub-par entry - it certainly doesn't scrape the same bottoms as "Godzilla's Revenge" or "vs. Megalon". But if you are not yet a Big G. fan, this should not be your introduction to the series.
Entertaining fluff, nothing more.
Five Godzilla Movies You Need to Watch
Five Godzilla Movies You Need to Watch
Celebrate Shin Godzilla returning to theaters with a look at some of our favorite Godzilla movies.
Lo sapevi?
- QuizThis film was originally written to star King Kong, as Rankin/Bass Productions had provided Toho with the license to the character in order to produce a tie-in film for Toei's animated TV series King Kong (1966), which they co-produced. However, Rankin/Bass rejected the original treatment, as they wanted director Ishirô Honda to helm the film. Toho insisted on Jun Fukuda and after Rankin/Bass backed out, Toho decided to replace King Kong with Godzilla. Toho and Rankin/Bass would then go on to co-produce King Kong - Il gigante della foresta (1967), a film that was more in line with what Rankin/Bass wanted.
- BlooperAt the end of the film, as Mothra flies back to Infant Island, the large net she is carrying with her feet with the humans inside it is missing.
- Curiosità sui creditiFor the Columbia/Tri-Star U.S. DVD release of the film, which uses the original uncut Japanese version of it, its English-language credits list the noted composer Masaru Satô as "Mararu Sato."
- Versioni alternativeThe Mystery Science Theater 3000 version of the film featured a Film Ventures-lensed print of it that used a different title sequence made up of clips from the next film in the Godzilla series, Il figlio di Godzilla (1967).
- ConnessioniEdited into Il ritorno di Gorgo (1969)
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Ebirah, Horror of the Deep
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 1.200.000 USD (previsto)
- Tempo di esecuzione
- 1h 27min(87 min)
- Mix di suoni
- Proporzioni
- 2.35 : 1
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