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This is the first Gamera movie I have watched. I remembered when I was a kid I rented a VHS copy of this film. Being a kid, I was pretty weary of certain scenes in this kaiju film, like the main villain's evil tactics. This is the first Gamera movie to feature him doing battle with another monster, named Barugon. While Gamera started out as a villainous monster, Barugon proved to be an even more menacing creature, threatening to destroy everything in its path.

As a kid, I enjoyed the film, and when I wanted to rent it again, the VHS copy wasn't available anymore, so I was pretty bummed out. But, years later, this film was shown on TV and, to my delight, I have decided I have got to watch it again and remembered I was entertained by it. The plot about dueling explorers trying to get their hands on an opal from an island while the natives warn them about dire consequences that follow if they take away the gem is pretty intriguing. The special effects were serviceable but the monster battles were decent and Barugon's tongue and rainbow weapons were a pretty cool effect. The Barugon suit looked like it was made out of cardboard and the monster itself wasn't portrayed as menacing enough - I would have liked to see a little more city destruction scenes. The second half of the movie just consists of the military attempting to destroy Barugon - pretty basic, but a little thrilling nonetheless.

Overall, it's a pretty good Gamera movie that ends up being the best in the first series. It is also the only one in the original series not to feature a kid as the main character. The rest of the Gamera films were very much aimed for youngsters and are too childish and corny for my enjoyment. If you would like to see Gamera in action, check out this movie, skip the rest in the series, and catch the newer ones made in the 1990s.

Grade B-

Sequel to 'Gamera" finds that giant turtle returning to Japan after being freed from it's outer space imprisonment after a fortuitous collision with a meteor. Turns out this was serendipitous as well, since a giant monster called Barugon has emerged from a hatched egg brought back to Japan by a treacherous expedition member, who will come to a memorable end... Barugon can freeze things with its extended tongue, and Gamera has his hands full trying to defeat this menace. Not bad sequel made in color has lots of good action and an imaginative story, though plenty of elements to appeal to children as well. Gamera becomes an Earth defender here.

This was the first color sequel to the original black and white GAMERA, and it's pretty good though you have to be patient in waiting to see much of our favorite fire-breathing, flying turtle. A new monster named Barugon (not to be confused with the similarly-named creature from the Toho series of Japanese giant monster movies) is born and has the ability to freeze people and cities. The monster suits in this series were never quite up to the ones in the Godzilla films, but the effects in general are not too bad. The real fun in this one is savoring the villainous exploits of one of the main human characters... a sneaky creep named Onodera. He steals the show as one of a group of men on an expedition to New Guinea to retrieve a glowing opal believed to be worth millions. There's a fight sequence between this guy and another man who can barely walk late in the movie that's better (and much funnier) than the monsters' battle! **1/2 out of ****

If you're a fan of Gamera from '90s trilogy, Gamera vs. Barugon may be the original Gamera movie for you.

The movie begins with Gamera's being freed from the rocket he was trapped in at the end of Gamera, the Gigantic Monster and returning to Earth to wreak havoc on a dam. He then disappears for a good 45 minutes while the movie follows a trio of treasure hunters to a tropical island on their quest to retrieve an opal the brother of one of the hunters hid in a cave during the Second World War. Not to give away too much, but the procurement of this opal leads to the emergence of Barugon, in the middle of Japan, who Gamera (eventually) fights in typical Gamera fashion.

Three things immediately stand out about the second entry in the Gamera series:

• There are no kids in this movie. As in its predecessor, Gamera is apparently motivated purely by a quest for energy sources.

• Gamera is barely in the movie. He opens the movie, returns to fight Barugon, then comes back after another long absence to fight Barugon again. The bulk of the movie deals with the birth of Barugon and the Japanese's attempts to defeat him. (Maybe this was the genesis of the military's conflict in Gamera: The Revenge of Iris over which monster to attack first.)

• Finally, the movie is in color, and Daiei seems eager to exploit that fact. The opening titles are played out over shapeless colors, and one of Barugon's weapons is a rainbow beam emanating from his back.

The movie contains some silly moments (most notably the theft of the diamond), but the human conflicts and relationships are played surprisingly straight and adult, at least in comparison to those in a typical Godzilla movie; everyone doesn't necessarily agree on strategy, and it's probably safe to say the two leads don't view each other as siblings. The biggest problem with the movie is its odd pacing, but without a delusional kid and several characters who do virtually nothing running around, Gamera vs. Barugon is a decided improvement over the original.

I have to agree with the first comment and say that this is the best of pre-1995 the Gamera's. I've seen five of them, Guiron and Zigra both being indescribably bad (even when I watched them as a 13 year old I thought so). This one is honestly pretty good, a step-up from the stone age-looking Gamera, which was made in 1965 but looked like it was made in 1954! First off, there isn't too much flashback footage and when it is used, it's actually well-edited and has some pretty cool narration and atmospheric music. There's a random dam attack scene which I still cant figure out why it's there, and then the real story starts with the protagonists finding a jewel that eventually turns into the secondary monster.

Gamera plays a pretty minor second-fiddle this time around, with Barugon, an admittedly more interesting monster, hogging most of the screentime destroying things. I really liked the plotting with the greedy guy accidentally waking the monster with his heat-lamp, and then getting eaten when he ruins the army's plan by trying to steal a giant diamond.

This has the best music and best scenes of destruction of any of the Gamera movies and most of Jun Fukuda's Godzilla films. While it's still Daiei, which most of the time is sub-Toho in every respect, this film shows that around 1966 Daiei actually managed to surpass Toho every now and then effects-wise. Good directing too: the tone is surprisingly mature this time around and it's got a really dark and humorless undercurrent to the whole thing.

My favorite Gamera movie, followed by the... so unintentionally hilarious, it makes me crack up thinking about it... Gamera vs. Gaos.