Un fiume di dollari

Imagine you have all these ingredients to make a dish. You can do it one way or another but at the end you have to end up with a good meal.

Viewing this movie, for me, was like following a recipe where the instructions we're all mix-up in some weird order.

You have all this elements for a Western. A clear protagonist with motivation and a villian who took advantage of him, the little town in trouble, the cheeky partner, the goon with radical methods and, of course, action (Fist fights, gun fights, showdowns,you name it.). But all this are executed in a weird, poorly and mishandle way. Not all is bad, some plot points and action scenes we're well executed with some shots that can be appreciated.

Thomas Hunter did a decent job as the protagonist but he had two moods, angry or calm. He could've make a better job, like Dan Duryea who's role i believe was misuse. Henry Silva, in another hand, steals the movie. Charismatic, hammy and funny, i ending up rooting for him for all the movie.

Personally, it was a decent view. Nothing great but entertaining nonetheless. Do you like westerns and want to see this? Go for it, I hope you end up appreciating this movie more than me. First western? Look for another title, the're better westerns out there.

I don't have a very great history with Westerns, I even have a worse history with Spaghetti Westerns (granted I have only seen two prior to this one so it isn't much of a history). Compared to the other two I've seen (both from Sergio Leone), this seemed more what I would expect from a normal western thus making it an easier watch for me.

The story was simple and easy to follow but had the acting style (I believe anyway) of what you would expect of a Spaghetti Western. While I would still take an American Western over this one I would have to admit it has made me want to seek out more Italian Westerns just to prove those first couple I saw (both heralded as major ones) were not the norm and that the genre is not just inherently bad.

I started watching this and thought oh, lord, another howler with every hokey cliché inherent to bad spaghetti westerns. Midway when we see the stunt men grabbing their bellies from feigned gut shots and doing the railing flip to land on their backs on balsa wood saloon tables, one has to wonder if there could be any other way to do it. However the story does develop to reveal some depth to both characters and plot. The clichés endure so don't expect any surprises by the time it's over, but enjoy this period piece as the simple story it was meant to be with a few standouts in the supporting cast roles, if not the lead. There are some memorable items in the soundtrack and the location work cinematography could be called exemplary. The credits state it's a Dino De Laurentis production with much of the shooting done in Rome, which does contradict some of the IMDb data, FWIW. All in all it's the kind of tale that Hollywood had so tired of by the mid sixties they'd have sent it up as a comedy romp with an all star cast cracking one liners- but with admirable humility the spaghetti western production crew delivered this with straight faced sincerity, as if they still believed in what they were doing. Considering that I give it 7 not 6 stars.

In The Hills Run Red, two Confederate thieves fleeing on a stagecoach draw cards to see which one will stay on the coach to lead their pursuers away and which one will jump off and hide with their fortune in stolen loot.

Five years later the unlucky loser of that card draw (Thomas Hunter) is released from prison to find his destitute wife deceased and his son sent away by his former partner, breaking the promise the promise to take care of them that the now wealthy rancher made to his friend.

Overall, this is worth viewing despite being saddled with a wooden lead performance by Hunter (cast for his passing resemblance to Clint Eastwood?) and a less than spectacular script.

It's made enjoyable by some gorgeous photography (the canyon bushwhack/stampede scene a standout), an excellent score by an uncredited Ennio Morricone, and good support by Dan Duryea and black-leather clad villain Henry Silva.

I wonder if this was an inspiration for John Woo's A Better Tomorrow.

Jerry Brewster (Thomas Hunter) and Ken Seagull (Nando Gazzolo) are two ex-Confederates who've successfully stolen some of the governments' money. Realizing that only one of them can make good his escape, they draw cards, and Ken, having drawn the higher card, is allowed to bail out with the money. Jerry is captured by Union forces and imprisoned for five years. Unfortunately, he learns after being released that his wife died poor because Ken hogged all the money for himself. And now Ken is a bigshot in the small community of Austin. It's a given that Jerry is going to be ripe for revenge...

"The Hills Run Red", as directed by former critic Carlo Lizzani, is no great shakes, but offers a decent amount of entertainment. Its pace is acceptable, its photography nicely done, and its action reasonably rousing. Using the pseudonym of "Leo Nichols", Ennio Morricone composes the score; it's definitely one of his lesser efforts, but even so, lesser Morricone is still pretty good. The songs are certainly sung with passion. The script by Piero Regnoli is mostly straightforward, but it's got one interesting detail up its sleeve: the character of Colonel Winny Getz, played engagingly by genre veteran Dan Duryea. You're never quite sure what this guy's deal is until the end.

The acting is variable. Some members of the cast come off fairly well, such as the beautiful ladies Nicoletta Machiavelli and Gianna Serra, Gazzolo as the understated villain, and Geoffrey Copleston as saloon owner Brian Horner. Hunter delivers a performance that is amusingly over the top at certain points. But the most entertaining acting to watch is courtesy of a hilariously hammy Henry Silva, playing Seagulls' minion Garcia Mendez. There's nothing subtle about this guy; even his wardrobe is all black.

"The Hills Run Red" kills time easily enough for those who are devotees of the Spaghetti Western genre.

Six out of 10.