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6,0/10
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LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaAfter inheriting his father's title, the young noble, Hugh O'Connell, is taken hostage by the English viceroy but escapes to lead an uprising.After inheriting his father's title, the young noble, Hugh O'Connell, is taken hostage by the English viceroy but escapes to lead an uprising.After inheriting his father's title, the young noble, Hugh O'Connell, is taken hostage by the English viceroy but escapes to lead an uprising.
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Recensioni in evidenza
Walt must have been thinking of tying into the "young rebel" trend of the '60s. This is a tale of a generic young Irish nobleman during the Elizabethan era, rebelling against a generic English colonial master (this was made just before the modern troubles broke out.) He gains generic friends and allies, is imprisoned, escapes, leads a generic merry chase all over Ireland, and rescues his generic lady fair from the generic castle.
All that's missing is Herbie the Love Bug! Not once is anyone in any terror of bloodshed. Even Snow White had her frights but Walt, in his dotage, must have been losing his taste or his nerve.
The one real bright spot is the cast full of gonna-be's of British Stage and Screen, including Gordon Jackson, Susan Hampshire, Donal McCann and Maurice Roëves. If nothing else, the director had an eye for serious talent.
All that's missing is Herbie the Love Bug! Not once is anyone in any terror of bloodshed. Even Snow White had her frights but Walt, in his dotage, must have been losing his taste or his nerve.
The one real bright spot is the cast full of gonna-be's of British Stage and Screen, including Gordon Jackson, Susan Hampshire, Donal McCann and Maurice Roëves. If nothing else, the director had an eye for serious talent.
Almost good, but 'The Fighting Prince of Donegal' just falls short.
It goes through too many peaks and troughs to be classed as enjoyable, but I do like the vibe of the film and the idea of the premise; which begins slowly, hits a purple patch before frustratingly reverting back immediately; quite literally given how the plot 'progresses'.
The casting, meanwhile, is solid if not perfect. Peter McEnery (Hugh) and Susan Hampshire (Kathleen) both do impressive things in earlier 1960s productions 'The Moon-Spinners' and 'The Three Lives of Thomasina' respectively, but they don't work together here; I sense zero chemistry between them or their characters. Gordon Jackson (Capt. Leeds) is my pick of the rest.
Should've been better. 6*.
It goes through too many peaks and troughs to be classed as enjoyable, but I do like the vibe of the film and the idea of the premise; which begins slowly, hits a purple patch before frustratingly reverting back immediately; quite literally given how the plot 'progresses'.
The casting, meanwhile, is solid if not perfect. Peter McEnery (Hugh) and Susan Hampshire (Kathleen) both do impressive things in earlier 1960s productions 'The Moon-Spinners' and 'The Three Lives of Thomasina' respectively, but they don't work together here; I sense zero chemistry between them or their characters. Gordon Jackson (Capt. Leeds) is my pick of the rest.
Should've been better. 6*.
American audiences tended to get only the glorified English version of the Tudor period in films...so this vastly pleasing piece of swashbuckling came as a breath of fresh air, telling the story from the Irish viewpoint for a change. The Disney studios had earlier tried their figurative hand at Scots history with Rob Roy; the Highland Rogue, an interesting but less successful and flawed attempt. It wasn't until the 1995 films of Rob Roy and Gibson's Braveheart that we got a better idea of the other side. Peter McEnery, at that time a great favorite Romantic lead from the previous Disney hit "Moonspinners" opposite Hayley Mills, had just proved in the French film "La Curee" that he was ripe for more mature roles. The Irish prince Red Hugh O'Donnel turned out to be arguably his best and most sympathetic role to date, a truly dashing and romantic swashbuckling hero. If you like costume epics, don't miss this one!
Certainly Walt Disney took liberties with the story of Hugh O'Donnell in order to make it more appealing to to the teen magazine culture of the 60's but his history is not that far off the mark. Much of the music is based on traditional Irish themes, most notably, "O'Donnell Abu" the marching song of the O'Donnell clan. Interestingly, the main cast though playing Irish figures, were English (McEnery, Hampshire, Adams).
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Red Hugh O'Donnell (1571 - 1602)
In the early 1500's the Irish families and clans were still warring amongst themselves - O'Donnell's own grandfather was imprisoned by Hugh's half-uncle who warred with Hugh's father.
In the mid-1500's some chieftains, most notably, the O'Donnell, were working to unify the Irish clans.
Sir John Perrot (English deputy), in order to check the rising power of the O'Donnells planned to capture Hugh. A ship with a cargo of Spanish wine came into Lough Swilly, and the seventeen year old Red Hugh and two companions were invited on board where Hugh was captured. He was taken to Dublin Castle where he was imprisoned.
Three years later at Christmas time, Hugh, Henry & Art O'Neill escaped. It was their second attempt. Enduring a freezing three-day march across the snow-covered Wicklow Mountains they became separated. Art died of exposure but Hugh, aided by countrymen, made it to his father's castle in Donegal. Hugh lost at least two toes to frostbite and was said to limp after.
After his escape, his father made Hugh "the O'Donnell" and retired to a monastery. In 1598 he, with the O'Neills, defeated the English in the battle of the Yellow Ford. After a defeat at Kinsale a few years later Hugh went to Spain for help. He was received by Philip III but fell ill in 1602, possibly of poisoning at the hand of an English spy. He was 31 and left no heirs. He was buried in Spain but the church no longer exists and his burial site is lost forever.
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Red Hugh O'Donnell (1571 - 1602)
In the early 1500's the Irish families and clans were still warring amongst themselves - O'Donnell's own grandfather was imprisoned by Hugh's half-uncle who warred with Hugh's father.
In the mid-1500's some chieftains, most notably, the O'Donnell, were working to unify the Irish clans.
Sir John Perrot (English deputy), in order to check the rising power of the O'Donnells planned to capture Hugh. A ship with a cargo of Spanish wine came into Lough Swilly, and the seventeen year old Red Hugh and two companions were invited on board where Hugh was captured. He was taken to Dublin Castle where he was imprisoned.
Three years later at Christmas time, Hugh, Henry & Art O'Neill escaped. It was their second attempt. Enduring a freezing three-day march across the snow-covered Wicklow Mountains they became separated. Art died of exposure but Hugh, aided by countrymen, made it to his father's castle in Donegal. Hugh lost at least two toes to frostbite and was said to limp after.
After his escape, his father made Hugh "the O'Donnell" and retired to a monastery. In 1598 he, with the O'Neills, defeated the English in the battle of the Yellow Ford. After a defeat at Kinsale a few years later Hugh went to Spain for help. He was received by Philip III but fell ill in 1602, possibly of poisoning at the hand of an English spy. He was 31 and left no heirs. He was buried in Spain but the church no longer exists and his burial site is lost forever.
Peter McEnery in a good early role as "Red" Hugh O'Donnell, the head of the O'Donnell clan and the hope of Ireland in its war against the English. Rising to fulfill the legend that he will set Ireland free, McEnery sets out to win the other clans to band with him to stand against English dominance. McEnery rises to the energy and enthusiasm of the role, and blends well with cast members Andrew Keir, Susan Hampshire, Tom Adams. His fight sees him clashing with Gordon Jackson, who is a superb villain as the lord in charge in Dublin. Because it's Disney, it isn't bloody or over-violent. Look for a very young Maurice Roeves as Martin, the servant boy. Great fun for all.
Lo sapevi?
- BlooperThe song "O'Donnell Aboo," which is sung at the film's conclusion was not written until the 1840s and refers to events in the Nine Year's War, which took place from 1593 to 1602. The film begins in 1587, prior to the conflict.
- Citazioni
Hugh O'Donnell: ...I am the Prince of Donegal and nobody's servant!
- Versioni alternativeThe version shown on television had an opening scene featuring Queen Elizabeth I, but this scene was omitted in the theatrical version.
- ConnessioniFeatured in L'ami public numéro un: La belle au bois dormant (1971)
- Colonne sonoreO'Donnell Aboo
(uncredited)
Music by Michael Joseph McCann (c. 1843)
Arranged by Eric Rogers
Heard instrumentally throughout the film on the soundtrack
Also sung by Andrew Keir and cast at conclusion
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- Tempo di esecuzione1 ora 50 minuti
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- 1.85 : 1
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By what name was Il principe di Donegal (1966) officially released in India in English?
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