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This sequel lacks a little of noir atmosphere present in At Midnight I will Take Your Soul. It also reinforces more Josefel "Coffin Joe" Zanatas's logics in prejudice of mistery (all spiritual or magic elements in the former movie are proved to be only his imagination and fears): he believes there is no life after death, then the only way to be ethernal is to have offspring. That is why he seeks the most perfect woman possible to give him a child, "a perfect child" or preferably "a perfect son" (she may be not only beautiful but also share his eugenics belief, have no fear, and refuse any religion). There is also why he kills those who he believes that will not generate good children, and why be cares so much about children and particularly babies and fetuses. However, two of the best filmed scenes of his career are from this movie: the curse of Janaína and the sequence from him on his bedroom until his entrance in hell. The portrayal of hell in colour, constrating with black and white cinematography in the rest of the movie, is interesting but not the best moment.

This sequel to At Midnight I'll Take Your Soul once again stars Coffin Joe as the devilish gravedigger. It starts off where the last film ended with our anti-hero found to still be alive, he is taken back to stand trial for his crimes and is found innocent despite the fact that he committed his misdeeds in public for all to see! Anyway he now seeks a woman to bear him a child. To achieve this he captures several girls and kills most of them. It may sound straightforward but really the story-line is most bizarre and senseless. But this is the world of Coffin Joe and nothing else can really be expected to be perfectly honest.

In my view this sequel is better than the original. There are several reasons for this. For one thing José Mojica Marins has developed as a film-maker. He seems to have a – slightly – higher budget and this is used to expand things a little with better set-pieces and a great scene where Coffin Joe descends into Hell. This sequence breaks the black and white presentation and is shown in psychedelic colours. Marins depiction of Hell is highly imaginative and surreal with much grotesquery and sadism. Additionally, the movie does seem to be paced better than the first instalment despite being twenty odd minutes longer. It's also a fair bit gorier and sleazier as well. Coffin Joe dispatches with several of his enemies in a bloody manner by axe, boulder and shoe-applied razors! He also treats a gaggle of women very badly indeed with extended scenes involving lots of big spiders crawling all over then and then a group of angry looking snakes fulfilling a similar end.

It's a wild concoction for sure. It may well be a very low budget film but Marins makes the most of what he's got. And he does, after all, remain the only true Brazilian horror director, so on that basis alone his work is fascinating in itself. Perhaps as a reaction to his country's religious beliefs Coffin Joe constantly rails against theocracy and is a committed atheist. This, alongside his unexpected love of children, is a most bizarre trait for a horror villain and provides an original subtext to proceedings. At Midnight I'll Possess Your Corpse is certainly a film for the attention of cult film fanatics that's for sure.

As most people reading this will already know, This Night I Will Possess Your Corpse is Coffin Joe's follow-up to the excellent At Midnight I'll Take Your Soul, and as good as the first film was; for my money, this one is even better! The legendary Brazilian comic book character may be cheesy, and José Mojica Marins' films may be cheap and silly; but he certainly has an eye for horror and this film features everything that made the first film great - and more! Once again, we have a plot without meaning, although there is some direction this time as Coffin Joe steps up his chase to find a woman to bear him a child. He doesn't go the direct route, however - and we get treated to scenes of torture as well as Coffin Joe preaching to his audience about the non-existence of God. The film works in spite of the ending of the first film, which is passed off by way of Coffin Joe being nursed back to health by the people he terrorises, before being cleared of his crimes on the grounds of 'lack of evidence'...even though most of them were committed in front of a crowd of people. Still, it's all in good fun!

With a name like Coffin Joe, you've got to expect the man to have an eye for horror - and the director delights in packing his film with delicious horror imagery, from spiders and snakes to skulls and deformed assistants! The wayward plot once again allows the director to do pretty much anything he likes - and for a man with so many ideas, this certainly isn't a bad thing. Despite a running time of nearly two hours, Coffin Joe's film never becomes boring or trite, and just when you think that the film can't possibly deliver any more surprises; Marins throws in a delightful colour sequence that takes place in Hell! The dialogue is once again a stand-out aspect of the film, as hearing Coffin Joe preach his own set of beliefs never becomes boring and the actor clearly delights in delivering them. The eerie atmosphere is always welcome, and the fact that the film is so clearly designed for entertainment is of huge benefit to it. I'll close this review with a word of warning; do not see this film unless you've seen At Midnight I'll Take Your Soul, but once you have seen said movie - this one becomes must see!

This Night I'll Possess Your Corpse, the sequel to director José Mojica Marins' cult horror At Midnight I'll Take Your Soul (1963), sees the return of amoral, blasphemous gravedigger Zé do Caixão (José Mojica Marins), who, having recovered from his seemingly fatal supernatural ordeal in the first film, and having been absolved of all past crimes, returns to his village to continue his quest to find the perfect woman to bear him a son.

Aided by disfigured hunchback Bruno (Jose Lobo), Zé abducts six sexy women, whom he subjects to a horrific trial by spider (this scene is an arachnophobe's nightmare!) to determine their suitability as mates. Only one woman, Marcia (Nadia Freitas), passes the test, but—just a little upset by the fact that the other five women are subsequently killed—she refuses to make love to Zé. He surmises that she is not the superior specimen he believed her to be, but allows her to go free.

Eventually, despite his silly cape, stupid hat, obscenely long fingernails, AND a most magnificent mono-brow, Zé somehow wins the heart of local babe Laura (Tina Wohlers), who is only too willing to have his child. But things don't go smoothly for the twisted loon: he suffers from hellish nightmares after discovering that one of the women he killed was pregnant, goes even more crazy when Laura and his unborn son suddenly pop their clogs, and is captured and beaten by muscle-man Truncador (Antonio Fracari) and his pals, before being pursued by Laura's father and a bloodthirsty mob into a swamp, where he drowns.

Several exploitative scenes of sadism and gory violence, some gratuitous nudity, and an ambitious, surreal, multi-coloured nightmare sequence all go to make This Night I'll Possess Your Corpse marginally more enjoyable than the disappointing first movie, but overall it still proves something of a chore to sit through thanks to the fact that much of its 108 minute running time consists of Zé's interminably dull ranting about the nonexistence of God and his plans to create the perfect child.

THIS NIGHT I WILL POSSESS YOUR CORPSE is the even more fiendish follow-up to the first film. Escaping death and justice, Coffin Joe (Jose Mojica Marins) returns to his mission of producing a son and heir to his legacy of blasphemous eeevil.

Joe kidnaps 6 women, torturing them with an army of tarantulas, and subjecting the unluckiest ones to a pit of snakes. There's also a head crushing by stone slab for one particular male pest! CORPSE introduces us to Joe's hunchback henchman, Bruno. In addition, we are treated to the infamous, full-color Hell sequence, complete with suffering souls!

Once again, as with the first movie, this is a sadistic, demonic masterpiece...