Vai avanti... dottore!

Having watched this again recently after many years, I was pleasantly surprised. It was silly and good natured with some genuine laughs.

Headed by the generally under rated Leslie Phillips and with some amusing support turns by Fenella Fielding and Arthur Haynes. The latter was said to be a huge radio and TV star of the time, but now almost totally forgotten. Worth noting also the catchy Kiki Dee theme song.

Ok it is formulaic and wouldn't make anyone's greatest film lists, but it left me with a smile on my face and sometimes that is good enough.

Interestingly, this film is also known as "Carnaby M. D." without any of the characters actually bearing that name. What we do have, though, are the gently comedic hospital antics of "Gaston Grimsdike" (Leslie Philiips) as he attempts to woo nurse "Bancroft" (Shirley Anne Field) whilst simultaneously fixing up his imperious boss "Sir Lancelot Spratt" (James Robertson Justice) with the rather matronly Joan Sims. This film is too long, the jokes are predictable but amusing enough, and the scenarios recycle themselves once too often so after half an hour it is pretty indistinguishable from the other "Doctor" movies. That said, though, the story is still quite engaging in a light and fluffy, harmless, sort of fashion with the women frequently getting the better of the men folks. Probably never a film you would want to watch more than once, but emblematic of the humour that prevailed at the time and as a piece of cinema nostalgia, you could do much worse.

By this time the Doctor films were using the Carry-On scripts. It's all very familiar and features a lot of Carry-On regulars, including Terry Scott as a gay hairdresser. The series had also lost the edge of the original Bogarde films, this being very much more slapstick. It's nice to see Robertson Justice reprising his role, but his character has now become a parady figure of fun. The popular "swinging sixties" element gets into the film here as there is references to Carnaby Street and girls in mini-skirts, coupled with a repetitive pop tune of the era. Leslie Phillips is good though and settles into the role of a charming, but bungling cad with ease. I would like to know why during the end credits the film suddenly goes into rewind. It strikes me as very odd.

Dr Gaston Grimsdale is working in a prison looking after the prisoners who are sick and keeping off the blocks as a result; it is not a great career but he has settled into it. By chance he bumps into his former tutor Sir Lancelot Spratt who gruffly demands that Grimsdale give up his pathetic excuse for a job and come and learn what a real doctor is supposed to be doing. Grimsdale agrees to join Spratt (did he have a choice?) and finds that his cousin Dr Miles Grimsdyke also works at the hospital.

From the opening title sequence featuring wacky behaviour and simple slapstick it is clear that the Doctor series has decided to throw its weight behind the Carry On series in the hope that it could cash in on its success. The plot is pretty thin and really the only thing approaching a plot is the fact that Grimsdale has come to join the regular hospital staff and instead the aim just seems to be to facilitate as many of the usual scenes as possible. I suppose it does deserve credit for being a year before Carry On Doctor so it isn't like it ripped that film off but in essence the structure is the same with lots of minor scenes and comic threads that only last a short while and draw a few laughs. It isn't anything special at all and I rarely laughed throughout the whole film but it is all quite inoffensive stuff and I was glad that it never fell into crudity or lazy double-entendres.

The performances are of the same standard as the material which is to say that they are perfectly serviceable without ever threatening to be memorable. Phillips was a good addition to the cast in the place of the much less comic Bogarde and he does the best he can with the material. It is a shame that his scenes are all pretty basic and that he isn't as funny as his normal character can often be. Justice is as enjoyable as ever and his delivery is good fun. Fraser is as dull as dishwater and the film wisely keeps him on the sidelines where possible. Sims' Matron works reasonably well in the film even if her character is a bit basic and just what you expect it to be. Turns from Haynes, Field and others are quite good while there are a few cameos along the way.

Overall then this is an inoffensive piece of nonsense. It isn't hilarious but it isn't rubbish either and those looking for gently swinging comedy for a wet weekend might find this to hit the mark; just don't expect much from it other than to be mildly entertained.

Once Dirk Bogarde stopped doing the Doctor movies (based on Richard Gordon's autobiographical Doctor In The House series), they declined in quality, but this one wasn't too bad.

Leslie Phillips plays his trademark slightly ageing roue part as Dr Grimsdyke, but as is usual with Doctor films, it's the lesser characters - James Robertson Justice as the eminent surgeon, Joan Sims as Matron, Fenella Fielding as an opera singer who's a patient in the hospital who make this a good example of 50s/60s Britcom.

Not very good, but OK if you like that sort of thing.