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Django

  • 1966
  • VM18
  • 1h 31min
VALUTAZIONE IMDb
7,2/10
32.744
LA TUA VALUTAZIONE
Franco Nero in Django (1966)
Trailer for Django
Riproduci trailer1: 18
3 video
99+ foto
Spaghetti WesternActionDramaWestern

Un pistolero e una prostituta vengono coinvolti in un'aspra faida tra un Klan di razzisti del sud e una banda di rivoluzionari messicani.Un pistolero e una prostituta vengono coinvolti in un'aspra faida tra un Klan di razzisti del sud e una banda di rivoluzionari messicani.Un pistolero e una prostituta vengono coinvolti in un'aspra faida tra un Klan di razzisti del sud e una banda di rivoluzionari messicani.

  • Regia
    • Sergio Corbucci
  • Sceneggiatura
    • Sergio Corbucci
    • Bruno Corbucci
    • Franco Rossetti
  • Star
    • Franco Nero
    • José Canalejas
    • José Bódalo
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,2/10
    32.744
    LA TUA VALUTAZIONE
    • Regia
      • Sergio Corbucci
    • Sceneggiatura
      • Sergio Corbucci
      • Bruno Corbucci
      • Franco Rossetti
    • Star
      • Franco Nero
      • José Canalejas
      • José Bódalo
    • 147Recensioni degli utenti
    • 156Recensioni della critica
    • 75Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
  • Video3

    Django [Blu-Ray]
    Trailer 1:18
    Django [Blu-Ray]
    D'jango
    Trailer 2:54
    D'jango
    D'jango
    Trailer 2:54
    D'jango
    Django
    Trailer 1:18
    Django

    Foto157

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    Interpreti principali27

    Modifica
    Franco Nero
    Franco Nero
    • Django
    José Canalejas
    José Canalejas
    • Member of Hugo's Gang
    • (as José Canalecas)
    José Bódalo
    José Bódalo
    • Gen. Hugo Rodriguez
    • (as José Bodalo)
    Loredana Nusciak
    Loredana Nusciak
    • Maria
    Ángel Álvarez
    Ángel Álvarez
    • Nathaniel the Bartender
    • (as Angel Alvarez)
    Gino Pernice
    Gino Pernice
    • Brother Jonathan
    • (as Jimmy Douglas)
    Simón Arriaga
    • Miguel
    • (as Simon Arriaga)
    Giovanni Ivan Scratuglia
    • Klan Member
    • (as Ivan Scratuglia)
    Remo De Angelis
    Remo De Angelis
    • Ricardo
    • (as Erik Schippers)
    Rafael Albaicín
    • Member of Hugo's Gang
    • (as Raphael Albaicin)
    Eduardo Fajardo
    Eduardo Fajardo
    • Major Jackson
    Silvana Bacci
    • Mexican Saloon Girl
    • (non citato nei titoli originali)
    Mara Carisi
    • Brunette Saloon Girl
    • (non citato nei titoli originali)
    Flora Carosello
    • Black Hair Saloon Girl
    • (non citato nei titoli originali)
    Lucio De Santis
    Lucio De Santis
    • Whipping Bandit
    • (non citato nei titoli originali)
    Rolando De Santis
    • Klan Member
    • (non citato nei titoli originali)
    Gilberto Galimberti
    Gilberto Galimberti
    • Klan Member
    • (non citato nei titoli originali)
    Alfonso Giganti
    • Klan Member
    • (non citato nei titoli originali)
    • Regia
      • Sergio Corbucci
    • Sceneggiatura
      • Sergio Corbucci
      • Bruno Corbucci
      • Franco Rossetti
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti147

    7,232.7K
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    Recensioni in evidenza

    9Coventry

    Paint your wagon....RED WITH BLOOD!

    Sergio Corbucci's "Django", as well as his "The Great Silence" are two massively underrated spaghetti-westerns that co-founded the genre, along with Sergio Leone's Dollars-trilogy. Okay, this no "Once Upon a Time in the West" when it comes to atmosphere or plotting, but it is a magnificently mounted action ride with an utterly cool lead hero and an enormous body count. "Django" remained banned in several countries for a long time because of its explicit, comic-book like violence, and you'll see that this wasn't without reason, as the bad guys get slaughtered by the dozen in a good old-fashioned gunslinger way. The movie opens terrifically, with a sleazy title song and vicious images of a lonely cowboy wandering through the Southern wastelands with a coffin in tow. The man is Django and his coffin contains whatever he requires to fulfill his difficult goal: single-handedly finishing the war between the racist Major Jackson and Mexican bandidos by annihilating them all. Corbucci implements a straightforward, no-nonsense filming style with some great visuals and very creative camera angles. There are some ingenious aspects (Django's act of vengeance with molested hands) as well as some delicious clichés moments (wrestling prostitutes, extended bar fight sequences...). This film may not be a very intellectual form of entertainment, but it sure is fun and produced with a certain degree of class.

    Followed by a numberless amount of sequels, rip-offs and wannabes that are hardly worth purchasing. Stick to the original and have a blast!
    servalansrazor

    django da da deedeedee de dum

    Hello y'all. Just would like to add my own little critique of this movie.

    Django was probably the first Euro western i'd seen outside of the familiar Leone territory, and, at first i was a little dissapointed. So i watched it again, and again. Then it dawned on me just how cool it was, having been used to the choreographed pyrotechnics of much greater films(ie the leone dollars movies etc) this was a dirty, cold,bitter little movie where nobody really comes out on top, especially the movies protagonist. Yeah, i know he returned to kill and strike again, but this one stands alongside il grande silencio and Keoma as a really good example of a genre theme that would eventually be done to death. So what if it borrows from Leone? Don't forget where he borrowed from in the first place. Anyway, i would just like to say to anyone that has not seen this movie, give it a chance. One final note: in spite of our desensetisation to violence, this is still a stomach churning endeavour, with a body count like a hot day in france, and a sadistic bent that would make peter sutcliffe run for the bathroom, Django reaches parts that only a fistfull of broken fingers can!
    7ma-cortes

    Classic and violent Spaghetti Western with numerous imitations and rip-offs.

    This cult movie centers on Django(Franco Nero), a stranger man without identity , at the beginning he saves a woman (Loredana Nusciak). Later on , he is going to a village dragging a coffin behind him . The little town is located in the US-Mexican border . There he will take on two rivals , a Yankee group (leading Eduardo Fajardo) and a Mexican bunch (commanding Jose Bodalo). The colonel Jackson band is formed by a type of Ku-Klux-Klan hoodlums and he wears a red foulard . Django befriends the owner of the saloon (Angel Alvarez , a character-alike to Silvanito from ¨Fistful of dollars¨). Django seeks vengeance and go after the dastardly nasties because of his wife lies into a tomb captioning Mercedes Zaro (1839-1869) .

    It is an exciting western co-produced by Italy/Spain with breathtaking showdown between the starring and his enemies . The highlights of the film are the confrontation at the village full of mud and dirtiness , between the baddies hooded with a red scarf and Django wielding a machine gun (though with anachronism , because being actually a 'Maxim model' that was made in 1880 and isn't utilized the usual 'Gatlin' machine-gun) and there he does a real massacre . Besides , the attack at fort where Django and henchmen cause a cruel slaughter , and , of course , the final showdown at the graveyard . Django is named as homage to ¨Django Reinhardt¨ , the famous American musician who introduced his particular guitar . There are special remembrances to Leone's Westerns , thus: ¨Fistful of dollars¨ about the facing off between two bands and ¨The good, ugly and evil¨ regarding the cemetery duel . The film blends violence , blood , shootouts and it is fast moving except for the saloon's episode that's a little bit slow-moving . There are many technicians and assistants who will have a long career , as cameraman Enzo Barboni or E.B.Clucher (filmmaker of ¨Trinity¨ series with Terence Hill , Bud Spencer) who does an excellent photography with barren outdoors , dirty landscapes under a glimmer sun and foggy clouds , shot on outskirts of Madrid in La Pedriza , Torremocha Del Jarama and Colmenar Viejo . The musician Luis Enrique Bacalov (author of ¨The Postman and Pablo Neruda¨ which won an Oscar and composed lots of Spaghetti) creates a good soundtrack with Ennio Morricone influence . In addition , assistant direction by Ruggiero Deodato (Cannibal Holocaust). The picture was no authorized to minor 18 years and prohibited in various countries for its violence , for example , in England , but in France , Germany was a real hit and in Japan there is one ¨Fondazione Django¨ too . Sergio Corbucci direction is good ; after that , he would make several Spaghetti classics : ¨The great silence¨, ¨Compañeros¨ and ¨the Mercenary¨ and other considerable Paella Westerns : ¨Hellbenders¨, ¨Far west story¨ , ¨Johnny Oro¨ and ¨Navajo Joe¨.

    It is followed by an official sequel titled ¨Django strikes again (1987)¨ by Nello Rossati alias Ted Archer with Franco Nero who has left his previous life of violence in favor of a existence as monk , though returns when his daughter is kidnapped . Furthermore, numerous unofficial sequels , rip-offs , and copies , such as : ¨Django the last killer (67)¨ by Giuseppe Vari with George Eastman ; Django dares Sartana¨ (69) by Pascuale Squitieri ; Django Il Bastardo¨(1969) by Sergi Garrone with Anthony Steffen , ¨Django shoots first (1974)¨ by Alberto De Martino with Glen Saxon and Evelyn Stewart.
    9SMK-4

    Mystical central figure

    At least in Europe, this other spaghetti western variation of Kurosawa's Yojimbo was probably even more influential than the film that created the genre, A Fistful of Dollars, with countless imitations, rip-offs, sequels, remakes. The title hero is again very different from traditional Western heroes, but this time he is a much more mystical (almost religious) figure than even the man with no name, and the places he goes to are even dirtier and more desperate and downtrodden than any place we would find in a Leone Western.

    The impressive opening sequence shows Django dragging a coffin behind him through a muddy and featureless landscape, accompanied by Bacalov's title song (not Morricone, for a change), heading for his first battle. The coffin, his dark coat, and the mystique around him make him appear like an angel of death, invoking associations with the Red Death character in Roger Corman's Masque of the Red Death. Django is not quite as untouchable and supernatural, but the body count in his trace is comparable.
    QKnown

    "DJANGOOOOO!"

    If you've already seen Leone's FISTFULL OF DOLLARS a million times like I have, then you might be a little dissapointed when watching this one, since it's basically the same thing. Only difference here is that there's a little bit of gore which can upset a few people. And the dubbing is pretty awful, It sounds like the same guy who voices over 3 other characters in the film.

    I could go on about some other distractions, but I'm not here to pan this flick.As a matter of fact, I LIKE IT! You have to realize that this film was a stepping-stone for the action genre that has continued to this day. So give credit where credit is due!

    Perhaps my favorite part of the film is the opener, Django himself, walking (What? No horse?) through a dark,cold,muddy world, dragging his good ol' mysterious coffin and being accompanied by the music of the title song (A catchy tune which sounds like a combination of Elvis and the Moody Blues).

    What follows next is common in "Spaghetti-land", so If you love these films or have never seen any, be obliged to take a peek at this flick.

    Altri elementi simili

    Il grande silenzio
    7,7
    Il grande silenzio
    Django 2 - Il grande ritorno
    5,3
    Django 2 - Il grande ritorno
    Il mercenario
    7,1
    Il mercenario
    Vamos a matar compañeros
    7,2
    Vamos a matar compañeros
    La resa dei conti
    7,4
    La resa dei conti
    Da uomo a uomo
    7,0
    Da uomo a uomo
    Navajo Joe
    6,3
    Navajo Joe
    Keoma
    7,0
    Keoma
    Giù la testa
    7,5
    Giù la testa
    I giorni dell'ira
    7,0
    I giorni dell'ira
    Django
    4,6
    Django
    Preparati la bara!
    6,4
    Preparati la bara!

    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      The graphic violent content of the film led to its being banned in several countries, and it was rejected by the UK until 1993. It was not rated in the US.
    • Blooper
      Whenever the belt-fed machine gun fires, the belt doesn't move at all.
    • Citazioni

      Django: You can clean up the mess, now. But don't touch my coffin.

    • Versioni alternative
      Restored version by Blue Underground includes restored scenes not found on previous releases.
    • Connessioni
      Edited into Lo chiamavano King (1971)
    • Colonne sonore
      Django (theme)
      Lyrics by Franco Migliacci (as Migliacci) and Robert Mellin (uncredited)

      Composed by Luis Bacalov (as Enriquez)

      Conducted by Bruno Nicolai (uncredited)

      Performed by Rocky Roberts

      Published by General Music [it]

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    Dettagli

    Modifica
    • Data di uscita
      • 23 settembre 1966 (Giappone)
    • Paesi di origine
      • Italia
      • Spagna
    • Lingua
      • Italiano
    • Celebre anche come
      • Jango
    • Luoghi delle riprese
      • Torremocha de Jarama, Madrid, Spagna
    • Aziende produttrici
      • B.R.C. Produzione S.r.l.
      • Tecisa
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Lordo Stati Uniti e Canada
      • 25.916 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 6150 USD
      • 23 dic 2012
    • Lordo in tutto il mondo
      • 30.323 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 31 minuti
    • Mix di suoni
      • Mono
    • Proporzioni
      • 1.66 : 1

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